Irena Grudzinska Gross – författare

It seems at first commonplace: a group photograph of peasants at harvest time, after hard work well done, resting contentedly with their tools behind the fruits of their labor. But when one finally notices the "crops" scattered in front of the group, what seemed innocent on first view become horrific skulls and bones. Where are we? Who are the people in the photograph, and what are they doing? The starting point of Jan Tomasz and Irena Grudzinska Gross's Golden Harvest, this haunting photograph in fact depicts a group of peasants--"diggers"--atop a mountain of ashes at Treblinka, where some 800,000 Jews were gassed and cremated. The diggers are searching for gold and precious stones that Nazi executioners may have overlooked. The story captured in this grainy black-and-white photograph symbolizes the vast, continent-wide plunder of Jewish wealth that went hand-in-hand with the Holocaust.The seizure of Jewish assets during World War II occasionally generates widespread attention when Swiss banks are challenged to produce lists of dormant accounts, or national museums are forced to return stolen paintings. But the theft of Europe's Jewish population was not limited to conquering armies, leading banks, or museums. It was perpetrated also by local people, such as those pictured in the photograph. Lyrical and often heartbreaking, A Golden Harvest takes readers across Europe as it exposes the economic ravaging of an entire society. Beginning with a simple group shot, the authors have written a moving book that evokes the depth and range, as well as the intimacy, of the Final Solution.

It seems at first commonplace: a photograph of peasants at harvest time, after work well done, resting contentedly with their tools, behind the fruits of their labor. But when one finally notices that what seemed innocent on first view becomes horrific: the crops scattered in front of the group are skulls and bones. Where are we? Who are the people in the photograph, and what are they doing? The starting point of Jan Gross's A Golden Harvest, this haunting photograph in fact depicts a group of peasants--"diggers" atop a mountain of ashes at Treblinka, where some 800,000 Jews were gassed and cremated. The diggers are hoping to find gold and precious stones that Nazi executioners may have overlooked. The story captured in this grainy black-and-white photograph symbolizes the vast, continent-wide plunder of Jewish wealth. The seizure of Jewish assets during World War II occasionally generates widespread attention when Swiss banks are challenged to produce lists of dormant accounts, or national museums are forced to return stolen paintings. The theft of this wealth was not limited to conquering armies, leading banks, and museums, but to local populations such as those pictured in the photograph. Based upon a simple group shot, this moving book evokes the depth and range, as well as the intimacy, of the final solution.

A dual portrait of the exile poets Milosz and Brodsky  This intimate portrayal of the friendship between two icons of twentieth-century poetry, Czeslaw Milosz and Joseph Brodsky, highlights the parallel lives of the poets as exiles living in America and Nobel Prize laureates in literature. To create this truly original work, Irena Grudzinska Gross draws from poems, essays, letters, interviews, speeches, lectures, and her own personal memories as a confidant of both Milosz and Brodsky.  The dual portrait of these poets and the elucidation of their attitudes toward religion, history, memory, and language throw a new light on the upheavals of the twentieth century. Gross also incorporates notes on both poets’ relationships to other key literary figures, such as W. H. Auden, Susan Sontag, Seamus Heaney, Mark Strand, Robert Haas, and Derek Walcott.

A brilliant meditation on politics, morality, and history from one of the most courageous and controversial authors of our ageRenowned Eastern European author Adam Michnik was jailed for more than six years by the communist regime in Poland for his dissident activities. He was an outspoken voice for democracy in the world divided by the Iron Curtain and has remained so to the present day. In this thoughtful and provocative work, the man the Financial Times named “one of the 20 most influential journalists in the world” strips fundamentalism of its religious component and examines it purely as a secular political phenomenon.  Comparing modern-day Poland with postrevolutionary France, Michnik offers a stinging critique of the ideological “virus of fundamentalism” often shared by emerging democracies: the belief that, by using techniques of intimidating public opinion, a state governed by “sinless individuals” armed with a doctrine of the only correct means of organizing human relations can build a world without sin. Michnik employs deep historical analysis and keen political observation in his insightful five-point philosophical meditation on morality in public life, ingeniously expounding on history, religion, moral thought, and the present political climate in his native country and throughout Europe.

