Helene Strauss – författare

Across Africa, new collectivities are shifting the terms within which access to economic opportunity, social belonging, and political agency have historically been understood. Recent years have seen powerful waves of civic mobilization sweep across the continent. Less prominent articulations of contemporary political desire have also been percolating through the diffuse experiences of the African everyday. As differential access to global capitalism and its promises folds into modes of subjection—and escape—that are hard to predict, those who exercise power find ever more ways of guarding the borders and memberships of privileged groups. This book turns to the critically entangled terms of affect and access as a basis for exploring emergent orientations in the field of African cultural theorizing. It pays especial attention to scholarship engaging with the multifaceted coordinates of political and social participation, where complex assemblages of affective attachment, exchange, and realignment work in concert with demands for socio-political and economic forms of access. This book was originally published as a special issue of Safundi.

Across Africa, new collectivities are shifting the terms within which access to economic opportunity, social belonging, and political agency have historically been understood. Recent years have seen powerful waves of civic mobilization sweep across the continent. Less prominent articulations of contemporary political desire have also been percolating through the diffuse experiences of the African everyday. As differential access to global capitalism and its promises folds into modes of subjection—and escape—that are hard to predict, those who exercise power find ever more ways of guarding the borders and memberships of privileged groups. This book turns to the critically entangled terms of affect and access as a basis for exploring emergent orientations in the field of African cultural theorizing. It pays especial attention to scholarship engaging with the multifaceted coordinates of political and social participation, where complex assemblages of affective attachment, exchange, and realignment work in concert with demands for socio-political and economic forms of access. This book was originally published as a special issue of Safundi.

Inventive new methods of audio-visual mediation and aesthetic activism have been giving shape, since at least the mid-2000s, to feelings of despair, disappointment, and rage at the injustice that South Africa’s colonial and apartheid histories continue to trail in their wake. Wayward Feeling reveals how racism, sexism, and other forms of structural disenfranchisement have continued to assert themselves in affective terms, and how these terms have been recast in spaces both public and intimate in "post-rainbow" times.

Helene Strauss argues that the tension between aspiration and achievability has yielded modes of feeling that increasingly disrupt the thrall of post-apartheid nation-building and reconciliation myths, even as wide-spread attachment to the utopian ideals of the anti-apartheid struggle continues to shape dissenting political organising and cultural production. Drawing on a variety of audio-visual forms – including video installations, conceptual artwork, documentary film, live art, and sonic installations – Wayward Feeling examines some of the affective resources that people in contemporary South Africa have been drawing on to make difficult lives more bearable.