Hauke Lehmann – författare
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4 produkter
4 produkter
1 185 kr
Skickas inom 5-8 vardagar
The Cinepoetics book series aims at a theoretical and analytical reconceptualization of the discursivity of audiovisual images. The focus is not on the circulation of media representations but on the modes of this circulation: How do audiovisual images as figurations of media experience relate to other audiovisual images? What does it mean to describe different modes of audiovisual experience and recursivity as forms of cinematic thinking? From this perspective, the series’ volumes provide analyses of the aesthetic dimension, historical function and cultural significance of their subjects, making the poetic logic of audiovisual images accessible to an interdisciplinary audience. Please note also the English-language Cinepoetics book series and the series Cinepoetics Essay.
1 371 kr
Skickas inom 5-8 vardagar
How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences – to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
307 kr
Skickas inom 5-8 vardagar
How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences – to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
1 005 kr
Skickas inom 10-15 vardagar
Das Handbuch führt erstmals die vielseitigen Traditionen der Emotionsforschung zusammen. Den Anfang macht eine historische Betrachtung der Emotions- und Affekttheorien von der Antike bis zur Moderne. Dem folgt eine umfassende Übersicht zentraler Emotionskonzepte der Gegenwart, wie sie in Psychologie und Philosophie diskutiert werden. Vor dem Hintergrund dieser Konzepte und ihrer historischen Verortung entfaltet das Handbuch eine umfassende Typologie der Emotionen. Verschiedenste Komplexe – wie etwa Trauer, Melancholie und Depression oder Freude, Glück und Wohlbefinden – werden jeweils in den Sichtweisen unterschiedlicher Disziplinen dargelegt, darunter Ethnologie, Philosophie, Literaturwissenschaft, Soziologie, Psychologie. Abschließend werden entlang zentraler Konzepte wie Sprache, Kultur, Politik und Medien vier wesentliche Fluchtlinien aktueller Emotionsforschung entfaltet, welche den Horizont einzelner Disziplinen überschreiten und entsprechend in interdisziplinärer Perspektive erschlossen werden.