Iain Reid – författare

Jake and his girlfriend are on a drive to visit his parents at their remote farm. After dinner at the family home, things begin to get worryingly strange. And when he leaves her stranded in a snowstorm at an abandoned high school later that night, what follows is a chilling exploration of psychological frailty and the limitations of reality. Iain Reid's intense, suspenseful debut novel will have readers' nerves jangling. A series of tiny clues sprinkled through the relentlessly paced narrative culminate in a haunting twist on the final page. Reminiscent of Michael Faber's Under the Skin, Stephen King's Misery and the novels of Jose Saramago, I'm Thinking of Ending Things is an astonishing and highly original literary thriller that grabs you from the start - and never lets go.

NOW A NETFLIX ORIGINAL FILM DIRECTED BY CHARLIE KAUFMAN AN NPR BEST BOOK OF THE YEAR 2016 “I’m Thinking of Ending Things is one of the best debut novels I’ve ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages” (Scott Heim, award-winning author of Mysterious Skin and We Disappear).I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this “dark and compelling…unputdownable” (Booklist, starred review) literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, I’m Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel “packs a big psychological punch with a twisty story line and an ending that will leave readers breathless” (Library Journal, starred review).

The revised and updated second edition of the popular and practical guide to contemporary operations management – now featuring a new chapter on managing sustainable supply networks.The Essential Guide to Operations Management explores fundamental operations management principles and shows how they are applied in real-life situations in both the services and manufacturing sectors. It adapts a strategic stance by providing a framework for effective decision-making: determining operations strategies; designing processes, products and work organisations; managing change through effective project management and technology transfer; exploring contemporary approaches to operations planning and control; and then managing quality and improvement strategies. As such, it addresses the needs of practising managers, postgraduate MBA and MSc students and final-year undergraduates in advanced operations management elective courses.The Essential Guide to Operations Management: Concepts and Case Notes, Second Edition, is supported by updated case studies throughout and online support materials for lecturers.

The revised and updated second edition of the popular and practical guide to contemporary operations management – now featuring a new chapter on managing sustainable supply networks.The Essential Guide to Operations Management explores fundamental operations management principles and shows how they are applied in real-life situations in both the services and manufacturing sectors. It adapts a strategic stance by providing a framework for effective decision-making: determining operations strategies; designing processes, products and work organisations; managing change through effective project management and technology transfer; exploring contemporary approaches to operations planning and control; and then managing quality and improvement strategies. As such, it addresses the needs of practising managers, postgraduate MBA and MSc students and final-year undergraduates in advanced operations management elective courses.The Essential Guide to Operations Management: Concepts and Case Notes, Second Edition, is supported by updated case studies throughout and online support materials for lecturers.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny – with a growing sense of unrest and distrust – starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.‘I loved this book and couldn't put it down – a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master’ Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny – with a growing sense of unrest and distrust – starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.‘I loved this book and couldn't put it down – a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master’ Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well

From the author of FOE, now a major motion picture starring Saoirse Ronan and Paul MescalPenny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny – with a growing sense of unrest and distrust – starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.‘I loved this book and couldn't put it down – a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master’ Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well

'Reads like a house on fire' - the extraordinary new novel by Iain Reid, the acclaimed author of I’m Thinking of Ending Things  You think you know everything about your life.   Long-married couple Junior and Henrietta live a quiet, solitary life on their farm, where they work at the local feed mill and raise chickens. Their lives are simple, straightforward, uncomplicated.Until everything you think you know collapses. Until the day a stranger arrives at their door with alarming news: Junior has been chosen to take an extraordinary journey, a journey across both time and distance, while Hen remains at home. Junior will be gone for years. But Hen won't be left alone.Who can you trust if you can't even trust yourself?   As the time for his departure draws nearer, Junior finds himself questioning everything about his life - even whether it's really his life at all.  An eerily entrancing page-turner, Foe churns with unease and suspense from the first words to its shocking finale. Perfect for fans of Humans, Westworld and Black Mirror, Foe is a book you will never forget.*** Praise for FOE ***   ‘I couldn’t put it down.  It infected my dreams. A creepy and brilliant book’      Zoe Whittall, author of The Best Kind of People 'The narrative is so eerie and disturbing… fuelling the reader’s unease; Reid pulls off a wonderful twist in the tail’ Guardian   ‘From the opening page, you’ll have an uneasy feeling as you settle into Iain Reid’s brilliant new novel.. A masterful and breathtakingly unique read. I can’t stop thinking about it ‘   Amy Stuart, author of Still Mine and Still Water   ‘Spare, consuming, unforgettable.   Foe is a dark arrow from a truly original mind.  Page by eerie page, Iain Reid pulls the unknown world out from under you, and leaves you trapped inside a marriage’s most haunting question: can I be replaced? This is a book that seeps into your bloodstream – and crowns Iain Reid the king of deadpan, philosophical horror’    Claudia Dey, author of Heartbreaker ‘Movie producers are simply confirming what the literary community already knows: Iain Reid just might be the most exciting and excitingly unclassifiable author working in Canadian fiction today’  - The Globe and Mail (Canada)‘Foe reads like a house on fire, and is almost impossible not to finish in one sitting...an otherworldly hothouse of introversion and fantasy’  – The Toronto Star

