Hilton – författare

In May 2010, Britain's new Coalition government embarked on its journey to the Big Society. But how did we reach this point? Politicians and commentators have long bemoaned the supposed decline of civic life, fretting about its health and its future. In fact, the real story of voluntarism over the last hundred years has not been decline, but constant evolution and change. Whether we use the terms charity, philanthropy, civil society, non-governmental organisations, the third sector or the Big Society, voluntary endeavour is one of the most vibrant and dynamic areas of British public life. The senior, established and exciting new scholars featured in this collection show how the voluntary sector's role in society, and its relationship with the state, has constantly adapted to its surroundings. They have raised new agendas, tackled old problems in new ways, acted as alternatives to statutory provision and as catalysts for further government action. Voluntary groups have emerged out of citizens' concerns, independent of government and yet willing to work with politicians of all persuasions. By surveying the sheer extent and diversity of the sector since the start of the First World War, this volume demonstrates that voluntarism not only continues to thrive, but is also far larger than any political agenda that may be imposed upon it.

Elizabeth Stanhope was an heiress caught in a twisted financial scheme, betrothed to a man she despised. Dispirited, she retreated into a harmless masquerade: posing as a common tavern girl. Then one night she glimpsed a flash of silver in a stranger’s eyes, and was swept into his perilous game. But this new charade was all too real, scattered with shadowed dangers...and resonant with the promise of unbridled desire…Holding the lovely Elizabeth hostage was only part of Jack Silver’s mission to restore his family name—and rightful fortune. Beneath his black cloak lingered a resentment that could be assuaged only by revenge. But the notorious outlaw’s renegade ride was soon thrown wildly off course. For though Jack might be able to hold Elizabeth captive, the passion that burned between them was threatening to flare out of control…

Aurelia Phillips, Nethergate Hall’s resident spinster—a quiet, reserved miss whose inability to tell even a polite lie had made her unmarriageable in London society—expected death to come calling. Her adopted grandfather, the Duke of Winterburn, was failing. Guests had already arrived to meet Joshua MacKinnon, the young wastrel who would inherit the ancient title and fortune of Winterburn. But Aurelia didn’t expect Mr. Kit Ballantyne of Charleston, South Carolina. Silhouetted against a tempestuous storm, Kit’s strength and stature were disturbing, and so was the ominously sealed letter he presented to the ailing Duke. If Galahad, her discerning pet deerhound, hadn’t accepted Kit at once, Aurelia might have feared for her life—especially when the Hall’s haughty mistress turned up murdered. Instead Aurelia felt drawn to the stranger as her only ally amid growing suspicions and increasingly sinister events. But while a killer stalked the halls and passion ambushed her heart, Aurelia needed to discover why Kit had come to Nethergate, and who he really was…because honestly, openly, and perilously, she was falling in love!

Providing forward-thinking approaches and ideas for nurses of all categories, this reference has been written primarily in response to increasing concerns regarding the perceived lack of ability in both students and newly qualified nurses to perform clinical skills. By outlining the elements of essential nursing procedure in a readily accessible format, including rationale for recommended actions and promoting evidence-based practice, this text encourages the reader to keep a record of achievement in relation to clinical skill competence.The selection of skills included is based on extensive consultation with experienced clinicians, students, clients and teachers of nursing. Each procedure has been carefully researched to provide a contemporary foundation for practice. The text also contains a rapid reference section of common terminology, conversion tables, laboratory results and other useful information.

Judith Rashleigh nos ha demostrado cómo, gracias a su trayectoria sangrienta, ha podido pasar de ser una becaria explotada en una casa de subastas a convertirse en una marchante de arte internacional. Sí, Judith ha dejado una estela de sangre en su camino, pero su nueva vida como galerista en Venecia, rodeada de elegancia y codicia, representa todo lo que siempre ha querido ser. Y, además, a puerta cerrada, la alta sociedad ofrece un montón de lujuriosas actividades de las que Judith continúa disfrutando.Mientras ella maquina su futuro en medio de este sofisticado ambiente en Italia, su pasado reaparece de nuevo; Judith creía haber huido de París sin dejar rastro, pero cometió un pequeño error, un detalle que la puede señalar directamente como culpable. Judith también oye en una fiesta un comentario lejano y aparentemente inocuo, pero que le revela que alguien la está vigilando y anda tras su pista. Sin inmutarse, sigue pensando en su carrera con una despreocupación singular, mientras es invitada a valorar una colección de arte contemporáneo en la mansión privada de un millonario ruso. Una colección de arte que Judith considera impresionante, pero que se niega a valorar. A partir de aquí, empieza una campaña siniestra de terror sutil al más puro estilo de la Stasi.Entonces, Elena, la que se convertirá pronto en exmujer del millonario ruso, visita a Judith. Elena ha descubierto el sórdido pasado de Judith, le confiesa que conoce su sangrienta trayectoria y amenaza con delatarla a la vez que le hace una proposición. Su marido cree que Judith ha robado un dibujo de Caravaggio y le exige que se lo dé a cambio de cierta protección antes de que su marido le pida el divorcio. A cambio, los secretos de Judith estarán a salvo.Solo hay dos problemas: el primero es que Judith no tiene el dibujo, ni tampoco sabe dónde puede estar. El segundo es que está convencida de que el dibujo en cuestión se trata de una falsificación.Una vez más, Judith se encuentra en una encrucijada y siente que su única opción es escapar. En su huida constante, Judith entrará en contacto con la escena artística underground de Serbia, se moverá por los distritos más insalubres de París y se dejará llevar por el hedonismo de la comuna de St. Moritz, en una carrera contrarreloj por no ser descubierta. Lo que Judith aún no sabe es que sus enemigos la han invitado a un juego peligroso que va más allá, mucho más allá, del mundo del arte."L. S. Hilton creció en Inglaterra y ha vivido en Key West, Nueva York, París y Milán. Tras licenciarse en Oxford, estudió Historia del Arte en París y Florencia. Ha trabajado como periodista, crítica de arte y locutora, y vive en Londres.Última es el título que cierra la trilogía que se inició con Maestra y a la que siguió Dómina y que se ha convertido en todo un fenómeno editorial, publicado en más de treinta países. Actualmente, L.vS. Hilton está colaborando con Erin Cressida Wilson en el guion de la película de Maestra."