Henry Adam Svec – författare

American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, and sing.

A grossly inaccurate "memoir" about Canadian folk legends.HenryAdam Svec has been pushing boundaries in Canadian folklore since he unearthed songs by CFL players in Library and Archives Canada, thereby thrusting himself into the scene—and the media spotlight. Those spartan poems are finally included in this anthology, in addition to the fruits of his subsequent expeditions, but there is much more besides, includinghonest accounts of the folklorist’s myriad trials and tribulations. This experimental and genre-defying book mixes the adventurous energies of Alan Lomax and Stompin’ Tom, the intertextual conceptualism of Vladimir Nabokov and Mark Z. Danielewski, and the searing intensity of Elizabeth Smart and Chris Kraus."Comically entertaining, presented with 'performative verve', as novelist Jacob Wren puts it."—Atlantic Books Today"This book is cracking me up—and I don't even like football—but it isjust so well written."—Robert Dayton, author of The Canadian Romantic