'Reads like a house on fire' - the extraordinary new novel by Iain Reid, the acclaimed author of I’m Thinking of Ending Things  You think you know everything about your life.  Long-married couple Junior and Henrietta live a quiet, solitary life on their farm, where they work at the local feed mill and raise chickens. Their lives are simple, straightforward, uncomplicated.Until everything you think you know collapses.Until the day a stranger arrives at their door with alarming news: Junior has been chosen to take an extraordinary journey, a journey across both time and distance, while Hen remains at home. Junior will be gone for years. But Hen won't be left alone.Who can you trust if you can't even trust yourself?  As the time for his departure draws nearer, Junior finds himself questioning everything about his life - even whether it's really his life at all.An eerily entrancing page-turner, Foe churns with unease and suspense from the first words to its shocking finale. Perfect for fans of Humans, Westworld and Black Mirror, Foe is a book you will never forget.*** Praise for FOE ***  ‘I couldn’t put it down.  It infected my dreams. A creepy and brilliant book’      Zoe Whittall, author of The Best Kind of People'The narrative is so eerie and disturbing… fuelling the reader’s unease; Reid pulls off a wonderful twist in the tail’ Guardian  ‘From the opening page, you’ll have an uneasy feeling as you settle into Iain Reid’s brilliant new novel.. A masterful and breathtakingly unique read. I can’t stop thinking about it ‘   Amy Stuart, author of Still Mine and Still Water  ‘Spare, consuming, unforgettable.   Foe is a dark arrow from a truly original mind.  Page by eerie page, Iain Reid pulls the unknown world out from under you, and leaves you trapped inside a marriage’s most haunting question: can I be replaced? This is a book that seeps into your bloodstream – and crowns Iain Reid the king of deadpan, philosophical horror’    Claudia Dey, author of Heartbreaker‘Movie producers are simply confirming what the literary community already knows: Iain Reid just might be the most exciting and excitingly unclassifiable author working in Canadian fiction today’  - The Globe and Mail (Canada)‘Foe reads like a house on fire, and is almost impossible not to finish in one sitting...an otherworldly hothouse of introversion and fantasy’  – The Toronto Star

You think you know everything about your life. Long-married couple Junior and Henrietta live a quiet, solitary life on their farm, where they work at the local feed mill and raise chickens. Their lives are simple, straightforward, uncomplicated.Until everything you think you know collapses. Until the day a stranger arrives at their door with alarming news: Junior has been chosen to take an extraordinary journey, a journey across both time and distance,while Hen remains at home. Junior will be gone for years. But Hen wont be left alone.Who can you trust if you cant even trust yourself? As the time for his departure draws nearer, Junior finds himself questioning everything about his life - even whether its really his life at all. Eerily entrancing, Foechurns with unease and suspense from the first words to its shocking finale. Perfect for fans of Humans, Westworld and Black Mirror, Foe is a book you will never forget.

