Hugh Miller – författare

Militant religious extremists are taking over the peaceful Vale of Kashmir, dealing in drugs and guns to fund their war. When the mission looks impossible, who do you call? UNACO.The Vale of Kashmir in India, precariously caught between Afghanistan, Pakistan and China, is one of the most serenely beautiful places on earth… and one of the most deadly. When Malcolm Philpott, head of UNACO, the United Nations’ Anti-Crime Organization, receives a tip-off from a local priest that the peace of the valley is being threatened by militant religious extremists and the suspicion of a highly organized drug-trafficking ring, he sends in two of his top agents, Mike Graham and Sabrina Carver, to investigate and question the priest further.But the priest is brutally murdered before they can arrive, and an ex-CIA-trained assassin, turned native, is the principal suspect. Suddenly Mike and Sabrina must undertake the lethal mission of infiltrating the murderous drug convoys and bringing the extremists under control before the volatile situation ignites and fans into an international blood bath.

A US government official is assassinated, a list of names, all male, all German, is found and two men on the list are already dead. What is the connection? When the mission looks impossible, who do you call? UNACO.A young American government employee is murdered in cold blood on a London street. Her death is only the tip of a conspiracy that threatens the life of Andreas Wolff, the computer genius responsible for the security codes for ICON – the computerized criminal identification network. Malcolm Philpott, the enigmatic and powerful head of UNACO, recognizes the grave threat, and assigns his two best agents to the case.Sabrina Carver and Mike Graham must race from New York to London, Morocco and Berlin in their efforts to crack the lethal intrigue that threatens world security and has its roots in the final days of World War Two and the desperate plans of a dying madman.

In view of the double vocative that characterizes the relation of Creator to creature, this book offers critiques of modern and postmodern philosophy for the ways in which they have separated philosophy, theology, and spirituality.This collection examines the complicated relationship of God to Being and the meaning of Revelation, as well as highlighting the context and the role of the Spiritual Exercises of Ignatius Loyola. Discussions include the Catholic Principle and its relevance in contemporary times, and Christian epic visionaries such as Dante, Milton, Blake, and Joyce, providing scholars a forum to debate their theological identity and its meaning for future studies. This volume contributes a unique engagement from many perspectives with the Catholic intellectual tradition in its philosophical, theological, spiritual, literary, and artistic dimensions.

In view of the double vocative that characterizes the relation of Creator to creature, this book offers critiques of modern and postmodern philosophy for the ways in which they have separated philosophy, theology, and spirituality.This collection examines the complicated relationship of God to Being and the meaning of Revelation, as well as highlighting the context and the role of the Spiritual Exercises of Ignatius Loyola. Discussions include the Catholic Principle and its relevance in contemporary times, and Christian epic visionaries such as Dante, Milton, Blake, and Joyce, providing scholars a forum to debate their theological identity and its meaning for future studies. This volume contributes a unique engagement from many perspectives with the Catholic intellectual tradition in its philosophical, theological, spiritual, literary, and artistic dimensions.

By highlighting the degree to which meaning making in public policy is more a cultural struggle than a rational and analytical project, Governing Narratives brings public administration back into a political context. In Governing Narratives, Hugh T. Miller takes a narrative approach in conceptualizing the politics of public policy. In this approach, signs and ideographs - that is, constellations of images, feelings, values, and conceptualization - are woven into policy narratives through the use of story lines. For example, the ideograph 'acid rain' is part of an environmental narrative that links dead trees to industrial air pollution. The struggle for meaning capture is a political struggle, most in evidence during times of change or when status quo practices are questioned. Public policy is often considered to be the end result of empirical studies, quantitative analyses, and objective evaluation. But the empirical norms of science and rationality that have informed public policy research have also hidden from view those vexing aspects of public policy discourse outside of methodological rigor. Phrases such as 'three strikes and you're out' or 'flood of immigrants' or 'don't ask, don't tell' or 'crack baby' or 'the death tax' have come to play crucial roles in public policy, not because of the reality they are purported to reflect, but because the meanings, emotions, and imagery connoted by these symbolizations resonate in our culture. Social practices, the very material of social order and cultural stability, are inextricably linked to the policy discourse that accompanies social change. Eventually a winning narrative dominates and becomes institutionalized into practice and implemented via public administration. Policy is symbiotically associated with these winning narratives. Practices might change again, but this inevitably entails renewed political contestation. The competition among symbolizations does not imply that the best narrative wins, only that a narrative has won for the time being. However, unsettling the established narrative is a difficult political task, particularly when the narrative has evolved into habitual institutionalized practice. Governing Narratives convincingly links public policy to the discourse and rhetoric of deliberative politics.