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Upon its release, Don't Break the Oath charted fifth on the official British heavy metal album list and was supported by a two month long sold-out American tour in early 1985. The band's controversial stage appearance with burning crosses, a microphone stand formed as a cross made of two human leg bones, as well as other blasphemous rituals attracted the attention of the then newly formed PRMC (Parental Resource Music Center) committee, ironically reassuring the band its position on the charts. But though the album was hugely popular in the anglophone metal scene, it was conceived in peripheral Denmark.This book discusses the relationship between center and periphery. It juxtaposes the Anglophone reticent of heavy metal with the rather marginalized location of Copenhagen, and examines Mercyful Fate's relation to the Nordic region more generally. It also takes a close look at the methods involved in the production of King Diamond's vocals, and emphasizes the role of the vocalist as just as an important part of the over-all soundscape as the instrumental contributions.
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Upon its release, Don't Break the Oath charted fifth on the official British heavy metal album list and was supported by a two month long sold-out American tour in early 1985. The band's controversial stage appearance with burning crosses, a microphone stand formed as a cross made of two human leg bones, as well as other blasphemous rituals attracted the attention of the then newly formed PRMC (Parental Resource Music Center) committee, ironically reassuring the band its position on the charts. But though the album was hugely popular in the anglophone metal scene, it was conceived in peripheral Denmark.This book discusses the relationship between center and periphery. It juxtaposes the Anglophone reticent of heavy metal with the rather marginalized location of Copenhagen, and examines Mercyful Fate's relation to the Nordic region more generally. It also takes a close look at the methods involved in the production of King Diamond's vocals, and emphasizes the role of the vocalist as just as an important part of the over-all soundscape as the instrumental contributions.
- Nyhet
Else Marie Pade, from Resistance to Recording
The Life and Work of an Electronic Music Pioneer
Inbunden, Engelska, 2026
1 712 kr
Kommande
The first English-language and internationally available book-length study of the pioneering Danish composer Else Marie Pade, her major works and life story.Credited as the first Danish composer to use electronics to make music, Else Marie Pade (1924-2016) is acknowledged as a pioneer in her field, one of the first generation of electronic music composers. However, her cutting-edge and influential work was under-recognized during her career. Pade is now considered one of the many "forgotten" 20th-century women artists who are in the 21st century finally receiving due recognition.Starting at the beginning, this study covers the composer's childhood, which was sickly and often spent in convalescence. As a young woman, Pade joined the resistance during the Nazi occupation of Denmark. She was eventually arrested and imprisoned at Frøslevlejren. It was after the war that Pade trained as pianist before turning to composition. Structured in the composer's preferred practice of dodecaphony (i.e. twelve-tone technique) and traditional tonal music (based on the melodic scales consisting of seven tones each), this work focuses on a number of central compositions, including Symphonie magnétophonique (1957-1958) which describes a day in the life of an ordinary Dane, as well as the predominantly instrumental electronic pieces Syv cirkler (1958), Et glasperlespil I-II (1960) and Faust (1962), interspersed by interludes and thematic readings of Pade’s life and work.