Heather O'Donoghue – författare

From Asgard to Valhalla takes readers deep inside Odin’s cavernous hall and tells of the adventures, tragedies and lessons of the Viking Gods. Here, Heather O’Donoghue skillfully uncovers both the history and legacy of these myths to provide the authoritative student text on Old Norse mythology.From the magnificent tales of A Song of Ice and Fire and the supernatural wonders of Valkyries to Tolkien’s Riders of Rohan and Marvel’s mighty Thor, Norse mythology is a fundamental part of western culture. Drawing from a wealth of sources and scholarly debates, this fully-updated and expanded 2nd edition offers both an engaging survey of the Old Norse myths and an accessible introduction to how such strange and fragmentary material has been seized, repurposed and at times abused throughout the centuries. Notably, this important and timely study explores how Old Norse mythology has been – and continues to be – weaponized by far right movements across the world. Containing 2 brand new chapters on post-medieval reception, 30 illustrations for a stronger visual context and pedagogical updates throughout to aid further study, this new edition of From Asgard to Valhalla: The Remarkable History of the Norse Myths is a vital resource for all students of Old Norse mythology.

English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth -- stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja -- on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.

Skaldic Verse and the Poetics of Saga Narrative is a study of the varying relationships between verse and prose in a series of Old Norse-Icelandic saga narratives. It shows how the interplay of skaldic verse, with its metrical intricacy and cryptic diction, and saga prose, with its habitual spare clarity, can be used to achieve a wide variety of sophisticated stylistic and psychological effects. In sagas, there is a fundamental distinction between verseswhich are ostensibly quoted to corroborate what is stated in the narrative, and verses which are presented as the speech of characters in the saga. Corroborative verses are typical of-but not confined to-historical writings, the verses acting as a footnote to the narrative. Dialogue verses, with their illusionthat saga characters break into verse at crucial points in the story, belong to the realm of fiction. This study, which focuses on historical writings such as Ágrip and Heimskringla, and three of the major family sagas, Eyrbyggja saga, Gisla saga and Grettis saga, shows that a close reading of the prosimetrum in the narrative can be used to chart the complex and delicate boundaries between history and fiction in the sagas. When skaldic stanzasare presented as the dialogue of saga characters, the characteristic naturalism of these narratives is breached. But some saga authors, as this book shows, extend still further the expressiveness of saga narrative, presenting skaldic stanzas as the soliloquies of saga characters. This technique enables the direct articulation of emotion, and hencedramatic focalization of the narrative and the creation of psychological climaxes. As an epilogue, Heather O''Donoghue considers the absence of such effects in Hrafnkels saga-a highly literary narrative without verses.

