Holly Gleason – författare

Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift-these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates.Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it.Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection-and ultimately how music transforms not just the person making it, but also the listener.

INSTANT #1 NEW YORK TIMES BESTSELLER * INSTANT USA TODAY BESTSELLERHeart Life Music is a love letter to the journey: all the places I’ve gone and how we got here. This book takes you on the ride.Knoxville. Moscow. Myrtle Beach. The Virgin Islands. Plentywood, Montana. Holmdel, New Jersey. Key West. New England. The Road. No Shoes Nation. Beyond.We’ve had a lot of fun, a bunch of challenges, a few moments of wondering “what the hell?”—and more love than any artist deserves. You’re gonna meet so many people, some you’d never expect to see crossing my path, whether it’s the Wailers, Willie Nelson, John Madden, or Grace Potter. Maybe you won’t be surprised at all. I just know this: A whole lot has happened.For anyone who’s found a piece of your life in any of my songs, this is for you. Open a cold drink, get out on your deck or your boat or wherever your happy space is, jump in, and live them along with me.And if you’ve got dreams, whatever they are, know they don’t always come easy. But if you believe, do the hard work, and keep coming back, you’d be amazed at what can happen. I’m a pretty average guy, so look at this—know you might could do it, too.It’s been a helluva trip around the sun.

"As close to an autobiography as we’re going to get from John Prine, Prine on Prine captures the inimitable, whimsical voice of one of our greatest songwriters . . . Nashville legend Holly Gleason knew the man and assembled this brilliant collection with a knowing eye and loving heart." —Joel Selvin, author of Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip and other booksCurated by a critic who knew him across five decades, Prine on Prine distills the essence of an iconic American songwriter: unguarded, unfiltered and real. In his own words, in his own time—on the road, in the kitchen, the Library of Congress, radio shows, movie scripts, and beyond.   John Prine hated giving interviews, but he said much when he talked. Embarrassed by fame, delighted by the smallest things, the first songwriter to read at the Library of Congress, and winner of the Pen Award for Literary Excellence, Prine saw the world unlike anyone else.   The songs from 1971’s John Prine remain spot-on takes of the human condition today, and his writing only got richer, funnier, and more incisive. The interviews in Prine on Prine trace his career evolution, his singular mind, his enduring awareness of social issues, and his acute love of life, from Studs Terkel’s radio interviews from the early ’70s to Mike Leonard’s Today Show packages from the ’80s, Cameron Crowe's early encounter to Ronni Lundy's Shuck Beans, Stack Cake cookbook, and Hot Rod magazine to No Depression’s cover story, through today.  Editor Holly Gleason enjoyed a longstanding relationship with Prine and his longtime co-manager, and she often traveled with him on tours in the late 1980s and represented him in the 2000s.

"As close to an autobiography as we''re going to get from John Prine, Prine on Prine captures the inimitable, whimsical voice of one of our greatest songwriters . . . Nashville legend Holly Gleason knew the man and assembled this brilliant collection with a knowing eye and loving heart." —Joel Selvin, author of Fare Thee Well: The Final Chapter of the Grateful Dead''s Long, Strange Trip and other booksCurated by a critic who knew him across five decades, Prine on Prine distills the essence of an iconic American songwriter: unguarded, unfiltered and real. In his own words, in his own time—on the road, in the kitchen, the Library of Congress, radio shows, movie scripts, and beyond. John Prine hated giving interviews, but he said much when he talked. Embarrassed by fame, delighted by the smallest things, the first songwriter to read at the Library of Congress, and winner of the Pen Award for Literary Excellence, Prine saw the world unlike anyone else. The songs from 1971''s John Prine remain spot-on takes of the human condition today, and his writing only got richer, funnier, and more incisive. The interviews in Prine on Prine trace his career evolution, his singular mind, his enduring awareness of social issues, and his acute love of life, from Studs Terkel''s radio interviews from the early ''70s to Mike Leonard''s Today Show packages from the ''80s, Cameron Crowe''s early encounter to Ronni Lundy''s Shuck Beans, Stack Cake cookbook, and Hot Rod magazine to No Depression''s cover story, through today. Editor Holly Gleason enjoyed a longstanding relationship with Prine and his longtime co-manager, and she often traveled with him on tours in the late 1980s and represented him in the 2000s.