Huw Osborne – författare

The trade in books has always been and remains an ambiguous commercial activity, associated as it is with literature and the exchange of ideas. This collection is concerned with the cultural and economic roles of independent bookstores, and it considers how eight shops founded during the modernist era provided distinctive spaces of literary production that exceeded and yet never escaped their commercial functions. As the contributors show, these booksellers were essential institutional players in literary networks. When the eight shops examined first opened their doors, their relevance to literary and commercial life was taken for granted. In our current context of box stores, online shopping, and ebooks, we no longer encounter the book as we did as recently as twenty years ago. By contributing to our understanding of bookshops as unique social spaces on the thresholds of commerce and culture, this volume helps to lay the groundwork for comprehending how our relationship to books and literature has been and will be affected by the physical changes to the reading experience taking place in the twenty-first century.

Rhys Davies was a seminal influence in Welsh writing because he was one of the first novelists to depict industrial Wales, and was a highly prolific writer producing some twenty novels and one hundred short stories in a career that spanned six decades. He was also the holder of a complex identity: he was a gay man who grew up as a shopkeeper's son in the Rhondda who left Wales to write about his homeland in England. This book unravels a national experience that is deeply bound up in complex negotiations of class, sexuality, and gender and follows a career that was predicted to be that of 'the representative Welshman'. The book is divided into three sections: the first begins with Davies' childhood in Blaenclydach and the ways in which his memories of his childhood reinforce continuing themes in his stories and novels; the second will place Davies in literary London and address Davies' struggle to enter the privileged circles of literary production, circulation, and reception; and, the final section considers the established Davies of the 1940s, 50s, and 60s.

The trade in books has always been and remains an ambiguous commercial activity, associated as it is with literature and the exchange of ideas. This collection is concerned with the cultural and economic roles of independent bookstores, and it considers how eight shops founded during the modernist era provided distinctive spaces of literary production that exceeded and yet never escaped their commercial functions. As the contributors show, these booksellers were essential institutional players in literary networks. When the eight shops examined first opened their doors, their relevance to literary and commercial life was taken for granted. In our current context of box stores, online shopping, and ebooks, we no longer encounter the book as we did as recently as twenty years ago. By contributing to our understanding of bookshops as unique social spaces on the thresholds of commerce and culture, this volume helps to lay the groundwork for comprehending how our relationship to books and literature has been and will be affected by the physical changes to the reading experience taking place in the twenty-first century.

The trade in books has always been and remains an ambiguous commercial activity, associated as it is with literature and the exchange of ideas. This collection is concerned with the cultural and economic roles of independent bookstores, and it considers how eight shops founded during the modernist era provided distinctive spaces of literary production that exceeded and yet never escaped their commercial functions. As the contributors show, these booksellers were essential institutional players in literary networks. When the eight shops examined first opened their doors, their relevance to literary and commercial life was taken for granted. In our current context of box stores, online shopping, and ebooks, we no longer encounter the book as we did as recently as twenty years ago. By contributing to our understanding of bookshops as unique social spaces on the thresholds of commerce and culture, this volume helps to lay the groundwork for comprehending how our relationship to books and literature has been and will be affected by the physical changes to the reading experience taking place in the twenty-first century.

The trade in books has always been and remains an ambiguous commercial activity, associated as it is with literature and the exchange of ideas. This collection is concerned with the cultural and economic roles of independent bookstores, and it considers how eight shops founded during the modernist era provided distinctive spaces of literary production that exceeded and yet never escaped their commercial functions. As the contributors show, these booksellers were essential institutional players in literary networks. When the eight shops examined first opened their doors, their relevance to literary and commercial life was taken for granted. In our current context of box stores, online shopping, and ebooks, we no longer encounter the book as we did as recently as twenty years ago. By contributing to our understanding of bookshops as unique social spaces on the thresholds of commerce and culture, this volume helps to lay the groundwork for comprehending how our relationship to books and literature has been and will be affected by the physical changes to the reading experience taking place in the twenty-first century.

The relationship between nation and queer sexuality has long been a fraught one, for the sustaining myths of the former are often at odds with the needs of the latter. This collection of essays introduces readers to important historical and cultural figures and moments in queer life, and it addresses some of the urgent questions of queer belonging that face Wales today.

The relationship between nation and queer sexuality has long been a fraught one, for the sustaining myths of the former are often at odds with the needs of the latter. This collection of essays introduces readers to important historical and cultural figures and moments in queer life, and it addresses some of the urgent questions of queer belonging that face Wales today.

The first anthology of its kind in Wales, which finally sheds light on a largely hidden queer cultural history with the careful selection of over 40 short stories (1837-2018) including work by John Sam Jones, Sian James, Rhys Davies, Deborah Kay Davies, Aled Islwyn, and Kate North.New translations of Kate Roberts, Mihangel Morgan, Jane Edwards, Pennar Davies and Dylan Huw make available their compelling stories for the first time to a non-Welsh speaking readership.An accessible but scholarly introduction places the writers and their stories in their historical and literary contexts.In these stories gender refuses to be fixed: a dashing travelling companion is not quite who he seems in the intimate darkness of a mail coach, a girl on the cusp of adulthood gamely takes her father's place as head of the house, and an actor and patron are caught up in dangerous game-playing. In the more fantastical tales there are talking rats, flirtations with fascism, and escape from a post-virus 'utopia'. These are stories of sexual awakening, coming out and redefining one's place in the world.Release and a certain heady license may be found in the distant cities of Europe or north Africa, but the stories are for the most part located in familiar Welsh settings - a schoolroom, a provincial town, a mining village, a tourist resort, a sacred island. The intensity of desire, whether overt, playful, or coded, makes this a rich and often surprising collection that reimagines what being queer and Welsh has meant in different times and places.

Rhys Davies was a seminal influence in Welsh writing because he was one of the first novelists to depict industrial Wales, and was a highly prolific writer producing some twenty novels and one hundred short stories in a career that spanned six decades. He was also the holder of a complex identity: he was a gay man who grew up as a shopkeeper's son in the Rhondda who left Wales to write about his homeland in England. This book unravels a national experience that is deeply bound up in complex negotiations of class, sexuality, and gender and follows a career that was predicted to be that of 'the representative Welshman'. The book is divided into three sections: the first begins with Davies' childhood in Blaenclydach and the ways in which his memories of his childhood reinforce continuing themes in his stories and novels; the second will place Davies in literary London and address Davies' struggle to enter the privileged circles of literary production, circulation, and reception; and, the final section considers the established Davies of the 1940s, 50s, and 60s.