Hwang Jungeun – författare

INTERNATIONAL BESTSELLER! Han Kang’s Human Acts meets Yōko Ogawa’s The Memory Police in this understated South Korean novella in translation: a restrained yet emotional magical realist examination of futility in a capitalist society written in response to the 2009 Yongsan Disaster. With an introduction from Han Kang, International Booker Prize-winning author of The Vegetarian and recipient of the 2024 Nobel Prize in literature! In a Seoul slum marked for demolition, residents’ shadows have begun to rise. No one knows how or why–but, they warn each other, do not follow your shadow if it wanders away.  As the landscape of their lives is torn apart, building by building, electronics-repair-shop employees Eungyo and Mujae can only watch as their community begins to fade. Their growing connection with one another provides solace, but against an uncaring ruling class and the inevitability of the rising shadows, their relationship may not be enough.  Winner of the Hankook Ilbo Literary Award and the Korean Bookseller’s Award, One Hundred Shadows is a tender working-class perspective with subtle and affecting social commentary. This edition features an introduction by Man Booker Prize-winning author of The Vegetarian, Han Kang, a historical note about the Yongsan tragedy that inspired One Hundred Shadows, and an exclusive interview with the author.

An oblique, hard-edged novel tinged with offbeat fantasy, One Hundred Shadows is set in a slum electronics market in central Seoul - an area earmarked for demolition in a city better known for its shiny skyscrapers and slick pop videos. Here, the awkward, tentative relationship between Eungyo and Mujae, who both dropped out of formal education to work as repair-shop assistants, is made yet more uncertain by their economic circumstances, while their matter-of-fact discussion of a strange recent development - the shadows of the slum's inhabitants have started to 'rise' - leaves the reader to make up their own mind as to the nature of this shape-shifting tale. Hwang's spare prose is illuminated by arresting images, quirky dialogue and moments of great lyricism, crafting a deeply affecting novel of perfectly calibrated emotional restraint. Known for her interest in social minorities, Hwang eschews the dreary realism usually employed forsuch issues, without her social criticism being any less keen. As well as an important contribution to contemporary working-class literature, One Hundred Shadows depicts the little-known underside of a society which can be viciously superficial, complicating the shiny, ultra-modern face which South Korea presents to the world.

What was it they were battling? Their smallness, of course, their smallness. d, a nonbinary gig worker living in Seoul, briefly escapes the grasp of isolation when they meet dd, only to be ensnared by grief when dd dies in a car accident. Meanwhile, the world around them reckons with the 2014 Sewol ferry disaster that left more than 300 dead. As formally inventive as it is evocative, dd's Umbrella is composed of twin novellas. The first is told from the perspective of d, and the second from the perspective of a writer researching a book they may never write. Both figures dwell in society's margins -- queer, working-class, and part of nontraditional family structures. As people across Korea come together to protest the government's handling of the Sewol ferry disaster, and to impeach the right-wing president in office, the novel examines how progressive movements coexist with social exclusion, particularly of women and sexual minorities, invisibilised in service of the 'greater cause'. dd's Umbrella is a meditative and off-centre novel about mourning and revolution.