In this exceptional book on the London based studio 6a architects, architecture critic Irénée Scalbert looks at the role of narrative, history, appropriation and craft in the work of Tom Emerson and Stephanie Macdonald. The book traces an architectural approach avoiding style, signature, theory and even concept in favor of metis, an ancient form of intelligence combining "flair, wisdom, forethought, subtlety of mind, deception, resourcefulness, vigilance, opportunism, varied skills, and experience." Structured around notions of situation, intervention, making, comedy, bricolage, chance and anthropology, the text is mirrored in a visual essay of archive photographs, artworks, film stills and recent projects by the practice.6a architects were founded in London in 2001. The practice has developed a reputation for award winning contemporary art galleries, educational and residential projects in sensitive historic environments. Recent projects include the critically acclaimed extension to the South London Gallery (New London Architecture Award 2011 and Civic Trust Award Commendation 2012), Raven Row, contemporary art gallery in Spitalfields, east London (RIBA Award 2010) and the new Fashion Galleries at the V&A opened in May 2012 (nominated for the Mies van der Rohe Award 2013). 6a architects won the Schelling Medal for architecture 2012.

Totems and Other Essays brings together 14 texts by architect, historian, and critic Irénée Scalbert. Written between 1998 and 2025, they reflect nearly three decades of critical engagement with architecture and its cultural contexts. Ranging in length and register—from concise meditations to extended analytical essays—the collection captures the evolution of Scalbert’s thinking as a critic, teacher, and participant in architectural discourse.Organised thematically into sections on buildings, cities, lectures, and theory, Totems and Other Essays traces a loosely autobiographical arc.Earlier pieces echo Scalbert’s formative years in London during a period of architectural ferment marked by the work of James Stirling, Norman Foster, and Richard Rogers, as well as his close association with a generation of contemporaries including Tony Fretton, Adam Caruso and Peter St John, and Tom Emerson and Stephanie Macdonald (6a architects). Later texts expand outward, both geographically and conceptually, as Scalbert brings a speculative and at times personal lens to questions of urbanism, nature, and meaning in contemporary architecture. The book culminates in Lives of a Critic, a postscript that offers candid thoughts on the vocation of architectural criticism in the 21st century.

In this exceptional book on the London based studio 6a architects, architecture critic Irénée Scalbert looks at the role of narrative, history, appropriation and craft in the work of Tom Emerson and Stephanie Macdonald. The book traces an architectural approach avoiding style, signature, theory and even concept in favor of metis, an ancient form of intelligence combining "flair, wisdom, forethought, subtlety of mind, deception, resourcefulness, vigilance, opportunism, varied skills, and experience." Structured around notions of situation, intervention, making, comedy, bricolage, chance and anthropology, the text is mirrored in a visual essay of archive photographs, artworks, film stills and recent projects by the practice.6a architects were founded in London in 2001. The practice has developed a reputation for award winning contemporary art galleries, educational and residential projects in sensitive historic environments. Recent projects include the critically acclaimed extension to the South London Gallery (New London Architecture Award 2011 and Civic Trust Award Commendation 2012), Raven Row, contemporary art gallery in Spitalfields, east London (RIBA Award 2010) and the new Fashion Galleries at the V&A opened in May 2012 (nominated for the Mies van der Rohe Award 2013). 6a architects won the Schelling Medal for architecture 2012.

Totems and Other Essays brings together 14 texts by architect, historian, and critic Irénée Scalbert. Written between 1998 and 2025, they reflect nearly three decades of critical engagement with architecture and its cultural contexts. Ranging in length and register—from concise meditations to extended analytical essays—the collection captures the evolution of Scalbert’s thinking as a critic, teacher, and participant in architectural discourse.Organised thematically into sections on buildings, cities, lectures, and theory, Totems and Other Essays traces a loosely autobiographical arc.Earlier pieces echo Scalbert’s formative years in London during a period of architectural ferment marked by the work of James Stirling, Norman Foster, and Richard Rogers, as well as his close association with a generation of contemporaries including Tony Fretton, Adam Caruso and Peter St John, and Tom Emerson and Stephanie Macdonald (6a architects). Later texts expand outward, both geographically and conceptually, as Scalbert brings a speculative and at times personal lens to questions of urbanism, nature, and meaning in contemporary architecture. The book culminates in Lives of a Critic, a postscript that offers candid thoughts on the vocation of architectural criticism in the 21st century.