Ian Ritchie - Böcker

Fastest, Highest, Strongest presents a comprehensive challenge to the dominant orthodoxy concerning the use of performance-enhancing drugs in sport. Examining the political and economic transformation of the Olympic Movement during the twentieth century, the authors argue that the realities of modern sport require a serious reassessment of current policies, in particular the ban on the use of certain substances and practices. The book includes detailed discussion of: * The historical importance of World War II and the Cold War in the development of a high-performance culture in sport * The changing Olympic project: from amateurism to a fully professionalized approach * The changing meaning of "sport" * The role of sport science, technology and drugs in pursuing ever-better performance * The major ethical and philosophical arguments used to support the ban on performance-enhancing substances in sport. Fastest, Highest, Strongest is a profound critical examination of modern sport. Its straightforward style will appeal to under- and post-graduate students as well as scholars of sports ethics and history, policy makers and all those interested in the changing nature of sport.

Fastest, Highest, Strongest presents a comprehensive challenge to the dominant orthodoxy concerning the use of performance-enhancing drugs in sport. Examining the political and economic transformation of the Olympic Movement during the twentieth century, the authors argue that the realities of modern sport require a serious reassessment of current policies, in particular the ban on the use of certain substances and practices. The book includes detailed discussion of: * The historical importance of World War II and the Cold War in the development of a high-performance culture in sport * The changing Olympic project: from amateurism to a fully professionalized approach * The changing meaning of "sport" * The role of sport science, technology and drugs in pursuing ever-better performance * The major ethical and philosophical arguments used to support the ban on performance-enhancing substances in sport. Fastest, Highest, Strongest is a profound critical examination of modern sport. Its straightforward style will appeal to under- and post-graduate students as well as scholars of sports ethics and history, policy makers and all those interested in the changing nature of sport.

With an eclectic practice embracing urban planning, public sculpture and industrial design, Ian Ritchie CBE RA is one of Britains most visionary architects. Published here for the first time, his poems, aphorisms and etchings witness a profound engagement with the built environment. Ritchie writes poetry in order to better understand a project, using words to investigate the particularities or challenges of a site, and the process of composition to bring ideas into focus. His calligraphic etchings imagine the shape or spirit of commissions in simple but powerful strokes. Variably pragmatic and philosophical, often witty, his aphorisms on work and life from the importance of light to the nature and possibility of progress reveal a modernists belief in the potential of architecture to improve society. These are lines of thought, committed to paper before any designing begins. They demonstrate that, for Ritchie, being an architect is many more things besides. Ian Ritchie CBE RA is an internationally acclaimed architect. His built designs include the Leipzig Glass Hall, the Spire of Dublin, the elevator shafts for the Centro de Arte Reina Sofia, Madrid, and the RSC Courtyard Theatre, Stratford-upon-Avon, winner of the RIBA National Award in 2007.

The name Farsons is as synonymous with Malta as Guinness is with Ireland. Louis Farrugia’s visionary decision to conduct a European architectural competition has resulted in a stunningly beautiful and brilliant transformation of the 1951 Art Deco Farsons Old Brewhouse buildings. The gardens-courtyards-campus masterplan and architecture has been designed by the internationally renowned architects - ritchie*studio – led by Ian Ritchie, and realised in collaboration with Alex Torpiano’s engineering-focused Maltese practice TBA Periti, and environmental physicist Doug King. Inspired by Maltese palace gardens and the coloured architectural elements of the island’s vernacular buildings, and designed with respect for the force of the Mediterranean sun, this utterly contemporary mixed-use commercial architecture is a masterpiece of form, light and shade, sustainability and environmental engineering.Richard England, the celebrated Maltese architect wrote: “It is perhaps the finest building our island has seen over many a decade. It proves that real estate development can be produced enriched with what Vitruvius termed ‘Venustas’. Rarely has Malta seen architecture of this excellence.”

Light is the material of Architecture.Ian Ritchie is one of the UK’s most visionary architects, and remarkable for synthesising multiple creative disciplines to bring the essence of his architectural projects into focus. A poet and artist as well as an architect, Ritchie distills his ideas into verse and pithy aphorisms that probe the complexities of architectural commissions and the art of composition.In this volume, Ritchie's aphorisms and musings revolve around the topic of light, a fundamental element in the way we perceive both the natural and the built world. They are accompanied by his calligraphic etchings and illustrations of the architecture that emerges from them.This illuminating blend of poetry and design is a trove of inspiration for anyone seeking to expand their understanding of the creative process, and offers a fresh perspective on the profound interplay between thought, practice, and the radiant world of light.