Hito Steyerl – författare

Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technol­ogy. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world. She argues that such practices cannot be divorced from the economic and political conditions of the times.Medium Hot is a collection of scintillating meditations on the limits of art and technol­ogy: the essential handbook for the present conjuncture. The pieces here probe the man­ufacture and distribution of images in the age of AI and climate change. She asks whether art can be made not only by machines but for machines. She argues against the production of images that heat up the planet, disfranchise workers and fuel the arms trade, and questions whether such creations can even be called art.In an era of such rapid change, Steyerl does vital work investigating whether machine learning will infiltrate every aspect of our lives and what that means for the future.

How do “human” prejudices reemerge in algorithmic cultures allegedly devised to be blind to them?How do “human” prejudices reemerge in algorithmic cultures allegedly devised to be blind to them? To answer this question, this book investigates a fundamental axiom in computer science: pattern discrimination. By imposing identity on input data, in order to filter-that is, to discriminate-signals from noise, patterns become a highly political issue. Algorithmic identity politics reinstate old forms of social segregation, such as class, race, and gender, through defaults and paradigmatic assumptions about the homophilic nature of connection.Instead of providing a more “objective” basis of decision making, machine-learning algorithms deepen bias and further inscribe inequality into media. Yet pattern discrimination is an essential part of human-and nonhuman-cognition. Bringing together media thinkers and artists from the United States and Germany, this volume asks the urgent questions: How can we discriminate without being discriminatory? How can we filter information out of data without reinserting racist, sexist, and classist beliefs? How can we queer homophilic tendencies within digital cultures?

In Duty Free Art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age. What can we do when arms manufacturers sponsor museums, and some of the world's most valuable artworks are used as a fictional currency in a global futures market that has nothing to do with the work itself? Can we distinguish between creativity and the digital white noise that bombards our everyday lives? Exploring artefacts as diverse as video games, Wikileaks files, the proliferation of spam, and political actions, she exposes the paradoxes within globalization, political economies, visual culture, and the status of art production.

In Duty Free Art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age. What can we do when arms manufacturers sponsor museums, and some of the world''s most valuable artworks are used as a fictional currency in a global futures market that has nothing to do with the work itself? Can we distinguish between creativity and the digital white noise that bombards our everyday lives? Exploring artefacts as diverse as video games, Wikileaks files, the proliferation of spam, and political actions, she exposes the paradoxes within globalization, political economies, visual culture, and the status of art production.

Medium Hot is the essential handbook for our present conjuncture, exploring the limits of art and technology. Hito Steyerl argues that these practices cannot be divorced from economic and political conditions. In an era of supercharged change, she examines the way machine learning infiltrates every aspect of our lives and what that means for the future.

Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technol�ogy. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world. She argues that such practices cannot be divorced from the economic and political conditions of the times.Medium Hot is a collection of scintillating meditations on the limits of art and technol�ogy: the essential handbook for the present conjuncture. The pieces here probe the man�ufacture and distribution of images in the age of AI and climate change. She asks whether art can be made not only by machines but for machines. She argues against the production of images that heat up the planet, disfranchise workers and fuel the arms trade, and questions whether such creations can even be called art.In an era of such rapid change, Steyerl does vital work investigating whether machine learning will infiltrate every aspect of our lives and what that means for the future.

Gläntas nya nummer handlar om tv. Om tv-serien som politiskt slagträ i krigets Syrien, om den nigerianska tv-industrins krampaktiga relation till Nollywood, om rumänsk tv innan, under och efter Ceaucescu och arabisk tv innan, under och efter revolutionerna 2011. Men också om lesbiska tv-serier, lacanska tv-experiment, ljuset från tv:n, ljuset från månen, tv-präster och fjärrkontroller. Numret rymmer dessutom en intervju med den tyska konstnären Hito Steyerl och en nyläsning av den amerikanska författaren David Foster Wallaces tv-kritik.