Holly Hughes – författare

We all have an animal story—the pet we loved, the wild animal that captured our childhood imagination, the deer the neighbor hit while driving. While scientific breakthroughs in animal cognition, the effects of global climate change and dwindling animal habitats, and the exploding interdisciplinary field of animal studies have complicated things, such stories remain a part of how we tell the story of being human. Animal Acts collects eleven exciting, provocative, and moving stories by solo performers, accompanied by commentary that places the works in a broader context.Work by leading theater artists Holly Hughes, Rachel Rosenthal, Deke Weaver, Carmelita Tropicana, and others joins commentary by major scholars including Donna Haraway, Jane Desmond, Jill Dolan, and Nigel Rothfels. Una Chaudhuri’s introduction provides a vital foundation for understanding and appreciating the intersection of animal studies and performance. The anthology foregrounds questions of race, gender, sexuality, class, nation, and other issues central to the human project within the discourse of the “post human,” and will appeal to readers interested in solo performance, animal studies, gender studies, performance studies, and environmental studies.

The women’s experimental theater space called the WOW Café (Women’s One World) has been a vital part of New York’s downtown theater scene since 1980. Since that time, WOW has provided a place for feminist and particularly lesbian theater artists to create, perform, and witness a cultural revolution. Its renowned alumnae include playwright and actor Lisa Kron, performance artists Holly Hughes and Carmelita Tropicana, the theater troupe the Five Lesbian Brothers, and actors/playwrights Peggy Shaw, Lois Weaver, and Deb Margolin, among others. Memories of the Revolution collects scripts, interviews, and commentary to trace the riotous first decade of WOW. While the histories of other experimental theater collectives have been well documented, WOW’s history has only begun to be told. The anthology also includes photographs of and reminiscences by Café veterans, capturing the history and artistic flowering of the first ten years of this countercultural haven.

Holly Hughes is one of the most popular and controversial out-there-and-in-your-face writer-performers around, and in this collection of some of her greatest hits she describes her career as an “escape” artist: how she escaped her conservative upbringing in a part of the country “where silence was the first language” to become an award-winning performance artist and playwright as well as a central figure in America’s culture wars. As the Los Angeles Times observed, “Holly Hughes is everything you always wanted in a lesbian performance artist–and less.”

O Solo Homo is a diverse, definitive, and hugely entertaining collection representing the cutting edge of queer solo performance. The pieces in O Solo Homo touch nerves that run deep — from sex, politics, community, and health to the struggles and joys of family, friends, and lovers. Peggy Shaw, of Split Britches, revisits how she learned to be butch. The late Ron Vawter, of the Wooster Group, juxtaposes the lives of two very different men who died of AIDS: diva filmmaker Jack Smith and Nixon crony Roy Cohn. Tim Miller, one of the NEA Four, surveys the landscape of gay desire before and after the advent of AIDS. And Carmelita Tropicana, the “National Songbird of Cuba,” makes an unforgettable, hilarious return to Havana.

It can be difficult to create space for our spiritual lives in a world crowded with distractions. THE PEN AND THE BELL is about how to achieve mindfulness and creative fulfillment in spite of long to-do lists. It's about gaining access to our deeper selves in the workaday world and bringing forth this authentic self in our writing. With both meditative and writing exercises in each chapter, it will help you awaken your creative soul and find a more rewarding life."This isn't a book - it's a beautiful, quiet path into the deep woods of contemplative practice through the medium of the written word. Yes, reading its chapters will delight you. Yes, listening to these two wise women talk quietly about their lives and their writing process is a sweet and effortless reading experience that will make you feel as if you are sitting across from them, a cu of tea in front of you, hearing the measure and lilt of their kindly, honest, voices. But the real crux of this book/path isn't their words - it's yours."-- Norman Fischer author Taking Our Places