Inga Clendinnen - Böcker

More than fifty years after their occurrence, the events of the Holocaust remain for some of their most dedicated students as morally and intellectually baffling, as 'unthinkable', as they were at their first rumouring. Reading the Holocaust, first published in 2002, challenges that bafflement, and the demoralization that attends it. Exploring the experience of the Holocaust from both the victims' and the perpetrators' points of view, as it appears in histories and memoirs, films and poems, Inga Clendinnen seeks to dispel what she calls the 'Gorgon effect': the sickening of imagination and curiosity and the draining of the will that afflict so many of us when we try to look squarely at the persons and processes implicated in the Holocaust. Searching, eloquent and elegantly written, her book is an uncompromising attempt to extract the comprehensible from the unthinkable.

How can men be brought to look steadily on the face of battle? Tenochtitlán, the great city of the Aztecs, was the creation of war, and war was its dynamic. In the title work of this compelling collection of essays, Inga Clendinnen reconstructs the sequence of experiences through which young Aztec warriors were brought to embrace their duty to their people, to their city, and to the forces that moved the world and the heavens. Subsequent essays explore the survival of Yucatec Maya culture in the face of Spanish conquest and colonisation, the insidious corruption of an austere ideology translated into dangerously novel circumstances, and the multiple paths to the sacred constructed by 'defeated' populations in sixteenth-century Mexico. The collection ends with Clendinnen's transition to the colonial history of her own country: a close and loving reading of the 1841 expedition journal of George Augustus Robinson, appointed 'Protector of Aborigines' in the Port Philip District of Australia.

This is both a specific study of conversion in a corner of the Spanish Empire, and a work with implications for the understanding of European domination and native resistance throughout the colonial world. Dr Clendinnen explores the intensifying conflict between competing and increasingly divergent Spanish visions of Yucatan and its destructive outcomes. She seeks to penetrate the ways of thinking and feeling of the Mayan Indians in a detailed reconstruction of their assessment of the intruders.

In January 1788 the First Fleet arrived in New South Wales and a thousand British men and women encountered the people who would be their new neighbors. Dancing with Strangers tells the story of what happened between the first British settlers of Australia and the people they found living there. This 2005 book offers a reading of the earliest written sources, the reports, letters, and journals of the first British settlers in Australia. It reconstructs the difficult path to friendship and conciliation pursued by Arthur Phillip and the local leader 'Bennelong' (Baneelon); and then traces the painful destruction of that hard-won friendship. A distinguished and award-winning historian of the Spanish encounters with Aztec and Maya indians of sixteenth-century America, Clendinnen's analysis of early cultural interactions in Australia touches broader themes of recent historical debates: the perception of the Other, the meanings of culture, and the nature of colonialism and imperialism.

How can men be brought to look steadily on the face of battle? Tenochtitlán, the great city of the Aztecs, was the creation of war, and war was its dynamic. In the title work of this compelling collection of essays, Inga Clendinnen reconstructs the sequence of experiences through which young Aztec warriors were brought to embrace their duty to their people, to their city, and to the forces that moved the world and the heavens. Subsequent essays explore the survival of Yucatec Maya culture in the face of Spanish conquest and colonisation, the insidious corruption of an austere ideology translated into dangerously novel circumstances, and the multiple paths to the sacred constructed by 'defeated' populations in sixteenth-century Mexico. The collection ends with Clendinnen's transition to the colonial history of her own country: a close and loving reading of the 1841 expedition journal of George Augustus Robinson, appointed 'Protector of Aborigines' in the Port Philip District of Australia.

This is both a specific study of conversion in a corner of the Spanish Empire, and a work with implications for the understanding of European domination and native resistance throughout the colonial world. Dr Clendinnen explores the intensifying conflict between competing and increasingly divergent Spanish visions of Yucatan and its destructive outcomes. She seeks to penetrate the ways of thinking and feeling of the Mayan Indians in a detailed reconstruction of their assessment of the intruders.

In January 1788 the First Fleet arrived in New South Wales and a thousand British men and women encountered the people who would be their new neighbors. Dancing with Strangers tells the story of what happened between the first British settlers of Australia and the people they found living there. This 2005 book offers a reading of the earliest written sources, the reports, letters, and journals of the first British settlers in Australia. It reconstructs the difficult path to friendship and conciliation pursued by Arthur Phillip and the local leader 'Bennelong' (Baneelon); and then traces the painful destruction of that hard-won friendship. A distinguished and award-winning historian of the Spanish encounters with Aztec and Maya indians of sixteenth-century America, Clendinnen's analysis of early cultural interactions in Australia touches broader themes of recent historical debates: the perception of the Other, the meanings of culture, and the nature of colonialism and imperialism.

In 1521, the city of Tenochtitlan, magnificent centre of the Aztec empire, fell to the Spaniards and their Indian allies. Inga Clendinnen's account of the Aztecs recreates the culture of that city in its last unthreatened years. It provides a vividly dramatic analysis of Aztec ceremony as performance art, binding the key experiences and concerns of social existence in the late imperial city to the mannered violence of their ritual killings.

In January of 1788 the First Fleet arrived in New South Wales and a thousand British men and women encountered the people who will be their new neighbours; the beach nomads of Australia. "These people mixed with ours," wrote a British observer soon after the landfall, "and all hands danced together." What followed would determine relations between the peoples for the next two hundred years.Drawing skilfully on first-hand accounts and historical records, Inga Clendinnen reconstructs the complex dance of curiosity, attraction and mistrust performed by the protagonists of either side. She brings this key chapter in British colonial history brilliantly alive. Then we discover why the dancing stopped . . .