Horton Davies – författare

In a rich survey encompassing music, art, literature, and architecture, Professor Davies studies the revolution in religious thought and worship in England during the Victorian era. One main trend, the return to conservatism, is revealed in the renascence of Roman Catholic worship, the Oxford Movement, and the search for traditional architecture and liturgy. This impetus was balanced by the drive toward innovation, through the Social Gospel, the Church's confrontation with science, and the new forms of worship sought by the Baptists, Congregationalists, and others. This is the fourth in a five-volume series. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Worship even more than theology may be the key to a true understanding of the Church's history, for through it people express their interpretation of theology and religion. In this third volume (chronologically) of a planned several-volume series, Professor Davies traces liturgy's relationship to music, literature, and architecture; studies the effects of philosophical, social, and theological movements (18th century Rationalism, the Oxford Movement, the Evangelical Revival); and describes the techniques of such popular preachers and teachers as Whitefield and Wesley. There are chapters on Anglican, Congregational, Baptist, Presbyterian, Quaker, and Unitarian worship, forming a rich portrait of the varieties of Christian worship in England. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In a rich survey encompassing music, art, literature, and architecture, Professor Davies studies the revolution in religious thought and worship in England during the Victorian era. One main trend, the return to conservatism, is revealed in the renascence of Roman Catholic worship, the Oxford Movement, and the search for traditional architecture and liturgy. This impetus was balanced by the drive toward innovation, through the Social Gospel, the Church's confrontation with science, and the new forms of worship sought by the Baptists, Congregationalists, and others. This is the fourth in a five-volume series. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Worship even more than theology may be the key to a true understanding of the Church's history, for through it people express their interpretation of theology and religion. In this third volume (chronologically) of a planned several-volume series, Professor Davies traces liturgy's relationship to music, literature, and architecture; studies the effects of philosophical, social, and theological movements (18th century Rationalism, the Oxford Movement, the Evangelical Revival); and describes the techniques of such popular preachers and teachers as Whitefield and Wesley. There are chapters on Anglican, Congregational, Baptist, Presbyterian, Quaker, and Unitarian worship, forming a rich portrait of the varieties of Christian worship in England. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In a rich survey encompassing music, art, literature, and architecture, Professor Davies studies the revolution in religious thought and worship in England during the Victorian era. One main trend, the return to conservatism, is revealed in the renascence of Roman Catholic worship, the Oxford Movement, and the search for traditional architecture and liturgy. This impetus was balanced by the drive toward innovation, through the Social Gospel, the Church's confrontation with science, and the new forms of worship sought by the Baptists, Congregationalists, and others. This is the fourth in a five-volume series.Originally published in 1962.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Worship even more than theology may be the key to a true understanding of the Church's history, for through it people express their interpretation of theology and religion. In this third volume (chronologically) of a planned several-volume series, Professor Davies traces liturgy's relationship to music, literature, and architecture; studies the effects of philosophical, social, and theological movements (18th century Rationalism, the Oxford Movement, the Evangelical Revival); and describes the techniques of such popular preachers and teachers as Whitefield and Wesley. There are chapters on Anglican, Congregational, Baptist, Presbyterian, Quaker, and Unitarian worship, forming a rich portrait of the varieties of Christian worship in England.Originally published in 1961.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Vigilant God by Horton Davies, a non-conformist minister who taught in the Religion Department of Princeton University and attended church regularly, is a reconsideration of the belief that God is still active in history. It is a reassessment of the theology of Providence in the thought of four major Christian theologians (Augustine, Aquinas, Calvin, and Barth) and of their views on predestination, theodicy, and free will, leading the author to consider the role it might have for the future of humanity. The book starts with a sketch of the biblical sources relating to Providence, predestination, election, and reprobation. Davies sees Augustine’s doctrine of Providence and his view of evil as privatio boni, as greatly influenced by Plato and his followers. He dwells on Aquinas the man, his life and his character, open to Aristotle and his Jewish and Arab commentators, before plunging into the structure of his encyclopedic thought and works. Davies appreciates Calvin’s regard for Scripture as a means of illumination of the Spirit, but rejects the pastor’s views on predestination as tyrannical and unjust, and believes that Barth’s positive insistence on God’s universal mercy is necessary against the horrors perpetrated in the twentieth century.

This long-standing series provides the guild of religion scholars a venue for publishing aimed primarily at colleagues. It includes scholarly monographs, revised dissertations, Festschriften, conference papers, and translations of ancient and medieval documents. Works cover the sub-disciplines of biblical studies, history of Christianity, history of religion, theology, and ethics. Festschriften for Karl Barth, Donald W. Dayton, James Luther Mays, Margaret R. Miles, and Walter Wink are among the seventy-five volumes that have been published.Contributors include: C. K. Barrett, Francois Bovon, Paul S. Chung, Marie-Helene Davies, Frederick Herzog, Ben F. Meyer, Pamela Ann Moeller, Rudolf Pesch, D. Z. Phillips, Rudolf Schnackenburgm Eduard Schweizer, John Vissers

This second volume of sermons, appearing after Believing, is organized according to Davies''s journey in time and space and his first-hand experience of the troubled world on three continents: Word War II in England and Germany, race relations in South Africa, and the need for Human Rights in America. In addition to history, literature, psychology, and lore, the sermons mainly use argumentation to console the heart and show the way to compassion and justice in the name of Christ.

This volume of sermons is organized according to the Apostles'' Creed, which expresses Davies''s own solid faith as a Christian believer. But the sermons themselves apply to a variety of situations from history, psychology, and lore. Davies uses the intellect to touch and console the heart.

This volume of sermons reflects Davies'' imaginary qualities as he puts himself in the shoes of both biblical characters and the members of his congregation, using Christological exegesis and his love of art to produce compassionate, credible, and relevant sermons.

This is the very first study made in depth and detail of over forty Anglican preachers in the Golden Age of the English Pulpit. There have been individual studies of the sermons of Donne and Andrewes, but none of the metaphysical preachers as a whole. It is the aim of this book to introduce to the reader some of the less familiar preachers: men such as John Hacket and Ralph Brownrig, Calvinist preachers in the metaphysical style such as the Elizabethan Henry Smith (known as silver-tongued for his oratory), or Thomas Adams, who was styled the prose Shakespeare of Puritan theologians. These men, and others, were widely admired in their day and, in many cases, their contemporary popularity challenged that even of Donne. This study provides explanations for the popularity of the metaphysical style, and incidentally proves untenable the stereotype that all the metaphysical preachers were of the Arminian persuasion, since a fair proportion of the group were Calvinists who rejected the Puritan plain style in favor of a metaphysical mode of expression. One explanation of the popularity of this style for a period of some fifty years is that practically every metaphysical divine was also a poet, and that daring imagery, wit, and arcane knowledge were the chief differentia of this style of poetry. Furthermore, James I and Charles I were great admirers of wit and learning. They chose royal chaplains for these qualities: learning made them good apologists, and their wit kept the captive congregations at court intrigued. Equal attention is given to the biographies of the preachers, the themes of their sermons, and the techniques of preaching and sermon construction, with separate chapters on learning and eloquence, wit and imagery, and the uses to which they were put. The result is a full picture of the group of seventeenth-century divines who preached like angels from a cloud.