Heather Richardson – författare

This book draws together the learning of a wide range of social workers and other professionals engaged in end of life care who recognise that dying is essentially a social experience and want to tailor a personal, professional and societal response accordingly. Through a systemic lens, the book explores the nature and experience of living and dying in the UK today, then considers ways in which social workers and others may want to work with people who are affected by a diagnosis of a life-threatening condition. The contributors offer rich and contemporary perspectives on death, dying and loss, reflective of their different approaches and interests. The insights of the book are timely, given the growing levels and changing nature of needs for people who are coming to the end of their life in the UK and beyond, and the related requirements for compassionate, personalised and holistic care within the increasingly professionalised arena of health and social care. This book will be of interest to social work practitioners, students, and others committed to psychosocial support of people who are dying or bereaved, and who want to consider how to provide this support most effectively. Professionals who are interested in working alongside social workers to deliver high quality end of life care will also find this publication useful. This book was originally published as a special issue of the Journal of Social Work Practice.

On December 29, 1890, five hundred American troops massed around hundreds of unarmed Lakota Sioux men, women, and children near Wounded Knee Creek, South Dakota. Outnumbered and demoralized, the Sioux posed no threat to the soldiers and put up no resistance. But in a chaotic scene, the Americans opened fire with howitzers, killing nearly three hundred Sioux in what would become known as the Wounded Knee Massacre. In this definitive account, acclaimed historian Heather Cox Richardson shows that the origins of this quintessential American tragedy lay not in the West but in Washington, where would-be lawmakers, locked in a desperate midterm-election battle, sought to drum up votes through an age-old political tool: fear.

This book draws together the learning of a wide range of social workers and other professionals engaged in end of life care who recognise that dying is essentially a social experience and want to tailor a personal, professional and societal response accordingly. Through a systemic lens, the book explores the nature and experience of living and dying in the UK today, then considers ways in which social workers and others may want to work with people who are affected by a diagnosis of a life-threatening condition. The contributors offer rich and contemporary perspectives on death, dying and loss, reflective of their different approaches and interests. The insights of the book are timely, given the growing levels and changing nature of needs for people who are coming to the end of their life in the UK and beyond, and the related requirements for compassionate, personalised and holistic care within the increasingly professionalised arena of health and social care. This book will be of interest to social work practitioners, students, and others committed to psychosocial support of people who are dying or bereaved, and who want to consider how to provide this support most effectively. Professionals who are interested in working alongside social workers to deliver high quality end of life care will also find this publication useful. This book was originally published as a special issue of the Journal of Social Work Practice.

An essential guide for writers of fiction, poetry, life writing and drama, A Creative Writing Handbook offers expert advice on structuring compelling narratives and cultivating distinctive voices.Writing, research and editing activities combine with rich and varied examples to help develop the skills and techniques a writer needs. This hands-on approach examines scriptwriting for different media and considers how skills and techniques from one form of writing might usefully cross over to others: how does a short story become a film? How are techniques from scriptwriting employed in novels? And how might poets and life writers fruitfully engage with the strategies of dramatists and writers of prose fiction?This second edition has been extensively updated with content that reflects current developments in forms such as life writing, flash fiction and audio drama. It includes examples of work by a wide range of writers using a variety of styles and approaches, showcasing the diversity of contemporary writing. For individual writers, writing groups and courses, and writers’ workshops, A Creative Writing Handbook provides: creative techniques for developing short stories and novelsdetailed introductions to stage, audio and film writingstrategies for incorporating dramatic techniques in poetrythought-provoking approaches to life writingpractical guidance on layout and adaptation techniques for different mediaexciting activities to help writers discover new approaches, strengthen their writing, and develop their own practice and voice.A Creative Writing Handbook has been written by nine published authors and creative writing lecturers who have taught at institutions including the University of Cambridge, the University of East Anglia and New York University.It is edited by Derek Neale, a fiction writer and dramatist who is Emeritus Professor of Creative Writing at The Open University, and Heather Richardson, Emma Claire Sweeney and Siobhán Campbell, Senior Lecturers in Creative Writing at The Open University, who are variously novelists, short story writers, poets and authors of creative non-fiction.

When Abraham Lincoln helped create the Republican Party on the eve of the Civil War, his goal was to promote economic opportunity for all Americans, not just the slaveholding Southern planters who steered national politics. Yet, despite the egalitarian dream at the heart of its founding, the Republican Party quickly became mired in a fundamental identity crisis. Would it be the party of democratic ideals? Or would it be the party of moneyed interests? In the century and a half since, Republicans have vacillated between these two poles, with dire economic, political, and moral repercussions for the entire nation.In To Make Men Free, celebrated historian Heather Cox Richardson traces the shifting ideology of the Grand Old Party from the antebellum era to the present, revealing the insidious cycle of boom and bust that has characterized the Party since its inception. While in office, progressive Republicans like Teddy Roosevelt and Dwight Eisenhower revived Lincoln's vision of economic freedom and expanded the government, attacking the concentration of wealth and nurturing upward mobility. But they and others like them have been continually thwarted by powerful business interests in the Party. Their opponents appealed to Americans' latent racism and xenophobia to regain political power, linking taxation and regulation to redistribution and socialism. The results of the Party's wholesale embrace of big business are all too familiar: financial collapses like the Panic of 1893, the Great Depression in 1929, and the Great Recession in 2008. With each passing decade, with each missed opportunity and political misstep, the schism within the Republican Party has grown wider, pulling the GOP ever further from its founding principles.Now with a new epilogue that reflects on the Trump era and what comes after it, To Make Men Free is a sweeping history of the Party that was once considered America's greatest political hope, but now lies in disarray.

This is a story of sex, drugs and blasphemy in late seventeenth-century Edinburgh experienced through four viewpoints over fifteen years: Dr Robert Carruth, his wife Isobel, and university students Mungo Craig and Thomas Aikenhead. After participating in the particularly gruesome autopsy of a pregnant prisoner, Robert is unable to consummate his marriage to Isobel. He buries himself in work, and his overzealousness contributes to the demise of a down-at-heel apothecary named James Aikenhead. Fifteen years pass and the apothecary’s son, Thomas, appears at the Carruths’ door seeking recompense for his father’s death. At his side is Mungo Craig, a cunning poet with dubious loyalties. The two insinuate their way into Robert and Isobel’s life, freshly exposing old fault lines in the Carruths’ marriage and subjecting them to dangerous new pressure.