Ingo Cornils – författare

New essays on the works and themes of Hesse, one of the most perennially relevant and widely-read German authors.Today, forty years after Timothy Leary's suggestion that hippies read Hermann Hesse while "turning on," Hesse is once again receiving attention: faced with ubiquitous materialism, war, and ecological disaster, we discover that these problems have found universal expression in the works of this master storyteller. Hesse explores perennial themes, from the simple to the transcendental. Because he knows of the awkwardness of adolescence and the pressures exerted on us to conform, his books hold special appeal for young readers and are taught widely. Yet he is equally relevant for older readers, writing about the torment of a psyche in despair, or our fear of the unknown. All these experiences are explored from the perspective of the individual self, for Hesse the repository of the divine and the sole entity to which we are accountable. This volume of new essays sheds light on his major works, including Siddhartha, Der Steppenwolf, and Das Glasperlenspiel, as well as Roßhalde, Klingsors letzter Sommer, Klein und Wagner, and the poetry. Another six essays explore Hesse's interest in psychoanalysis, music, and easternphilosophy, the development of his political views, the influence of his painting on his writing, and the relationship between Hesse and Goethe.Contributors: Jefford Vahlbusch, Osman Durrani, Andreas Solbach, Ralph Freedman, Adrian Hsia, Stefan Höppner, Martin Swales, Frederick Lubich, Paul Bishop, Olaf Berwald, Kamakshi Murti, Marco Schickling, Volker Michels, Godela Weiss-Sussex, C. Immo Schneider, Hans-Joachim Hahn.Ingo Cornilsis Professor of German at the University of Leeds.

An extensive look at historical, literary, and media representations of '68 in Germany, challenging the way it has been instrumentalized.In Germany, the concept of "1968" is enduring and synonymous with the German Student Movement, and is viewed, variously, as a fundamental liberalization, a myth, a second foundation, or an irritation. The movement's aims - radicalre-imagination of the political and economic order and social hierarchy - have been understood as requiring a "long march." While the movement has been judged at best a "successful failure," cultural elites continue to engage inthe construction of 1968. Ingo Cornils's book argues that writing about 1968 in Germany is no longer about the historical events or the specific objectives of a bygone counterculture, but is instead a moral touchstone, a marker ofsocial group identity meant to keep alive (or at bay) a utopian agenda that continues to fire the imagination. The book demonstrates that the representation of 1968 as a "foundational myth" suits the needs of a number of surprisingly heterogeneous groups, and that even attempts to deconstruct the myth strengthen it. Cornils brings together for the first time the historical, literary, and media representations of the movement, showing the motivation behindand effect of almost five decades of writing about 1968. In so doing, Cornils challenges the way 1968 has been instrumentalized: as a powerful imaginary that has colonized every aspect of life in Germany, and as symbolic capitalin cultural and political debates.Ingo Cornils is Professor of German Studies at the University of Leeds.

Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.Since its beginnings, German Science Fiction (or SF) has engaged with social change and technological progress, often drawing from utopian thought. The writer Kurd Laßwitz challenged the authoritarian Wilhelmine order; later, film director Fritz Lang provided a searing critique of Weimar society. Meanwhile utopian thinkers like Ernst Bloch and Herbert Marcuse insisted on the possibility of hope, even in the face of totalitarianism. During the Cold War, German utopian writing and filmmaking were vital both as a warning and as a creative imagining of possible futures. More recently, as rapid scientific and technological advances have continued, literary and cinematic responses have become increasingly dystopian in outlook, reflecting fears connected with globalization, advances in artificial intelligence and genetic engineering, and persistent challenges like climate change, hunger, migration, and terrorism.This book explores German SF's responses to the question how humanity can match technological advances with social, ethical, and moral progress. It surveys German utopian thought and the German SF tradition-both literary and cinematic-providing close readings of selected works that paradoxically reflect boundless optimism for the possibility of change and increasing pessimism in its likelihood. English translations are provided throughout. Building on its rich tradition but now confidently entering the mainstream, German SF attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.

An extensive look at historical, literary, and media representations of '68 in Germany, challenging the way it has been instrumentalized.In Germany, the concept of "1968" is enduring and synonymous with the German Student Movement, and is viewed, variously, as a fundamental liberalization, a myth, a second foundation, or an irritation. The movement's aims - radicalre-imagination of the political and economic order and social hierarchy - have been understood as requiring a "long march." While the movement has been judged at best a "successful failure," cultural elites continue to engage inthe construction of 1968. Ingo Cornils's book argues that writing about 1968 in Germany is no longer about the historical events or the specific objectives of a bygone counterculture, but is instead a moral touchstone, a marker ofsocial group identity meant to keep alive (or at bay) a utopian agenda that continues to fire the imagination. The book demonstrates that the representation of 1968 as a "foundational myth" suits the needs of a number of surprisingly heterogeneous groups, and that even attempts to deconstruct the myth strengthen it. Cornils brings together for the first time the historical, literary, and media representations of the movement, showing the motivation behindand effect of almost five decades of writing about 1968. In so doing, Cornils challenges the way 1968 has been instrumentalized: as a powerful imaginary that has colonized every aspect of life in Germany, and as symbolic capitalin cultural and political debates.Ingo Cornils is Professor of German Studies at the University of Leeds.