Now a Netflix original movie, this deeply scary and intensely unnerving novel follows a couple in the midst of a twisted unraveling of the darkest unease. You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

*Now a major motion picture starring Saoirse Ronan and Paul Mescal* A taut, psychological thriller from Iain Reid, “one of the most talented purveyors of weird, dark narratives in contemporary fiction” (Los Angeles Review of Books).Severe climate change has ravaged the country, leaving behind a charred wasteland. Junior and Henrietta live a comfortable if solitary life on one of the last remaining farms. Their private existence is disturbed the day a stranger comes to the door with alarming news. Junior has been randomly selected to travel far away from the farm, but the most unusual part is that arrangements have already been made so that when he leaves, Henrietta won’t have a chance to miss him. She won’t be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Iain Reid’s sparse, biting style, Foe is a “mind-bending and genre-defying work of genius” (Liz Nugent, author of Unraveling Oliver) that will stay with you long after you turn the final page.

Now a Netflix original movie, this deeply scary and intensely unnerving novel follows a couple in the midst of a twisted unraveling of the darkest unease. You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

*Now a major motion picture starring Saoirse Ronan and Paul Mescal* A taut, psychological thriller from Iain Reid, “one of the most talented purveyors of weird, dark narratives in contemporary fiction” (Los Angeles Review of Books).Severe climate change has ravaged the country, leaving behind a charred wasteland. Junior and Henrietta live a comfortable if solitary life on one of the last remaining farms. Their private existence is disturbed the day a stranger comes to the door with alarming news. Junior has been randomly selected to travel far away from the farm, but the most unusual part is that arrangements have already been made so that when he leaves, Henrietta won’t have a chance to miss him. She won’t be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Iain Reid’s sparse, biting style, Foe is a “mind-bending and genre-defying work of genius” (Liz Nugent, author of Unraveling Oliver) that will stay with you long after you turn the final page.

The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking” (The Guardian) Foe returns with a new work of suspense following an elderly woman trapped in a mysterious facility.Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.” Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s “exquisite novel of psychological suspense” (Publishers Weekly, starred review) explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking” (The Guardian) Foe returns with a new work of suspense following an elderly woman trapped in a mysterious facility.Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.” Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s “exquisite novel of psychological suspense” (Publishers Weekly, starred review) explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking” (The Guardian) Foe returns with a new work of suspense following an elderly woman trapped in a mysterious facility.Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.” Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s “exquisite novel of psychological suspense” (Publishers Weekly, starred review) explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

Der Überraschungs-Hit des Kanadiers Iain Reid - subtiler Psycho-Horror für Fans von Stephen King und HitchcockEine Frau fährt mit ihrem neuen Freund Jake durch die winterliche Weite Kanadas. Trotz ihrer besonderen Verbindung denkt sie darüber nach, die Sache zu beenden. Und während draußen die Dämmerung das einsame Land in Dunkelheit hüllt, werden drinnen im Wagen Gespräche und Atmosphäre immer unheimlicher: Weshalb hält die Erzählerin einen Stalker vor Jake geheim, der ihr seit längerem Angst macht? Warum gibt Jake nur bruchstückhaft etwas von sich preis?Wort für Wort steigt aus den Seiten ein kaum greifbares Unbehagen auf, denn eines ist von vornherein klar: Das junge Paar steuert unaufhaltsam in die Katastrophe ...Ein raffiniertes, stilistisch brillantes Psycho-Drama über Identität, menschliche Abgründe, Einsamkeit und Wahn - "Der kühnste und originellste literarische Psycho-Thriller seit langem." Chicago Tribune

Ein philosophischer Thriller, der all unsere Gewissheiten zum Wanken bringt - vom jungen kanadischen Bestseller-Autor Iain Reid (»The Ending«).Ein Besucher ist etwas höchst Ungewöhnliches auf der Farm von Junior und Henrietta, die sich irgendwo in der kanadischen Einsamkeit zwischen riesige Rapsfelder duckt. Und der seltsame Gast aus der Stadt bringt verstörende Nachrichten: Junior wurde für ein Forschungsprogramm ausgewählt und soll die nächste Zeit weit weg von seiner Farm verbringen … sehr weit weg. So soll sein langweiliges Leben revolutioniert, seine persönliche Entwicklung vorangetrieben werden.Und Henrietta, seine geliebte Frau?Keine Angst. Für sie wird gesorgt - sie wird seine Abwesenheit noch nicht einmal bemerken ...Mit sparsamen Mitteln erzeugt Iain Reid raffinierteste Spannung und schwer fassbaren Schrecken und wirft die großen Fragen auf - nach unserem Zusammenleben, dem freien Willen und dem Menschsein selbst.

