Ida Fröhlich – författare

The problem of evil has preoccupied world religions for centuries. The Old Testament contained no uniform dogma on evil powers, launching a fierce debate that has dominated theological and philosophical thought through the centuries to this day. Evil and the Devil brings together contributions from leading inter national scholars to chart that debate, tracing the history of evil from its origins in the Old Testament through early Judaism and the New Testament to the thought of Origen and one of the topic's most influential theologians, Augustine. What role did evil adopt in ancient Judaism? What impact did the association of miracles with demons have upon Matthew's Gospel? Evil and the Devil examines such questions, resulting in a fascinating and comprehensive exploration of portrayals of evil and its power and influence on religious thought.

The problem of evil has preoccupied world religions for centuries. The Old Testament contained no uniform dogma on evil powers, launching a fierce debate that has dominated theological and philosophical thought through the centuries to this day. Evil and the Devil brings together contributions from leading inter national scholars to chart that debate, tracing the history of evil from its origins in the Old Testament through early Judaism and the New Testament to the thought of Origen and one of the topic's most influential theologians, Augustine. What role did evil adopt in ancient Judaism? What impact did the association of miracles with demons have upon Matthew's Gospel? Evil and the Devil examines such questions, resulting in a fascinating and comprehensive exploration of portrayals of evil and its power and influence on religious thought.

The aims of this significant study are to present pictures of the past as it manifested itself in Jewish literary works written in the Persian and Hellenistic periods, and to reveal the origin of materials and methods used in them in order to construct historical traditions. The works investigated are literary works of three types: pseudohistorical narratives (i.e. historical legends), visions and their interpretations, and 'rewritten Bibles' (i.e. works retelling the historical tradition of the Bible, with alterations in order to create a new structure of history).