Henry Hope Reed – författare

A controversial manifesto on the role of classical principles in architecture critically examined for relevance todayFirst published in 1959, The Golden City is a seminal, critical document that developed one of the earliest and most compelling arguments against the then-dominant hegemony of modernism by reawakening interest in the value of our country's built patrimony, particularly with respect to its notable classical architecture, classical sculpture, and ornament in the built environment. The book's argument remains valuable today.The Golden City can be credited with building the constituency for the preservation movement in the United States in general, and in New York City in particular. That constituency coalesced around Reed's powerful polemic, eventually contributing to the formulation in 1965 of New York City's groundbreaking Landmark Law, one of the most important milestones in the preservation movement in the United States.

The U.S. Capitol, the building that houses the legislative branch of our government and a landmark that attracts 3-5 million visitors each year, has its origins in an architectural competition devised by George Washington. The winning design, submitted by William Thornton, combined "grandeur, simplicity, and convenience." Construction began in August 1793, but progress made during the following decade was less than satisfactory. English architect Benjamin Henry Latrobe was brought in by Thomas Jefferson in 1803 to oversee the work, which was finally completed under Charles Bulfinch in 1829. The U.S. Capitol is regarded by many as the finest example of classical architecture in America. This profusely illustrated book offers a detailed description of the building's exterior, its unsurpassed ornamentation, and the richness of its rooms. An illustrated glossary of architectural terms used and a section of brief biographies of persons associated with the Capitol are also provided as tools for the reader.

Arguably the most beautifully decorated building in the United States, the Library of Congress building (recently renamed the Jefferson Building) is celebrating its one hundredth anniversary this year after an eighty million dollar restoration that returned it to its original state.Designed by John L. Smithmeyer and completed in 1897 at a cost of under seven million dollars, the building is enhanced by the art of over forty sculptors and painters whose ranks include such notables as Herbert Adams, Kenyon Cox, Edward Clark Potter, Louis Saint-Gaudens, and John Quincy Adams Ward.The planning and construction are detailed in John Y. Cole's essay, followed by discussions by Henry Hope Reed, Richard Murray, and Thomas P. Somma of the decorations, paintings, and sculptures. The volume concludes with a study of the restoration by Barbara Wolanin, a chronology, a glossary of architectural and decorative terms, and a biographical dictionary of all the artists, architects, and designers who worked on the building. Throughout, noted photographer Anne Day's color images enhance this splendid book.