Helle Kannik Haastrup – författare

Digital Film and Television Culture introduces a new framework for the aesthetic and cultural analysis of contemporary film and serial drama, stars on social media and movie awards shows. It examines contemporary digital media culture with four specific case studies, their cultural contexts and how audiences engage with them online.Drawing on two perspectives – the digital media circuit and the expanded cultural forum – as frameworks for the analysis, this book explores the complexity of film and television culture in the digital age. The analysis encompasses films with experimental storytelling techniques, from blockbusters to art films, coming-of-age serial drama as hybrid genre, the visual identity narratives of movie stars on social media and the broadcast movie awards as a cultural authority in the era of streaming. The book offers in-depth case studies of Everything Everywhere All at Once, Stranger Things, the performance of Zendaya and Timothée Chalamet on Instagram and the Academy Awards Ceremony as live media event genre. Each chapter includes a genre analysis, an examination of the cultural context and a micro-study of how audiences engage on Letterboxd, Reddit or other social media.This timely, cross-disciplinary book is essential reading for students and scholars in film, media, cultural studies, celebrity and digital cultures and for anyone interested in contemporary film and television culture.

Digital Film and Television Culture introduces a new framework for the aesthetic and cultural analysis of contemporary film and serial drama, stars on social media and movie awards shows. It examines contemporary digital media culture with four specific case studies, their cultural contexts and how audiences engage with them online.Drawing on two perspectives – the digital media circuit and the expanded cultural forum – as frameworks for the analysis, this book explores the complexity of film and television culture in the digital age. The analysis encompasses films with experimental storytelling techniques, from blockbusters to art films, coming-of-age serial drama as hybrid genre, the visual identity narratives of movie stars on social media and the broadcast movie awards as a cultural authority in the era of streaming. The book offers in-depth case studies of Everything Everywhere All at Once, Stranger Things, the performance of Zendaya and Timothée Chalamet on Instagram and the Academy Awards Ceremony as live media event genre. Each chapter includes a genre analysis, an examination of the cultural context and a micro-study of how audiences engage on Letterboxd, Reddit or other social media.This timely, cross-disciplinary book is essential reading for students and scholars in film, media, cultural studies, celebrity and digital cultures and for anyone interested in contemporary film and television culture.

The Twilight novels by Stephenie Meyer have developed from a bookseries into a powerful phenomenon with an astonishing impact. Not only have the books been adapted for the screen, but they have also spawned a huge number of works by fans, readers, reviewers, and scholars. The multifaceted Interdisciplinary Approaches to Twilight brings together scholars from a variety of disciplines in order to address the key themes in the complex global phenomenon that is Twilight; a phenomenon that transcends the boundaries between continents, generations, and producers and consumers and not least between different genres and media. The authors present in-depth literary and film analyses, and shed new light on perspectives on gender, fandom, vampire fiction and the economics of the book market. Interdisciplinary Approaches to Twilight fills a void in Twilight research, and, linked by their cutting-edge research and unique theoretical and analytical perspectives, the authors compellingly map a massive global experience that speaks to the realities of contemporary culture. Stephenie Meyers Twilight började som en serie ungdomsromaner men har blivit ett växande globalt fenomen. Romanerna har filmatiserats och gett upphov till en mängd sidomaterial skapat av medieindustri, fans och recensenter. I Interdisciplinary Approaches to Twilight undersöker en tvärvetenskaplig grupp forskare nyckelteman i och kring Twilight. De kartlägger en komplex företeelse som överskrider gränser mellan kontinenter, generationer, producenter, konsumenter och medieformer och genrer. Författarna gör analyser av exempelvis genus, fankultur, bokmarknaden och vampyrfiktionen som genre. Förenade av skarpsynta teoretiska resonemang, kunnighet om populärkultur och analytiska ståndpunkter fördjupar skribenterna kunskapen om den samtida kulturella massupplevelse som är Twilight.

It provides new insights into how critical authority and expertise in a cultural context are being reconfigured in digital media and by means of digital media, as the boundaries of cultural criticism and who may perform as a cultural critic are redefined or even dissolved.