Ileana Rodriguez – författare

Women, Guerrillas, and Love was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.How can literature show us what went awry in the process of liberation, and in the construction of a different, better world? Ileana Rodriguez pursues this question through a reading of "politically committed" literature—texts produced within the context of Latin American guerrilla movements. Che Guevara's diary, testimonios by Omar Cabezas and Tomás Borge, novels and short stories by Sergio Ramírez and Arturo Arias: These are among the works Rodriguez examines.Rodriguez seeks to pinpoint the relationship between the collective and woman, and between woman and the nation-state. Women, Guerrillas, and Love challenges current assumptions about the relationship of gender and sexuality to writing and state building during revolutionary moments. Employing several theoretical paradigms—Marxism, feminism, deconstruction—these readings take into account the "implosion" of socialist or socialist-like societies responding to the expansion of positivistic cultures. The book participates in the debate over the subjugation of insolvent nationstates to the mandates of the market, and the consequent substitution of economic master narratives for historical ones.

Explores the construction of the Americas by and through European eyesTransatlantic Topographies was first published in 2004. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Transatlantic Topographies studies the representation of American space during the initial confrontation between Europeans and Amerindians and during the eighteenth, nineteenth, and twentieth centuries. Starting from topographical descriptions of land, islands, highlands, and jungles, Ileana RodrÍguez shows how existing systems of knowledge broke down with the discovery of the Americas and had to be reinvented through the interpretation of signs, the accumulation of evidence, material exchange, and, finally, through the learning, teaching, and “kidnapping” of language. Proceeding from the period of exploration to the modern creation of a “twentieth-century frontier,” RodrÍguez charts the path that led from island paradise to jungle chaos, from representations of natural beauty to the racialization of the islands. Drawing attention to cross-cultural miscommunication and the riddles of meaning and message it produces, Transatlantic Topographies develops a highly nuanced understanding of the evolving forces of imperialism as they gave way to postcolonialism and then to transnationalism-and newly re-inscribed notions of imperial economic practices.

This book presents original research of violence against women in both achieved and failed states (i.e. Austria, the United States, and Nicaragua) from both a political and psychological perspective. Ileana Rodriguez presents various cases studies that showcase the hard data provided by articles on gender violence (incest, rape, feminicide) in the media, with advanced feminist theories leaning on Freud and Lacan, and with literary fiction that speaks of masculine desire.

This book presents original research of violence against women in both achieved and failed states (i.e.

The Cambridge History of Latin American Women''s Literature is an essential resource for anyone interested in the development of women''s writing in Latin America. Ambitious in scope, it explores women''s literature from ancient indigenous cultures to the beginning of the twenty-first century. Organized chronologically and written by a host of leading scholars, this History offers an array of approaches that contribute to current dialogues about translation, literary genres, oral and written cultures, and the complex relationship between literature and the political sphere. Covering subjects from cronistas in Colonial Latin America and nation-building to feminicide and literature of the indigenous elite, this History traces the development of a literary tradition while remaining grounded in contemporary scholarship. The Cambridge History of Latin American Women''s Literature will not only engage readers in ongoing debates but also serve as a definitive reference for years to come.

The Cambridge History of Latin American Women''s Literature is an essential resource for anyone interested in the development of women''s writing in Latin America. Ambitious in scope, it explores women''s literature from ancient indigenous cultures to the beginning of the twenty-first century. Organized chronologically and written by a host of leading scholars, this History offers an array of approaches that contribute to current dialogues about translation, literary genres, oral and written cultures, and the complex relationship between literature and the political sphere. Covering subjects from cronistas in Colonial Latin America and nation-building to feminicide and literature of the indigenous elite, this History traces the development of a literary tradition while remaining grounded in contemporary scholarship. The Cambridge History of Latin American Women''s Literature will not only engage readers in ongoing debates but also serve as a definitive reference for years to come.

This book presents original research of violence against women in both achieved and failed states (i.e.

La prosa de la contrainsurgencia replantea el problema de lo politico y presta atencion a axiomas emergentes sobre lo social como conjunto de articulaciones complejas y fragmentarias, constituidas en torno a asimetrias fundamentales, y a una creciente proliferacion de diferencias. La escena es nicaraguense; la reflexion versa sobre las diferentes facetas de la revolucion sandinista examinada post-facto. El recuento pasa por la continuidad del sandinismo; la memoria historica que dicha rubrica representa; y el debate de si la revolucion era socialista o no. Para eso toca puntos neuralgicos relativos a la reforma agraria, el grado de inflacion del decenio, y el tipo de participacion ciudadana. Los textos escritos post-revolucion exponen la situacion critica de la participacion de las mujeres, de jovenes combatientes en la guerra, y de la transicion al neoliberalismo. El trabajo descarta la idea de una totalidad estructural suturada y la reemplaza por el concepto de articulacion e identidades de sujeto social en flujo constante.

La prosa de la contrainsurgencia replantea el problema de lo politico y presta atencion a axiomas emergentes sobre lo social como conjunto de articulaciones complejas y fragmentarias, constituidas en torno a asimetrias fundamentales, y a una creciente proliferacion de diferencias. La escena es nicaraguense; la reflexion versa sobre las diferentes facetas de la revolucion sandinista examinada post-facto. El recuento pasa por la continuidad del sandinismo; la memoria historica que dicha rubrica representa; y el debate de si la revolucion era socialista o no. Para eso toca puntos neuralgicos relativos a la reforma agraria, el grado de inflacion del decenio, y el tipo de participacion ciudadana. Los textos escritos post-revolucion exponen la situacion critica de la participacion de las mujeres, de jovenes combatientes en la guerra, y de la transicion al neoliberalismo. El trabajo descarta la idea de una totalidad estructural suturada y la reemplaza por el concepto de articulacion e identidades de sujeto social en flujo constante.