Hauser & Wirth – författare

Exploring Frank Bowling's investigations into the materiality of paint over his storied career, 'Penumbral Light' plunges readers into a vibrant world of color, transparency, movement, water, and light.Focusing on a selection of eight monumental works made during and after 2020, Frank Bowling: Penumbral Light explores Frank Bowling’s obsessive inquiry into the materiality of paint. With a foreword by the artist’s son, Ben Bowling, and an essay-conversation by curator Gemma Brace, this publication grants readers access to a vibrant world made of water, color, transparency, surface, movement, and light.Frank Bowling: Penumbral Light is published to accompany the exhibition of the same name at Hauser & Wirth Zurich in Summer 2022.

An intimate collaboration between mother and son, bringing together poems by Cheryl Johnson-Odim and drawings by her son, the acclaimed American artist Rashid Johnson.Poems by Cheryl Johnson-Odim, Rashid Johnson’s mother, are accompanied here by a selection of Johnson’s drawings and a far-ranging conversation between mother and son.The book is based on an updated version of Johnson-Odim’s Other Women Before Me—first published in 1985, the year Rashid turned eight years old. In 2022, Johnson presented the stapled pamphlet—along with titles by the likes of Amiri Baraka, Nikki Giovanni, Claudia Rankine and Sylvia Plath—in a reading area accompanying his exhibition ‘Sodade’ at Hauser & Wirth Menorca, where the artwork featured on the cover of this publication was also on view.

An honest and highly personal account of Sigríður Björnsdóttir’s relationship with artist Dieter Roth, which delves into her personal artistic practice as well as their collaborative and experimental work. Dieter Roth in My Life: Memories is a rare testimony—an honest and highly personal account of a period in Sigríður Björnsdóttir’s life, shared with a man she describes as the love of her life. The author met 26-year-old Dieter Roth in Copenhagen in 1956. A year later, Roth joined her in Reykjavík, and in 1957 they married. Over sixty years later, Björnsdóttir recounts their meeting, their life together with her daughter, Adda, and their children Karl, Björn and Vera, the ups and downs of their marriage, and their eventual separation and divorce. Beyond her own professional and artistic activities, and her roles as mother and wife, the author describes her collaborative and experimental work with Roth, their encounters with friends and artistic peers within the tightly woven Icelandic creative community, and the beginnings of Roth’s multifaceted practice.