Beowulf is the longest and finest literary work to have come down to us from Anglo-Saxon times, and one of the world''s greatest epic poems. Set in the half-legendary, half historical Scandinavian past, it tells the story of the hero Beowulf, who comes to the aid of the Danish king Hrothgar by killing first the terrifying, demonic monster Grendel, and then Grendel''s infuriated and vengeful mother. A lifetime later, Beowulf''s own kingdom, Geatland, isthreatened by a fiery dragon; Beowulf heroically takes on this challenge, but himself dies killing the dragon.The poem celebrates the virtues of the heroic life, but Hrothgar and Beowulf are beacons of wisdom and courage in a dark world of feuds, violence and uncertainty, and Beowulf''s selfless heroism is set against a background of ruthless power struggles, fratricide and tyranny. This acclaimed translation is complemented by a critical introduction and substantial editorial apparatus.`The poem has at last found its translator . . .supremely well done''Charles CausleyABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Beowulf is the longest and finest literary work to have come down to us from Anglo-Saxon times, and one of the world''s greatest epic poems. Set in the half-legendary, half historical Scandinavian past, it tells the story of the hero Beowulf, who comes to the aid of the Danish king Hrothgar by killing first the terrifying, demonic monster Grendel, and then Grendel''s infuriated and vengeful mother. A lifetime later, Beowulf''s own kingdom, Geatland, isthreatened by a fiery dragon; Beowulf heroically takes on this challenge, but himself dies killing the dragon.The poem celebrates the virtues of the heroic life, but Hrothgar and Beowulf are beacons of wisdom and courage in a dark world of feuds, violence and uncertainty, and Beowulf''s selfless heroism is set against a background of ruthless power struggles, fratricide and tyranny. This acclaimed translation is complemented by a critical introduction and substantial editorial apparatus.`The poem has at last found its translator . . .supremely well done''Charles CausleyABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The origins of many of the Icelandic sagas have long been the subject of critical speculation and controversy. This book demonstrates that an investigation of the relationship between verse and prose in saga narrative can be used to reconstruct how Icelandic sagas were composed; to this end it provides a detailed analysis of Kormaks saga, whose hero Kormakr is one of the most celebrated of Icelandic poets. Over sixty of his passionate, cryptic skaldic stanzas are quoted in the saga, and the way they and the saga prose are fitted together reveals that Kormaks saga, far from being a seamless narrative of either pre-Christian oral tradition or later medieval fiction, is in fact a patchwork of different kinds of literary materials. This book offers an original and productive way of understanding not only the compositional method and distinctive aesthetic qualities of Kormaks saga, but also the genesis of many other Icelandic saga narratives.

Skaldic Verse and the Poetics of Saga Narrative is a study of the varying relationships between verse and prose in a series of Old Norse-Icelandic saga narratives. It shows how the interplay of skaldic verse, with its metrical intricacy and cryptic diction, and saga prose, with its habitual spare clarity, can be used to achieve a wide variety of sophisticated stylistic and psychological effects. In sagas, there is a fundamental distinction between verses which are ostensibly quoted to corroborate what is stated in the narrative, and verses which are presented as the speech of characters in the saga. Corroborative verses are typical of-but not confined to-historical writings, the verses acting as a footnote to the narrative. Dialogue verses, with their illusion that saga characters break into verse at crucial points in the story, belong to the realm of fiction. This study, which focuses on historical writings such as Ágrip and Heimskringla, and three of the major family sagas, Eyrbyggja saga, Gisla saga and Grettis saga, shows that a close reading of the prosimetrum in the narrative can be used to chart the complex and delicate boundaries between history and fiction in the sagas. When skaldic stanzas are presented as the dialogue of saga characters, the characteristic naturalism of these narratives is breached. But some saga authors, as this book shows, extend still further the expressiveness of saga narrative, presenting skaldic stanzas as the soliloquies of saga characters. This technique enables the direct articulation of emotion, and hence dramatic focalization of the narrative and the creation of psychological climaxes. As an epilogue, Heather O'Donoghue considers the absence of such effects in Hrafnkels saga-a highly literary narrative without verses.

Beowulf is the longest and finest literary work to have come down to us from Anglo-Saxon times, and one of the world's greatest epic poems. Set in the half-legendary, half historical Scandinavian past, it tells the story of the hero Beowulf, who comes to the aid of the Danish king Hrothgar by killing first the terrifying, demonic monster Grendel, and then Grendel's infuriated and vengeful mother. A lifetime later, Beowulf's own kingdom, Geatland, is threatened by a fiery dragon; Beowulf heroically takes on this challenge, but himself dies killing the dragon. The poem celebrates the virtues of the heroic life, but Hrothgar and Beowulf are beacons of wisdom and courage in a dark world of feuds, violence and uncertainty, and Beowulf's selfless heroism is set against a background of ruthless power struggles, fratricide and tyranny. This acclaimed translation is complemented by a critical introduction and substantial editorial apparatus. `The poem has at last found its translator . . .supremely well done' Charles Causley ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth -- stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja -- on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.