A timely collection of new essays arguing for the continuing relevance and impact of Hesse's works around the world.Hermann Hesse remains one of the great figures of world literature. He is the world's 35th most translated author, with more than 1,500 translations of his works currently listed on UNESCO's Index Translatorium. Our understanding of the reciprocal transcultural reception of literature has been radically transformed in the last two decades, starting with David Damrosch's What Is World Literature? (2003). Meanwhile, some forty years have passed since Martin Pfeifer's anthology Hermann Hesses weltweite Wirkung (Hermann Hesse's Worldwide Impact) was published, which means it is time to consider Hesse's global impact again, though not in terms of a country-by-country study. Rather, this book explores Hesse's continuing global relevance more broadly. Hesse is "global" in the sense that his themes touch on the non-material side of human existence in a way that readers in different cultural communities respond to. His prose and poetry offer an oasis of calm, authenticity, and spirituality - a mental terrain of profound and genuine meaning. The present collection of new essays argues that this "spiritual capital" may help readers of Hesse in uncertain times, beyond the doctrines of organized religions or ideologies, assisting them in inhabiting creatively both the world of literature and the visceral world of the early 21st century.Contributors: Flavia Arzeni, Thomas Cyron, Helga Esselborn-Krumbiegel, Carina Gröner, Karl-Josef Kuschel, Thomas Taro Lennerfors, Volker Michels, Christopher Newton, Shrikant Arun Pathak, John Pizer, Adam Roberts, Christiane Schönfeld, Laszlo V. Szabo, Girissha Ameya Tilak, Oscar von Seth, Jennifer Walker, Yoichi Yamamoto, Michal Zawadzki, and Chunhua Zhan.

New Perspectives on Contemporary German Science Fiction demonstrates the variety and scope of German science fiction (SF) production in literature, television, and cinema.

New Perspectives on Contemporary German Science Fiction demonstrates the variety and scope of German science fiction (SF) production in literature, television, and cinema.

In an attempt to counteract the doom and gloom of the economic crisis and the politicians’ overused dictum that ‘there is no alternative’, this interdisciplinary collection presents a number of alternative worlds that were conceived over the course of the last century. While change at the macro level was the focus of most of the ideological struggles of the twentieth century, the real impetus for change came from the blue-sky thinking of scientists, engineers, architects, sociologists, planners and writers, all of whom imagined alternatives to the status quo.Following a roughly chronological order from the turn of the nineteenth century to the present, this book explores the dreams, plans and hopes as well as the nightmares and fears that are an integral part of alternative thinking in the Western hemisphere. The alternative worlds at the centre of the individual essays can each be seen as crucial to the history of the past one hundred years. While these alternative worlds reflect their particular cultural context, they also inform historical developments in a wider sense and continue to resonate in the present.

In November 2002, an international conference was held at the Institute of Germanic Studies in London in order to commemorate the 125th anniversary of Hermann Hesse’s birth. Twenty distinguished speakers from North and South America, Russia, Switzerland, Germany and the United Kingdom attended the three-day conference with the specific aim of exploring the continuing importance of this widely read German-language author.This volume brings together the various responses to the complex challenge that Hesse, whose sheer success is sometimes seen as detracting from his status, presents to literary scholarship around the world. The author’s current image among readers and scholars is approached from several distinct thematic and theoretical perspectives, with the objective of providing a concise overview of current research. The volume offers new readings of a number of Hesse’s seminal works and makes a significant contribution to academic research into his past and present standing as a global icon.As the title suggests, the focus is on ‘Hermann Hesse Today’. The book investigates his current significance for a modern readership, taking account of his importance in the lecture theatre and classroom, the multi-facetted applicability of his moral, ethical and aesthetic concerns in the context of a fragmented world, and the continuing relevance of his writings. With the ever-increasing importance of modern preoccupations such as the ecological movement or the growth of the internet, a fresh look at Hesse’s works is long overdue. The most obvious sign of this is the appearance of a definitive, historical-critical edition of his works (prose, poetry, and literary criticism), which will give access to much hitherto unpublished material and stimulate fresh debates on an author who ranks among the best-known and most influential figures of the twentieth century.This volume will be of interest to teachers of German in higher education and their students as well as researchers and the general readership that continues to take an interest in Hesse on both sides of the Atlantic.