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Winner, Canadian Museums Association’s Outstanding Achievement in Research Award Silver Medal Winner, IPPY Awards (Fine Art)A Toronto Star Holiday Gift Guide SelectionA Like Vision is a lavish celebration of the legacy of Tom Thomson and the Group of Seven, Canada’s canonical landscape painters. The Group’s depiction of the rugged beauty of the Canadian landscape — from the coastal mountains of British Columbia to the north shore of Lake Superior, the villages of rural Quebec, and the rocky, windswept coves of Newfoundland — charged Canadians to experience their country in a bold new light and changed the face of Canadian art forever. Through their vigorous and expressive painterly style and vibrant colours, the Group of Seven significantly contributed to Canada’s sense of autonomy and identity as a modern state in the aftermath of the First World War.Featuring three hundred full-colour images, A Like Vision includes a lead essay by Ian A.C. Dejardin, Executive Director of the McMichael Canadian Art Collection, and contributions by a host of artists, curators, and writers. Among them are Indigenous art historian and curator Gerald McMaster, filmmaker Jennifer Baichwal, novelists David Macfarlane and Jane Urquhart, painters John Hartman and Robert Houle, and Inuk writer Tarralik Duffy.One hundred years on from the Group’s first exhibition in 1920, A Like Vision is both a chance to review the Group’s legacy and a tribute to these giants of Canadian art and culture.
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Tom Thomson is the undisputed master of the oil sketch. A towering figure in the history of Canadian art after just five years of professional practise, he stunned audiences with his fresh and avant-garde experimentation, evoking his experience of the Ontario landscape in dozens of dazzling miniature masterworks. Thomson’s death in 1917 triggered the formation of the Group of Seven and the ascendancy of landscape painting as a national preoccupation. Tom Thomson: North Star is the first book to focus on Thomson’s small-scale sketches and brings together a variety of voices to interpret his legacy with fresh eyes. Among them are the McMichael’s Executive Director Ian A.C. Dejardin, historian Douglas Hunter, and Algonquin knowledge-keeper and cultural activist Christine McRae Luckasavitch, as well as a number of contemporary Canadian artists from all parts of Canada. The essays in combination with more than 150 reproductions of Thomson’s painted sketches cast new light on the enduring influence of one of Canada’s most iconic artists.