From runic inscriptions to sagas, this book introduces readers to the colourful world of Old Norse-Icelandic literature.

An introduction to the colourful world of Old Norse-Icelandic literature. Covers mythology and family sagas, as well as less well-known areas, such as oral story-telling, Eddaic verse and skaldic verse. An introduction helps readers to appreciate the language and culture of the first settlers in Iceland. Looks at the reception of Old-Norse-Icelandic literature over the ages, as views of the vikings have changed. Shows how a whole range of authors from Shakespeare to Seamus Heaney have been influenced by Old Norse-Icelandic literature.

From runic inscriptions to sagas, this book introduces readers to the colourful world of Old Norse-Icelandic literature. An introduction to the colourful world of Old Norse-Icelandic literature.Covers mythology and family sagas, as well as less well-known areas, such as oral story-telling, Eddaic verse and skaldic verse.An introduction helps readers to appreciate the language and culture of the first settlers in Iceland.Looks at the reception of Old-Norse-Icelandic literature over the ages, as views of the vikings have changed.Shows how a whole range of authors from Shakespeare to Seamus Heaney have been influenced by Old Norse-Icelandic literature.

From runic inscriptions to sagas, this book introduces readers to the colourful world of Old Norse-Icelandic literature. An introduction to the colourful world of Old Norse-Icelandic literature.Covers mythology and family sagas, as well as less well-known areas, such as oral story-telling, Eddaic verse and skaldic verse.An introduction helps readers to appreciate the language and culture of the first settlers in Iceland.Looks at the reception of Old-Norse-Icelandic literature over the ages, as views of the vikings have changed.Shows how a whole range of authors from Shakespeare to Seamus Heaney have been influenced by Old Norse-Icelandic literature.

Whether they focus on Thor's powerful hammer, the mysterious valkyries, the palatial home of the gods - Asgard - or ravenous wolves and fierce elemental giants, the Norse myths are packed with vivid incident. But at the centre of their cosmos stands a gnarled old ash tree from which all distances and times are measured. When the old tree creaks, Ragnarok - the end of the world and of the gods themselves - is at hand. It is from this tree that Odin, father of the gods, hanged himself in search of the wisdom of the dead: a disturbing image of divine sacrifice far removed from the feasting and fighting of his otherworld home, Valhalla. This is the first book to show how the Norse myths have resonated from era to era: from Viking-age stories of ice and fire to the epic poetry of Beowulf; and from Wagner's "Ring" to Marvel Comics' "Mighty Thor". Heather O'Donoghue considers the wider contexts of Norse mythology, including its origins, medieval expression and reception in post-medieval societies right up to the present. "From Asgard to Valhalla" is a book that will intrigue and delight anyone with an interest in how the Norse myths have so profoundly shaped the western cultural heritage.

Whether they focus on Thor's powerful hammer, the wailing Valkyrie, the palatial home of the gods - Asgard - or ravenous wolves and fierce elemental giants, the Norse myths are packed with rowdy incident. But at the centre of their cosmos stands a gnarled old ash tree, Yggdrasil, from which all distances and times are measured. When the old tree creaks, Ragnarok - the end of the world and of the gods themselves - is at hand. It is from this tree that Odin, father of the gods, hanged himself in search of the wisdom of the dead: a disturbing image of divine sacrifice far removed from the feasting and fighting of his otherworld home, Valhalla. And an image so problematic for thirteenth century Christians that they left it out when they wrote the myths down. From Asgard to Valhalla is the first book to show how and why the Norse myths have so powerfully resonated from era to era: from Viking-age stories of ice and fire to the epic poetry of Beowulf; and from Wagner's Ring to Marvel Comics' Mighty Thor. Heather O'Donoghue, who is an expert on Old Norse culture, shows in what ways the Norse myths have impacted on the western mind, across the fields of literature, art, music and politics. She considers the wider contexts of Norse mythology, including its origins, medieval expression and reception in post-medieval societies right up to the present. From Asgard to Valhalla is a book that will intrigue and delight anyone who is keen to understand how the Norse myths have so profoundly shaped, and continue to shape, the western cultural heritage.

