Ileana Baird – författare

Pope's War with the Dunces: Mapping the Public in Early Eighteenth-Century Britain examines Alexander Pope's Dunciad, a work boasting the largest number of identifiable characters in English literature. By focusing on the role played by cultural periphery (what Pope called "e;dunces"e;) in launching new fashions and ideological trends, Baird sheds new light on publicness as an emerging category at the beginning of the eighteenth century.This work challenges the exclusive nature of the Habermasian public sphere by adopting an original reading of Pope's text through the lens of space, informed by an interdisciplinary approach that combines social space, thing theory, cultural geography, book history, and digital humanities. Baird demonstrates how The Dunciad enacts in its printed body early forms of contemporary new media. These range from textual strategies encouraging interactive responses from readers to the "e;game"e; aspect of the poem, inviting hypertextual readings, to social networks branching out from the text to tell the story of early modernity in strikingly new ways. By employing historical, textual, and computational methods, this book sheds new light on a canonical text and its momentous impact on the emergent public sphere of the time.A rich, thoroughly researched study, this book will be of interest to researchers and scholars of literature, as well as book, cultural, and political history.

Pope's War with the Dunces: Mapping the Public in Early Eighteenth-Century Britain examines Alexander Pope's Dunciad, a work boasting the largest number of identifiable characters in English literature. By focusing on the role played by cultural periphery (what Pope called "e;dunces"e;) in launching new fashions and ideological trends, Baird sheds new light on publicness as an emerging category at the beginning of the eighteenth century.This work challenges the exclusive nature of the Habermasian public sphere by adopting an original reading of Pope's text through the lens of space, informed by an interdisciplinary approach that combines social space, thing theory, cultural geography, book history, and digital humanities. Baird demonstrates how The Dunciad enacts in its printed body early forms of contemporary new media. These range from textual strategies encouraging interactive responses from readers to the "e;game"e; aspect of the poem, inviting hypertextual readings, to social networks branching out from the text to tell the story of early modernity in strikingly new ways. By employing historical, textual, and computational methods, this book sheds new light on a canonical text and its momentous impact on the emergent public sphere of the time.A rich, thoroughly researched study, this book will be of interest to researchers and scholars of literature, as well as book, cultural, and political history.

Pope’s War with the Dunces: Mapping the Public in Early Eighteenth-Century Britain examines Alexander Pope’s Dunciad, a work boasting the largest number of identifiable characters in English literature. By focusing on the role played by cultural periphery (what Pope called “dunces”) in launching new fashions and ideological trends, Baird sheds new light on publicness as an emerging category at the beginning of the eighteenth century.This work challenges the exclusive nature of the Habermasian public sphere by adopting an original reading of Pope’s text through the lens of space, informed by an interdisciplinary approach that combines social space, thing theory, cultural geography, book history, and digital humanities. Baird demonstrates how The Dunciad enacts in its printed body early forms of contemporary new media. These range from textual strategies encouraging interactive responses from readers to the “game” aspect of the poem, inviting hypertextual readings, to social networks branching out from the text to tell the story of early modernity in strikingly new ways. By employing historical, textual, and computational methods, this book sheds new light on a canonical text and its momentous impact on the emergent public sphere of the time.A rich, thoroughly researched study, this book will be of interest to researchers and scholars of literature, as well as book, cultural, and political history.

Exploring Enlightenment attitudes toward things and their relation to human subjects, this collection offers a geographically wide-ranging perspective on what the eighteenth century looked like beyond British or British-colonial borders. To highlight trends, fashions, and cultural imports of truly global significance, the contributors draw their case studies from Western Europe, Russia, Africa, Latin America, and Oceania. This survey underscores the multifarious ways in which new theoretical approaches, such as thing theory or material and visual culture studies, revise our understanding of the people and objects that inhabit the phenomenological spaces of the eighteenth century. Rather than focusing on a particular geographical area, or on the global as a juxtaposition of regions with a distinctive cultural footprint, this collection draws attention to the unforeseen relational maps drawn by things in their global peregrinations, celebrating the logic of serendipity that transforms the object into some-thing else when it is placed in a new locale.

Exploring Enlightenment attitudes toward things and their relation to human subjects, this collection offers a geographically wide-ranging perspective on what the eighteenth century looked like beyond British or British-colonial borders. To highlight trends, fashions, and cultural imports of truly global significance, the contributors draw their case studies from Western Europe, Russia, Africa, Latin America, and Oceania. This survey underscores the multifarious ways in which new theoretical approaches, such as thing theory or material and visual culture studies, revise our understanding of the people and objects that inhabit the phenomenological spaces of the eighteenth century. Rather than focusing on a particular geographical area, or on the global as a juxtaposition of regions with a distinctive cultural footprint, this collection draws attention to the unforeseen relational maps drawn by things in their global peregrinations, celebrating the logic of serendipity that transforms the object into some-thing else when it is placed in a new locale.

Exploring Enlightenment attitudes toward things and their relation to human subjects, this collection offers a geographically wide-ranging perspective on what the eighteenth century looked like beyond British or British-colonial borders. To highlight trends, fashions, and cultural imports of truly global significance, the contributors draw their case studies from Western Europe, Russia, Africa, Latin America, and Oceania. This survey underscores the multifarious ways in which new theoretical approaches, such as thing theory or material and visual culture studies, revise our understanding of the people and objects that inhabit the phenomenological spaces of the eighteenth century. Rather than focusing on a particular geographical area, or on the global as a juxtaposition of regions with a distinctive cultural footprint, this collection draws attention to the unforeseen relational maps drawn by things in their global peregrinations, celebrating the logic of serendipity that transforms the object into some-thing else when it is placed in a new locale.

Data Visualization in Enlightenment Literature and Culture explores the new interpretive possibilities offered by using data visualization in eighteenth-century studies. Such visualizations include tabulations, charts, k-means clustering, topic modeling, network graphs, data mapping, and/or other illustrations of patterns of social or intellectual exchange. The contributions to this collection present groundbreaking research of texts and/or cultural trends emerging from data mined from existing databases and other aggregates of sources. Describing both small and large digital projects by scholars in visual arts, history, musicology, and literary studies, this collection addresses the benefits and challenges of employing digital tools, as well as their potential use in the classroom.Chapters 1, 3, 8 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Data Visualization in Enlightenment Literature and Culture explores the new interpretive possibilities offered by using data visualization in eighteenth-century studies. Such visualizations include tabulations, charts, k-means clustering, topic modeling, network graphs, data mapping, and/or other illustrations of patterns of social or intellectual exchange. The contributions to this collection present groundbreaking research of texts and/or cultural trends emerging from data mined from existing databases and other aggregates of sources. Describing both small and large digital projects by scholars in visual arts, history, musicology, and literary studies, this collection addresses the benefits and challenges of employing digital tools, as well as their potential use in the classroom.Chapters 1, 3, 8 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.