A hero to many, Polish writer Adam Michnik ranks among today's most fearless and persuasive public figures. His imprisonment by Poland's military regime in the 1980s did nothing to quench his outpouring of writings, many of which were published in English as "Letters from Prison". Beginning where that volume ended, "Letters from Freedom" finds Michnik briefly in prison at the height of the 'cold civil war' between authorities and citizens in Poland, then released. Through his continuing essays, articles, and interviews, the reader can follow all the momentous changes of the last decade in Poland and East-Central Europe. Some of the writings have appeared in English in various publications; most are translated here for the first time. Michnik is never detached. His belief that people can get what they want without hatred and violence has always translated into action, and his actions, particularly the activity of writing, have required his contemporaries to think seriously about what it is they want.His commitment to freedom is absolute, but neither wild-eyed nor humorless; with a characteristic combination of idealism and pragmatism, Michnik says, 'In the end, politics is the art of foreseeing and implementing the possible'. Michnik's blend of conviction and political acumen is perhaps most vividly revealed in the interviews transcribed in the book, whether he is the subject of the interview or is conducting a conversation with Czeslaw Milosz, Vaclav Havel, or Wojciech Jaruzelski. These face-to-face exchanges tell more about the forces at work in contemporary Eastern Europe than could any textbook. Sharing Michnik's intellectual journey through a tumultuous era, we touch on all the subjects important to him in this wide-ranging collection and find they have importance for everyone who values conscience and responsibility. In the words of Jonathan Schell, 'Michnik is one of those who bring honor to the last two decades of the twentieth century'.

In this new collection of essays, Adam Michnik - one of Europe's leading dissidents - traces the post-cold-war transformation of Eastern Europe. He writes again in opposition, this time to post-communist elites and European Union bureaucrats. Composed of history, memoir, and political critique, "In Search of Lost Meaning" shines a spotlight on the changes in Poland and the Eastern Bloc in the post-1989 years. Michnik asks what mistakes were made and what we can learn from climactic events in Poland's past, in its literature, and the histories of Central and Eastern Europe. He calls attention to pivotal moments in which central figures like Lech Walesa and political movements like Solidarity came into being, how these movements attempted to uproot the past, and how subsequent events have ultimately challenged Poland's enduring ethical legacy of morality and liberalism. Reflecting on the most recent efforts to grapple with Poland's Jewish history and residual guilt, this profoundly important book throws light not only on recent events, but also on the thinking of one of their most important protagonists.

In this new collection of essays, Adam Michnik—one of Europe’s leading dissidents—traces the post-cold-war transformation of Eastern Europe. He writes again in opposition, this time to post-communist elites and European Union bureaucrats. Composed of history, memoir, and political critique, In Search of Lost Meaning shines a spotlight on the changes in Poland and the Eastern Bloc in the post-1989 years. Michnik asks what mistakes were made and what we can learn from climactic events in Poland’s past, in its literature, and the histories of Central and Eastern Europe. He calls attention to pivotal moments in which central figures like Lech Walesa and political movements like Solidarity came into being, how these movements attempted to uproot the past, and how subsequent events have ultimately challenged Poland’s enduring ethical legacy of morality and liberalism. Reflecting on the most recent efforts to grapple with Poland’s Jewish history and residual guilt, this profoundly important book throws light not only on recent events, but also on the thinking of one of their most important protagonists.

The volume is a selection of the most incisive analyses related to the issues of gender and social transition that appeared in the pages of the quarterly East European Politics and Societies. The articles look at what was happening to women in the changing East European societies and propose new perspectives on the history of the region. Articles cover many countries and come from a period of twelve years – 1994 to 2006 – when the efforts of introducing gender into East European studies were most intense. The volume shows the trajectory leading from the introduction of the lens of gender into the East European studies to the moment at which the tools of gender analysis were applied without apology to the research on East European politics, law, history, culture and economy.