A landmark new history of Old Norse-Icelandic literature, this volume is a comprehensive, up-to-date guide to a unique and celebrated body of medieval writing. Chapters by internationally recognized experts offer the latest in-depth analysis of every significant genre and group of texts in the corpus, including sagas and skaldic verse, romances and saints' lives, myths and histories, laws and learned literature. Together, they provide a scholarly, readable and accessible overview of the whole field. Innovatively organized by the chronology and geography of the texts' settings - which stretch from mythic history to medieval Iceland, from Vinland to Byzantium - they reveal the interconnectedness of diverse genres encompassing verse and prose, translations and original works, Christian and pre-Christian literature, fiction and non-fiction. This is the ideal volume for specialists, students and general readers who want a fresh and authoritative guide to the literature of medieval Iceland and Norway.

This title tells from deep within Odin's cavernous halls: the stories of the Viking Gods.From Viking-age stories of ice and fire to the epic poetry of "Beowulf", from the warrior Valkyries to Tolkien's "Riders of Rohan" and from Wagner's "Gotterdammerung" to Marvel's "Mighty Thor", Norse mythology arguably offers something for everyone. "From Asgard to Valhalla" is unique in showing how these myths have impacted on and continue powerfully to resonate across the fields of literature, art, music and politics. In her sparkling new book, Heather O'Donoghue ranges from the high culture of "The Poetic Edda" and the Romantic sublime to popular manifestations of Norse mythology, such as the fantasy novels of Neil Gaiman and Diana Wynne Jones. Distinguishing the myths in their original form from a host of later accretions, the book tells the gripping story of how such strange and fragmentary material was seized and remodelled throughout the centuries: whether by the volkisch fantasies of the Third Reich or the modern-day cult appeal of Viking Metal.

Representative of a unique literary genre and composed in the 13th and 14th centuries, the Icelandic Family Sagas rank among some of the world’s greatest literature. Here, Heather O’Donoghue skilfully examines the notions of time and the singular textual voice of the Sagas, offering a fresh perspective on the foundational texts of Old Norse and medieval Icelandic heritage. With a conspicuous absence of giants, dragons, and fairy tale magic, these sagas reflect a real-world society in transition, grappling with major new challenges of identity and development. As this book reveals, the stance of the narrator and the role of time – from the representation of external time passing to the audience's experience of moving through a narrative – are crucial to these stories. As such, Narrative in the Icelandic Family Saga draws on modern narratological theory to explore the ways in which saga authors maintain the urgency and complexity of their material, handle the narrative and chronological line, and offer perceptive insights into saga society. In doing so, O’Donoghue presents a new poetics of family sagas and redefines the literary rhetoric of saga narratives.

The Old English epic poem Beowulf has an established reputation as a canonical text. And yet the original poem has remained inaccessible to all but experienced scholars of Old English. This book aims to present the poem to readers who want to know what makes it such a remarkable work of art, and why it is of such cultural significance. Most readers will only have encountered Beowulf through one of its many translations or adaptations; others have had to take on this unique survivor from a past era as a challenging translation exercise, part of their academic study of the poem. This book sidesteps scholarly debates about the poem''s unknowns – its date, provenance or author – and focusses instead on its poetic artistry, its interleaving of heroic pasts and Christian present, and its poet''s extraordinary breadth of reference, from biblical history to Old Norse myth. But the strange intricacies of Old English metre and poetic language are explained, and the poet''s evocation of the ethics and material world of an imagined pre-Viking Scandinavia is explored. Beowulf: Poem, Poet and Hero follows the story of the poem through its many interwoven voices from different times and places, and the poem emerges as a work of reflective beauty, its human characters full of touching pathos and wisdom, its notorious monsters still speaking to our own societies'' abiding insecurities. The final section, on post-medieval responses to Beowulf, shows how the poem has been taken up as a European cultural icon. This book restores its status as a literary masterpiece.

