Ian Reid – författare

First published in 1977, this book examines the short story, which is one of the most widely read of all modern genres. The study begins by examining some preliminary problems of definition before going on to trace the emergence of what is usually meant by ‘the modern short story’ and examine the various kinds of narrative from which it derives, such as the sketch, the yarn, Märchen, parable and fable. The final chapter considers the possibility that there are certain structural properties belonging distinctively to the short story.

This book will be of interest to those studying literature and creative writing.

First published in 1977, this book examines the short story, which is one of the most widely read of all modern genres. The study begins by examining some preliminary problems of definition before going on to trace the emergence of what is usually meant by ‘the modern short story’ and examine the various kinds of narrative from which it derives, such as the sketch, the yarn, Märchen, parable and fable. The final chapter considers the possibility that there are certain structural properties belonging distinctively to the short story.

This book will be of interest to those studying literature and creative writing.

First published in 1992, Narrative Exchanges shows how a general model of communicative exchanges can be refined to deal with the complexities of narrative fiction. Going beyond the two-way structure of reciprocity, it gives particular attention to the processes of framing, substitution and dispossession by which written texts generate meaning. The title provides an innovative way of combining narrative and exchange theory, bringing the two areas of thought into a mutually critical relationship. Using a wide variety of narrative texts, literary and non-literary, canonical and non-canonical, authors discussed include Flaubert, Achebe, Mansfield, Boccaccio, Duras, Daudet, Moorhouse, DeLillo and Wordsworth.

Drawing on perspectives from anthropology, linguistics and education, and combining accessible readings with theoretical debate, Ian Reid makes a significant contribution to the debate about narrative theory.

First published in 1992, Narrative Exchanges shows how a general model of communicative exchanges can be refined to deal with the complexities of narrative fiction. Going beyond the two-way structure of reciprocity, it gives particular attention to the processes of framing, substitution and dispossession by which written texts generate meaning. The title provides an innovative way of combining narrative and exchange theory, bringing the two areas of thought into a mutually critical relationship. Using a wide variety of narrative texts, literary and non-literary, canonical and non-canonical, authors discussed include Flaubert, Achebe, Mansfield, Boccaccio, Duras, Daudet, Moorhouse, DeLillo and Wordsworth.

Drawing on perspectives from anthropology, linguistics and education, and combining accessible readings with theoretical debate, Ian Reid makes a significant contribution to the debate about narrative theory.

The five-volume set LNCS 9003--9007 constitutes the thoroughly refereed post-conference proceedings of the 12th Asian Conference on Computer Vision, ACCV 2014, held in Singapore, Singapore, in November 2014.

The total of 227 contributions presented in these volumes was carefully reviewed and selected from 814 submissions. The papers are organized in topical sections on recognition; 3D vision; low-level vision and features; segmentation; face and gesture, tracking; stereo, physics, video and events; and poster sessions 1-3.

The five-volume set LNCS 9003--9007 constitutes the thoroughly refereed post-conference proceedings of the 12th Asian Conference on Computer Vision, ACCV 2014, held in Singapore, Singapore, in November 2014.

The total of 227 contributions presented in these volumes was carefully reviewed and selected from 814 submissions. The papers are organized in topical sections on recognition; 3D vision; low-level vision and features; segmentation; face and gesture, tracking; stereo, physics, video and events; and poster sessions 1-3.