The contributions in this volume reflect discussions and controversies during the Princeton University Conference on Polish-Jewish Studies (April 18–19, 2015). The debates examined the politics of history in Poland, as well as the scholarly and pedagogical need to move beyond national and diasporic narratives in researching and teaching Polish-Jewish subjects. They focused on the role and meaning of the POLIN Museum of the History of Polish Jews.

The book is a collection of articles and essays devoted to important studies conducted by Polish sociologists in the course of more than a hundred years. It displays not only the discipline’s scholarship but also the society studied, with its questions and problems, from the end of the 19th to the beginning of the 20th century, from partition times through the interwar period to the Great Depression, and then from real socialism to the fall of communism and the systemic transformation toward democracy. In this sense, sociological research is Stendhal’s "mirror carried along a high road", where Polish society parades. The findings have been important sources for the social history of Poland.

In his work Limit Experiences, Jacek Leociak addresses questions that are fundamental to the twentieth-century experience: How can we represent such traumatic events as the Holocaust? Was Lyotard correct when he claimed that reality had succumbed to the gas chambers? How can we describe the «indescribable»? Moving seamlessly through such topics as the destruction of the Warsaw Ghetto, the carpet bombing of Dresden, and Jews left for dead in the Nazi execution pits who miraculously «exited the grave» alive, Professor Leociak succeeds in offering readers a profound representation of twentieth-century limit experiences by embedding them in a broad array of sources and building around them a rich historical context.

Anna M. Cienciala Best Edited Book Award 2023Ganador del premio Educación, investigación y tecnología 2023 de ED&TIC RESEARCH CENTERThe volume contains some of the most incisive texts of the New School of Polish Jewish studies. The chapters present new ways of thinking about modern Polish-Jewish history and the Holocaust. The authors are reformulating the terms of current discourses in various fields of research. Introduced by Jan T. Gross, the book includes chapters by several important scholars and an extraordinary poem by Jacek Podsiadło, translated and commented upon by Alissa Valles.

The memoirs of the Polish-Jewish writer, physician, and humanitarian aid activist, Alina Margolis-Edelman (1922–2008), present the life of its author from her childhood in Łódz, Poland till the end of the World War II. Soon after the beginning of the war her father was shot by the Gestapo, and her mother moved to Warsaw Ghetto with Alina and her younger brother. Alina enrolled in the Jewish School of Nursing and worked as a nurse and a courier for the Resistance movement. In a rescue action she describes in the book, she saved the life of Marek Edelman – one of the leaders of the Ghetto Uprising (1943), and he later became her husband.The stories told in her book illuminate issues of anti-Semitism, Holocaust, and Jewish resistance to oppression. She writes about solidarity in times of great danger, resilience in dire situations, dignity of love and care.

Dieses Portrait der Freundschaft zwischen zwei Ikonen der Dichtkunst des 20. Jahrhunderts, Czesław Miłosz und Joseph Brodsky, beleuchtet die Parallelen in den Leben der beiden Dichter und Literaturnobelpreisträger. Grudzińska-Gross greift auf Gedichte, Essays, Briefe, Interviews, Vorträge und eigene Erinnerungen als Vertraute der beiden Dichter zurück, die einen Teil ihres Lebens im amerikanischen Exil verbrachten. Das Doppelportrait der Dichter und die Erläuterung ihrer Einstellungen zu Religion, Geschichte, Erinnerung und Sprache werfen ein neues Licht auf die Umwälzungen des 20. Jahrhunderts. Zusätzlich schildert die Autorin Miłoszs und Brodskys Beziehungen zu anderen literarischen Schlüsselfiguren wie W. H. Auden, Susan Sontag, Seamus Heaney, Mark Strand, Robert Hass, Derek Walcott.