The Old English epic poem Beowulf has an established reputation as a canonical text. And yet the original poem has remained inaccessible to all but experienced scholars of Old English. This book aims to present the poem to readers who want to know what makes it such a remarkable work of art, and why it is of such cultural significance. Most readers will only have encountered Beowulf through one of its many translations or adaptations; others have had to take on this unique survivor from a past era as a challenging translation exercise, part of their academic study of the poem. This book sidesteps scholarly debates about the poem''s unknowns – its date, provenance or author – and focusses instead on its poetic artistry, its interleaving of heroic pasts and Christian present, and its poet''s extraordinary breadth of reference, from biblical history to Old Norse myth. But the strange intricacies of Old English metre and poetic language are explained, and the poet''s evocation of the ethics and material world of an imagined pre-Viking Scandinavia is explored. Beowulf: Poem, Poet and Hero follows the story of the poem through its many interwoven voices from different times and places, and the poem emerges as a work of reflective beauty, its human characters full of touching pathos and wisdom, its notorious monsters still speaking to our own societies'' abiding insecurities. The final section, on post-medieval responses to Beowulf, shows how the poem has been taken up as a European cultural icon. This book restores its status as a literary masterpiece.

From Asgard to Valhalla takes readers deep inside Odin’s cavernous hall and tells of the adventures, tragedies and lessons of the Viking Gods. Here, Heather O’Donoghue skillfully uncovers both the history and legacy of these myths to provide the authoritative student text on Old Norse mythology.From the magnificent tales of A Song of Ice and Fire and the supernatural wonders of Valkyries to Tolkien’s Riders of Rohan and Marvel’s mighty Thor, Norse mythology is a fundamental part of western culture. Drawing from a wealth of sources and scholarly debates, this fully-updated and expanded 2nd edition offers both an engaging survey of the Old Norse myths and an accessible introduction to how such strange and fragmentary material has been seized, repurposed and at times abused throughout the centuries. Notably, this important and timely study explores how Old Norse mythology has been – and continues to be – weaponized by far right movements across the world. Containing 2 brand new chapters on post-medieval reception, 30 illustrations for a stronger visual context and pedagogical updates throughout to aid further study, this new edition of From Asgard to Valhalla: The Remarkable History of the Norse Myths is a vital resource for all students of Old Norse mythology.

From Asgard to Valhalla takes readers deep inside Odin''s cavernous hall and tells of the adventures, tragedies and lessons of the Viking Gods. Here, Heather O''Donoghue skillfully uncovers both the history and legacy of these myths to provide the authoritative student text on Old Norse mythology. From the magnificent tales of A Song of Ice and Fire and the supernatural wonders of Valkyries to Tolkien''s Riders of Rohan and Marvel''s mighty Thor, Norse mythology is a fundamental part of western culture. Drawing from a wealth of sources and scholarly debates, this fully-updated and expanded 2nd edition offers both an engaging survey of the Old Norse myths and an accessible introduction to how such strange and fragmentary material has been seized, repurposed and at times abused throughout the centuries. Notably, this important and timely study explores how Old Norse mythology has been – and continues to be – weaponized by far right movements across the world. Containing 2 brand new chapters on post-medieval reception, 30 illustrations for a stronger visual context and pedagogical updates throughout to aid further study, this new edition of From Asgard to Valhalla: The Remarkable History of the Norse Myths is a vital resource for all students of Old Norse mythology.

