Igal Halfin – författare

In Red Autobiographies, Igal Halfin reads admission records of the Soviet Communist Party cells in the 1920s for what they reveal about the politics of self-representation in Bolshevik political culture. He identifies ways of speaking about oneself as a central arena of the Soviet revolution's drive for discovering, changing, and perfecting the self. The study is based on sources-many of which are no longer as freely accessible as they were during the heyday of the Soviet "archival bonanza" - in provincial party archives in Leningrad, Smolensk, and Tomsk. Its principal merit is Halfin's masterful handling and interpretation of those sources. The study also serves as a popular "short course" on Halfin's seminal contributions to the historiographies of Russia, communism, and modern subjectivity.

In this innovative and revelatory work, Igal Halfin exposes the inner struggles of Soviet Communists to identify themselves with the Bolshevik Party during the decisive decades of the 1920s and 1930s. The Bolsheviks preached the moral transformation of Russians into model Communists for their political and personal salvation. To screen the population for moral and political deviance, the Bolsheviks enlisted natural scientists, doctors, psychologists, sexologists, writers, and Party prophets to establish criteria for judging people. Self-inspection became a central Bolshevik practice. Communists were expected to write autobiographies in which they reconfigured their life experience in line with the demands of the Party.Halfin traces the intellectual contortions of this project. Initially, the Party denounced deviant Communists, especially the Trotskyists, as degenerate, but innocuous, souls; but in a chilling turn in the mid-1930s, the Party came to demonize the unreformed as virulent, malicious counterrevolutionaries. The insistence that the good society could not triumph unless every wicked individual was destroyed led to the increasing condemnation of Party members as helplessly flawed. Combining the analysis of autobiography with the study of Communist psychology and sociology and the politics of Bolshevik self-fashioning, Halfin gives us powerful new insight into the preconditions of the bloodbath that was the Great Purge.

This work examines the role of language in forging the modern subject. Focusing on the idea of the "New Man" that has animated all revolutionaries, the present volume asks what it meant to define oneself in terms of one's class origins, gender, national belonging or racial origins.

This work examines the role of language in forging the modern subject. Focusing on the idea of the "New Man" that has animated all revolutionaries, the present volume asks what it meant to define oneself in terms of one's class origins, gender, national belonging or racial origins.

In this interdisciplinary and controversial work, Igal Halfin takes an original and provocative stance on Marxist theory, and attempts to break down the divisions between history, philosophy, and literary theory.

Intimate Enemies is a brilliant study of the transformation of Bolshevik Party ideology, language, and power relations during the crucial period leading up to Stalin's seizure of power. Combining extensive research in recently opened Soviet archives with an insightful rereading of intra-Party struggles, Igal Halfin uncovers this evolution in the language of Bolshevism. This language defined the methods for judging true party loyalty-in what Halfin describes as an examination of the 'hermeneutics of the soul,' and became the basis for prosecuting the Party's enemies, particularly the \u201cintimate enemies\u201d within the Party itself. Halfin argues that Bolshevism-which claimed sole access to truth and morality-ultimately demonized its enemies, and became in effect a theology that facilitated a monumental power shift.

During Stalin's Great Terror, accusations of treason struck fear in the hearts of Soviet citizens-and lengthy imprisonment or firing squads often followed. Many of the accused sealed their fates by agreeing to confessions after torture or interrogation by the NKVD. Some, however, gave up without a fight.In Stalinist Confessions, Igal Halfin investigates the phenomenon of a mass surrender to the will of the state. He deciphers the skillfully rendered discourse through which Stalin defined his cult of personality and consolidated his power by building a grassroots base of support and instilling a collective psyche in every citizen. By rooting out evil (opposition) wherever it hid, good communists could realize purity, morality, and their place in the greatest society in history. Confessing to trumped-up charges, comrades made willing sacrifices to their belief in socialism and the necessity of finding and making examples of its enemies.Halfin focuses his study on Leningrad Communist University as a microcosm of Soviet society. Here, eager students proved their loyalty to the new socialism by uncovering opposition within the University. Through their meetings and self-reports, students sought to become Stalin's New Man.Using his exhaustive research in Soviet archives including NKVD records, party materials, student and instructor journals, letters, and newspapers, Halfin examines the transformation in the language of Stalinist socialism. From an initial attitude that dismissed dissent as an error in judgment and redeemable through contrition to a doctrine where members of the opposition became innately wicked and their reform impossible, Stalin's socialism now defined loyalty in strictly black and white terms. Collusion or allegiance (real or contrived, now or in the past) with \u201cenemies of the people\u201d (Trotsky, Zinoviev, Bukharin, Germans, capitalists) was unforgivable. The party now took to the task of purging itself with ever-increasing zeal.

This work examines the role of language in forging the modern subject. Focusing on the idea of the "New Man" that has animated all revolutionaries, the present volume asks what it meant to define oneself in terms of one''s class origins, gender, national belonging or racial origins.