Del autor de Estoy pensando en dejarlo, un thriller inquietante sobre el paso del tiempoPenny es artista y lleva varias décadas viviendo en el mismo apartamento, rodeada de los objetos y los recuerdos de su larga vida. Resignada a los rituales triviales de la vejez, un día empieza a sufrir lapsus. Años atrás, antes de que falleciera el que había sido su pareja durante mucho tiempo, se hicieron preparativos, sin que ella lo supiera, para reservarle una habitación en una singular residencia en la que, tras sufrir demasiados «incidentes», acaba ingresando.Al principio, acompañada de personas como ella, conversando, contemplando los hermosos bosques que rodean la casa, todo va bien. Incluso empieza a pintar de nuevo. Pero a medida que los días comienzan a difuminarse, Penny, con una creciente sensación de inquietud y desconfianza, empieza a perder la noción del paso del tiempo y del lugar que ocupa ella en el mundo. ¿Está sucumbiendo a los efectos sutilmente destructivos del envejecimiento o está participando, sin saberlo, en algo más inquietante?Una novela al mismo tiempo compasiva y extraña, narrada con una prosa austera e hipnótica, y difícil de clasificar en un género concreto.

LA NOVELA EN LA QUE SE BASA LA PELÍCULA DIRIGIDA POR CHARLIE KAUFMAN Tendrás miedo, pero no sabrás por qué... «Estoy pensando en dejarlo». Una vez que llega este pensamiento, se queda. Está presente siempre. Siempre. Jake y yo tenemos una conexión de verdad, un apego raro, intenso. ¿Cuánto llevamos...? ¿Un mes? Me siento muy atraída hacia él, aunque en realidad no sea precisamente guapo. Voy a conocer a sus padres por primera vez, al mismo tiempo que estoy pensando dejarlo. Jake dijo en una ocasión que «A veces un pensamiento está más cerca de la verdad, de la realidad, que una acción. Se puede decir cualquier cosa, se puede hacer cualquier cosa, pero no se puede fingir un pensamiento». Y lo que estoy pensando es que no quiero estar aquí. Estoy pensando en dejarlo.

'Reads like a house on fire' - the extraordinary new novel by Iain Reid, the acclaimed author of I’m Thinking of Ending Things  You think you know everything about your life.  Long-married couple Junior and Henrietta live a quiet, solitary life on their farm, where they work at the local feed mill and raise chickens. Their lives are simple, straightforward, uncomplicated.Until everything you think you know collapses.Until the day a stranger arrives at their door with alarming news: Junior has been chosen to take an extraordinary journey, a journey across both time and distance, while Hen remains at home. Junior will be gone for years. But Hen won't be left alone.Who can you trust if you can't even trust yourself?  As the time for his departure draws nearer, Junior finds himself questioning everything about his life - even whether it's really his life at all.An eerily entrancing page-turner, Foe churns with unease and suspense from the first words to its shocking finale. Perfect for fans of Humans, Westworld and Black Mirror, Foe is a book you will never forget.*** Praise for FOE ***  ‘I couldn’t put it down.  It infected my dreams. A creepy and brilliant book’      Zoe Whittall, author of The Best Kind of People'The narrative is so eerie and disturbing… fuelling the reader’s unease; Reid pulls off a wonderful twist in the tail’ Guardian  ‘From the opening page, you’ll have an uneasy feeling as you settle into Iain Reid’s brilliant new novel.. A masterful and breathtakingly unique read. I can’t stop thinking about it ‘   Amy Stuart, author of Still Mine and Still Water  ‘Spare, consuming, unforgettable.   Foe is a dark arrow from a truly original mind.  Page by eerie page, Iain Reid pulls the unknown world out from under you, and leaves you trapped inside a marriage’s most haunting question: can I be replaced? This is a book that seeps into your bloodstream – and crowns Iain Reid the king of deadpan, philosophical horror’    Claudia Dey, author of Heartbreaker‘Movie producers are simply confirming what the literary community already knows: Iain Reid just might be the most exciting and excitingly unclassifiable author working in Canadian fiction today’  - The Globe and Mail (Canada)‘Foe reads like a house on fire, and is almost impossible not to finish in one sitting...an otherworldly hothouse of introversion and fantasy’  – The Toronto Star