From Asgard to Valhalla takes readers deep inside Odin''s cavernous hall and tells of the adventures, tragedies and lessons of the Viking Gods. Here, Heather O''Donoghue skillfully uncovers both the history and legacy of these myths to provide the authoritative student text on Old Norse mythology. From the magnificent tales of A Song of Ice and Fire and the supernatural wonders of Valkyries to Tolkien''s Riders of Rohan and Marvel''s mighty Thor, Norse mythology is a fundamental part of western culture. Drawing from a wealth of sources and scholarly debates, this fully-updated and expanded 2nd edition offers both an engaging survey of the Old Norse myths and an accessible introduction to how such strange and fragmentary material has been seized, repurposed and at times abused throughout the centuries. Notably, this important and timely study explores how Old Norse mythology has been – and continues to be – weaponized by far right movements across the world. Containing 2 brand new chapters on post-medieval reception, 30 illustrations for a stronger visual context and pedagogical updates throughout to aid further study, this new edition of From Asgard to Valhalla: The Remarkable History of the Norse Myths is a vital resource for all students of Old Norse mythology.

The Old English epic poem Beowulf has an established reputation as a canonical text. And yet the original poem has remained inaccessible to all but experienced scholars of Old English. This book aims to present the poem to readers who want to know what makes it such a remarkable work of art, and why it is of such cultural significance.Most readers will only have encountered Beowulf through one of its many translations or adaptations; others have had to take on this unique survivor from a past era as a challenging translation exercise, part of their academic study of the poem. This book sidesteps scholarly debates about the poem’s unknowns – its date, provenance or author – and focusses instead on its poetic artistry, its interleaving of heroic pasts and Christian present, and its poet’s extraordinary breadth of reference, from biblical history to Old Norse myth. But the strange intricacies of Old English metre and poetic language are explained, and the poet’s evocation of the ethics and material world of an imagined pre-Viking Scandinavia is explored.Beowulf: Poem, Poet and Hero follows the story of the poem through its many interwoven voices from different times and places, and the poem emerges as a work of reflective beauty, its human characters full of touching pathos and wisdom, its notorious monsters still speaking to our own societies’ abiding insecurities. The final section, on post-medieval responses to Beowulf, shows how the poem has been taken up as a European cultural icon. This book restores its status as a literary masterpiece.

Representative of a unique literary genre and composed in the 13th and 14th centuries, the Icelandic Family Sagas rank among some of the world''s greatest literature. Here, Heather O''Donoghue skilfully examines the notions of time and the singular textual voice of the Sagas, offering a fresh perspective on the foundational texts of Old Norse and medieval Icelandic heritage. With a conspicuous absence of giants, dragons, and fairy tale magic, these sagas reflect a real-world society in transition, grappling with major new challenges of identity and development. As this book reveals, the stance of the narrator and the role of time – from the representation of external time passing to the audience''s experience of moving through a narrative – are crucial to these stories. As such, Narrative in the Icelandic Family Saga draws on modern narratological theory to explore the ways in which saga authors maintain the urgency and complexity of their material, handle the narrative and chronological line, and offer perceptive insights into saga society. In doing so, O''Donoghue presents a new poetics of family sagas and redefines the literary rhetoric of saga narratives.

Representative of a unique literary genre and composed in the 13th and 14th centuries, the Icelandic Family Sagas rank among some of the world''s greatest literature. Here, Heather O''Donoghue skilfully examines the notions of time and the singular textual voice of the Sagas, offering a fresh perspective on the foundational texts of Old Norse and medieval Icelandic heritage. With a conspicuous absence of giants, dragons, and fairy tale magic, these sagas reflect a real-world society in transition, grappling with major new challenges of identity and development. As this book reveals, the stance of the narrator and the role of time – from the representation of external time passing to the audience''s experience of moving through a narrative – are crucial to these stories. As such, Narrative in the Icelandic Family Saga draws on modern narratological theory to explore the ways in which saga authors maintain the urgency and complexity of their material, handle the narrative and chronological line, and offer perceptive insights into saga society. In doing so, O''Donoghue presents a new poetics of family sagas and redefines the literary rhetoric of saga narratives.