Ian Fraser – författare

Fraser's diverse and wide-ranging book offers an examination of the work of four critically acclaimed novelists, Milan Kundera (The Unbearable Lightness of Being and Identity), Ian McEwan (Atonement and Saturday), Michel Houellebecq (Atomised and Platform) and J.M. Coetzee (Disgrace and Diary of a Bad Year), to aesthetically explore our understanding of identity. The analysis utilises frameworks from classical and contemporary political, philosophical and social theory to explore the notion of the aesthetic self within these texts. Fraser explores these ideas from within the Marxist aesthetic tradition, using theorists such as Friedrich Nietzsche, G. W. F. Hegel, E.P. Thompson, Julia Kristeva, Henri Lefebvre, Albert Camus, Thomas Aquinas and Theodor Adorno. Fraser therefore offers an innovative and unique approach that breaks new ground by developing a Marxist aesthetic account of identity through the medium of contemporary fiction.

This text introduces the concept of need as viewed by Hegel and Marx, and places it within the context of modern need theories and theorists. The book works through key texts, including Hegel's Philosophy of Right and Marx's Capital, and discusses the theory in relation to Soviet Communism and social democracy.* Covers key texts by Hegel and Marx studied by undergraduates on political theory courses* Looks at political implications for modern need theory* Accessible: author makes good use of textual evidence* Need theory is a major element of modern social theory

This is a concise and accessible dictionary of the key terms and concepts in Marx's writings, his major works and influences, from a philosophical perspective. "The Marx Dictionary" is a comprehensive and accessible guide to the world of Karl Marx. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences and provides a firm grounding in the central themes of Marx's thought from a philosophical perspective. Students will discover a wealth of useful information, analysis and criticism. A-Z entries include clear definitions of all the key terms used in Marx's writings, coverage of their German origins, and detailed synopses of all his key works. The Dictionary also includes entries on Marx's major philosophical and political influences and contemporaries. It covers everything that is essential to a sound understanding of Marx's work, offering clear and accessible explanations of often complex terminology. "The Marx Dictionary" is the ideal resource for anyone reading or studying Marx or Nineteenth-Century Political Thought more generally."The Continuum Philosophy Dictionaries" offer clear and accessible guides to the work of some of the more challenging thinkers in the history of philosophy. A-Z entries provide clear definitions of key terminology, synopses of key works, and details of each thinker's major themes, ideas and philosophical influences. The Dictionaries are the ideal resource for anyone reading or studying these key philosophers.

This is the definitive account of the Royal Bank of Scotland scandal.For a few brief months in 2007 and 2009, the Royal Bank of Scotland was the largest bank in the world. Then the Edinburgh-based giant - having rapidly grown its footprint to 55 countries and stretched its assets to £2.4 trillion under its hubristic and delinquent former boss Fred Goodwin - crashed to earth.In Shredded, Ian Fraser explores the series of cataclysmic misjudgments, the toxic internal culture and the 'light touch' regulatory regime that gave rise to RBS/NatWest's near-collapse. He also considers why it became the most expensive bank in the world to bail out and why a culture of impunity was allowed to develop in the banking sector.This new edition brings the story up to date, chronicling the string of scandals that have come to light since taxpayers rescued RBS and concluding with an evaluation of the attempts of the bank's post-crisis chief executives, Stephen Hester and Ross McEwan, to dismantle Goodwin's disastrous legacy and restore the damaged institutions to health.'A gripping account - RBS was a rogue business, operating in what had become a rogue industry, with the connivance of government. Read it and weep' – Martin Woolf, Financial Times

The actions, images and stories within films can impact upon the political consciousness of viewers, enabling their audience to imagine ways of resisting the status quo, politically, economically and culturally. But what does political theory have to say about film? Should we explore film theory through a political lens? Why might individuals respond to the political within films?This book connects the work of eight radical political theorists to eight world-renowned films and shows how the political impact of film on the aesthetic self can lead to the possibility of political resistance. Each chapter considers the work of a core thinker on film, shows its relevance in terms of a specific case study film, then highlights how these films probe political issues in a way that invites viewers to think critically about them, both within the internal logic of the film and in how that might impact externally on the way they live their lives. Examining this dialogue enables Ian Fraser to demonstrate the possibility of a political impact of films on our own consciousness and identity, and that of others.

The actions, images and stories within films can impact upon the political consciousness of viewers, enabling their audience to imagine ways of resisting the status quo, politically, economically and culturally. But what does political theory have to say about film? Should we explore film theory through a political lens? Why might individuals respond to the political within films?This book connects the work of eight radical political theorists to eight world-renowned films and shows how the political impact of film on the aesthetic self can lead to the possibility of political resistance. Each chapter considers the work of a core thinker on film, shows its relevance in terms of a specific case study film, then highlights how these films probe political issues in a way that invites viewers to think critically about them, both within the internal logic of the film and in how that might impact externally on the way they live their lives. Examining this dialogue enables Ian Fraser to demonstrate the possibility of a political impact of films on our own consciousness and identity, and that of others.