Hoi Lun Law – författare

This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism.

This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism.

This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles Deleuze’s work on cinema.