Ian Lowe - Böcker

This multidisciplinary volume presents a refreshing new approach to environmental values in the global age. it investigates the challenges that globalization poses to traditional environmental values in general as well as in politics and international governance.Divided into five parts, the book investigates how environmental values could be reconceived in a globalizing world.Part I explores contemporary environmental values and their implications for a globalizing world.Part II examines the development of Western and Eastern environmental valuesPart III discusses contemporary environmental politicsPart IV examines how values inform environmental governance and how governance solutions influence which values are realisedPart V concludes the volume with two different views of the prospects of environmental values in a globalising world.This study will be of great interest to students and researchers studying the environment in philosophy, political science, international relations, international environment law, environmental studies and development studies.

This multidisciplinary volume presents a refreshing new approach to environmental values in the global age. it investigates the challenges that globalization poses to traditional environmental values in general as well as in politics and international governance.Divided into five parts, the book investigates how environmental values could be reconceived in a globalizing world.Part I explores contemporary environmental values and their implications for a globalizing world.Part II examines the development of Western and Eastern environmental valuesPart III discusses contemporary environmental politicsPart IV examines how values inform environmental governance and how governance solutions influence which values are realisedPart V concludes the volume with two different views of the prospects of environmental values in a globalising world.This study will be of great interest to students and researchers studying the environment in philosophy, political science, international relations, international environment law, environmental studies and development studies.

This book provides a comprehensive introduction to the human, social and economic aspects of science and technology. It examines a broad range of issues from a variety of perspectives, using examples and experiences from Australia and around the world. The authors present complex issues in an accessible and engaging form. Topics include the responsibilities of scientists, ethical dilemmas and controversies, the Industrial Revolution, economic issues, public policy, and science and technology in developing countries. The book ends with a thoughtful and provocative look towards the future. It includes extensive guides to further reading, as well as a useful section on information searching skills. This book will provoke, engage, inform and stimulate thoughtful discussion about culture, society and science. Broad and interdisciplinary, it will be of considerable value to students and teachers.

This book provides a comprehensive introduction to the human, social and economic aspects of science and technology. It examines a broad range of issues from a variety of perspectives, using examples and experiences from Australia and around the world. The authors present complex issues in an accessible and engaging form. Topics include the responsibilities of scientists, ethical dilemmas and controversies, the Industrial Revolution, economic issues, public policy, and science and technology in developing countries. The book ends with a thoughtful and provocative look towards the future. It includes extensive guides to further reading, as well as a useful section on information searching skills. This book will provoke, engage, inform and stimulate thoughtful discussion about culture, society and science. Broad and interdisciplinary, it will be of considerable value to students and teachers.

First published 1990, this volume consists of an introductory essay by Ian Lowe and a comprehensive catalogue of all Wilfred Fairclough’s prints, some 140, from 1932 to the present (1990). Al the prints are illustrated in the body of the catalogue for ease of identification and 48 are also reproduced as large format duotone illustrations.From the Royal College of Art, Wilfred Fairclough won the Rome Scholarship in Engraving in 1934 and was elected an Associate of the Royal Society of Painter-Etchers and Engravers in the same week. His engravings, inspired by his travels in Italy, Spain and Germany in the 1930s, were succeeded by etchings of British subjects and topography, notably of Oxford, until, with a Leverhulme grant, he returned to Italy in 1961. Increasingly, thereafter he has found his subjects and his inspiration in Venice, in concerts, restaurant interiors, and the Carnival, and in Lucerne, in markets and the human figure. Wilfred Fairclough has exhibited consistently at the Royal Society of Painter-Etchers and Engravers and at the Royal Academy (where his most recent Venetian subject, Venice Carnival. Clowns, sold out in three days). Now aged 83 he is still working. There has been no slackening off in his productivity nor in the quality of his work since he retired from teaching at the Kingston College of Art in 1972. The Catalogue is based on his own meticulous records. It will be an essential source of information for all who are interested in his work as a printmaker.Elected an Honorary Member of the Royal Society of Painter-Etchers and Engravers in 1975, Ian Lowe worked in the Ashmolean Museum in Oxford from 1962 until 1987. There he was responsible for the collection of nineteenth- and twentieth-century British prints. He arranged and catalogued numerous exhibitions including those devoted to ~F.L. Griggs, R.S. Austin, Robin Tanner, Alan Gwynne-Jones and Richard Shirley Smith. His association with Wilfred Fairclough dates from 1974. His introductory essay is both biographical and an appreciation of Fairclough’s achievement as a printmaker. It is based on their correspondence, lectures, and meetings as well as on the study of the archives and records of the last sixty years.

First published 1990, this volume consists of an introductory essay by Ian Lowe and a comprehensive catalogue of all Wilfred Fairclough’s prints, some 140, from 1932 to the present (1990). Al the prints are illustrated in the body of the catalogue for ease of identification and 48 are also reproduced as large format duotone illustrations.From the Royal College of Art, Wilfred Fairclough won the Rome Scholarship in Engraving in 1934 and was elected an Associate of the Royal Society of Painter-Etchers and Engravers in the same week. His engravings, inspired by his travels in Italy, Spain and Germany in the 1930s, were succeeded by etchings of British subjects and topography, notably of Oxford, until, with a Leverhulme grant, he returned to Italy in 1961. Increasingly, thereafter he has found his subjects and his inspiration in Venice, in concerts, restaurant interiors, and the Carnival, and in Lucerne, in markets and the human figure. Wilfred Fairclough has exhibited consistently at the Royal Society of Painter-Etchers and Engravers and at the Royal Academy (where his most recent Venetian subject, Venice Carnival. Clowns, sold out in three days). Now aged 83 he is still working. There has been no slackening off in his productivity nor in the quality of his work since he retired from teaching at the Kingston College of Art in 1972. The Catalogue is based on his own meticulous records. It will be an essential source of information for all who are interested in his work as a printmaker.Elected an Honorary Member of the Royal Society of Painter-Etchers and Engravers in 1975, Ian Lowe worked in the Ashmolean Museum in Oxford from 1962 until 1987. There he was responsible for the collection of nineteenth- and twentieth-century British prints. He arranged and catalogued numerous exhibitions including those devoted to ~F.L. Griggs, R.S. Austin, Robin Tanner, Alan Gwynne-Jones and Richard Shirley Smith. His association with Wilfred Fairclough dates from 1974. His introductory essay is both biographical and an appreciation of Fairclough’s achievement as a printmaker. It is based on their correspondence, lectures, and meetings as well as on the study of the archives and records of the last sixty years.