Heidi Thomson – författare

Lord and Lady Clonbrony are more concerned with fashionable London society than with their responsibilities to those who live and work on their Irish estates. Concerned by this negligence, their son Lord Colambre goes incognito to Ireland to observe the situation and to discover the truth about the origins of his beloved cousin Grace. Can he find a solution that will bring prosperity and contentment to every level of society, including his own family? Rich in atmosphere and local character, The Absentee (1812) helped establish the 'regional' novel form, which influenced such varied writers as Scott, Thackeray and Turgenev. In this sparkling satire on Anglo-Irish relations, Maria Edgeworth created a landmark work of morality and social realism.

This book examines how Coleridge staged his private woes in the public space of the newspaper. It looks at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.

This book examines how Coleridge staged his private woes in the public space of the newspaper. It looks at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.