Iris Murdoch – författare

Iris Murdoch once observed: 'philosophy is often a matter of finding occasions on which to say the obvious'. What was obvious to Murdoch, and to all those who read her work, is that Good transcends everything - even God. Throughout her distinguished and prolific writing career, she explored questions of Good and Bad, myth and morality. The framework for Murdoch's questions - and her own conclusions - can be found here.

Charles Arrowby has determined to spend the rest of his days in hermit-like contemplation.He buys a mysteriously damp house on the coast, far from the heady world of the theatre where he made his name, and there he swims in the sea, eats revolting meals and writes his memoirs. But then he meets his childhood sweetheart Hartley, and memories of her lovely, younger self crowd in – along with more recent lovers and friends – to disrupt his self-imposed exile. So instead of ‘learning to be good’, Charles proceeds to demonstrate how very bad he can be.‘It isn’t all brainy fantasising in Murdochland; there’s wild swimming, appalling sandwiches, death, madness and sex’ Guardian‘Dazzlingly entertaining and inventive’ The TimesWITH AN INTRODUCTION BY DAISY JOHNSON**WINNER OF THE BOOKER PRIZE**

Every artist is an unhappy lover. And unhappy lovers want to tell their story.Ex-tax collector and author of two unpopular novels Bradley Pearson wishes to devote his retirement to writing a masterpiece. But the doorbell and the phone keep ringing, and every ring brings with it an ex-wife, a friend in need, a sister in trouble or a young woman seeking a teacher. And so, dusty, selfish Bradley is plunged into the muddles and mysteries that will end in his doom.‘A source of wonder and delight’Spectator‘Her humour is all the more achingly funny because she keeps it on the edge of our vision’Daily MailWITH AN INTRODUCTION BY SOPHIE HANNAH

WITH AN INTRODUCTION BY STEPHEN MEDCALFWhen Marian Taylor takes the post of governess at Gaze castle, remote house on a beautiful but desolate coast, she finds herself confronted with many strange mysteries. What kind of crime or catastrophe in the past still keeps the house under a brooding spell? And is her employer Hannah an innocent victim, a guilty woman, a lunatic, or a witch?

Martin believes he can possess both a beautiful wife and a delightful lover. But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional re-education. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendour at first repels him and later arouses a consuming and monstrous passion. How will he survive it?

Imber Court is a quiet haven for lost souls.It offers a sanctuary for those who can neither live in the world, nor out of it. But beneath the gentle daily routines of the community run currents of supressed desire, religious yearning and a legend of disastrous love. Charming, indolent Dora arrives in the midst of all this, and half-unwittingly conjures these submerged things to the surface.‘She’s writing about the only things that matter – love, goodness and how to be happy’Independent‘A book that everyone who’s ever been tempted to throw in the towel and become a hermit should read’GuardianWITH AN INTRODUCTION BY SARAH PERRY

Sartre's powerful political passions were united with a memorable literary gift, placing him foremost among the novelists, as well as the philosophers, of our time. Iris Murdoch's pioneering study analyses and evaluates the different strands of Sartre's rich and complex oeurve. Combining the objectivity of the scholar with a profound interest in contemporary problems, Iris Murdoch discusses the tradition of philosophical, political and aesthetic thought that gives historical authenticity to Satre's achievement, while showing the ambiguities and dangers inherent in his position.

Annette runs away from her finishing school but learns more than she bargained for in the real world beyond; the fierce and melacholy Rosa is torn between two Polish brothers; Peter is obsessed by an indecipherable ancient script. This is a story of a group of people under a spell, and the centre of it all is the mysterious Mischa Fox, the enchanter.

Edmund has escaped from his family into a lonely life. Returning for his mother's funeral he finds himself involved in the old, awful problems, together with some new ones. One by one his relatives reveal their secrets to a reluctant Edmund: illicit affairs, hidden passions, shameful scandals. And the heart of all, there is, as always, the family's loyal servant, the Italian girl.

Stuart Cuno has decided to become good. Not believing in God, he invents his own methods, which include celibacy, chastity and the abandonment of a promising academic career. Interfering friends and relations question his sincerity, his sanity and his motives. Stuart's step-brother Edward Baltram is tormented by guilt because he has, he believes, killed his best friend. He dreams sometimes of redemption, sometimes of suicide. Funny, compelling and extremely moving, THE GOOD APPRENTICE is about guilt ridden despair, and the difficult problem of how to try to be good - and the various magical devices which console those who are sensible enough not to try.

Everyone is thinking about Julius King.For comfortable, long-married Hilda and Rupert, he is a mystery. For Morgan, Hilda's tormented sister, he is an obsession. For Morgan's abandoned husband, Tallis, he is the source of ruin. For Simon and Axel, deeply in love, he stirs up jealousy and unease. What is Julius thinking about? He's thinking about Hilda, Rupert, Morgan, Tallis, Simon and Axel, and they will not all survive his malevolent attention.'The most important novelist writing in my time' A. S. Byatt‘Murdoch’s art was expansive, non-autobiographical and insistently inventive’Daily Telegraph‘Above all, she was a consummate story-teller, prodigiously inventive and generous’IndependentWITH AN INTRODUCTION BY GARTH GREENWELL

After his wife's death, Hugh contemplates returning to his former mistress. His son, Randall, longs to abandon his shapeless marriage for a perfect partner. Randall's young daughter, Miranda, is adored by her Australian cousin Penn, but has attachments elsewhere. Her mother Ann has her own private dream, while taking upon herself the strains and pains of all the others. Impelled by affection, lust and illusion, these characters search for love within a tightly woven web.

Something Special was previously unpublished except in a 1950s anthology and in Japan, and rediscovered after her death. It is the only short story that Iris Murdoch ever wrote for publication.Set in Dublin, against the vividly recognisable backdrop of the writer's native city in the late fifties, Something Special is the story of Yvonne, an ordinary, bold young Irish woman who believes there's more to life than marriage to Sam, the respectable young man who's courting her. Written with verve and characteristic sly humour, it moves to a surprising climax and conclusion - a poignant, strangely haunting story about the incompatibility of dreams and desires.

Jake is clever, lazy and scraping by in London as a hack translator.Jake loves Anna. Anna is an elusive and lovely singer. Anna loves Hugo. Hugo is a fireworks manufacturer turned movie producer and majestic philosopher. Hugo loves Sadie. Sadie is a glossy and dazzling film starlet. Of course, Sadie loves Jake. Then there’s Marvellous Mister Mars, the famous hound, who might or might not be Jake’s ticket up and out of this mess.‘A dazzling story, light and comic in touch’The Times‘A brilliant talent’Times Literary SupplementWITH AN INTRODUCTION BY CHARLOTTE MENDELSON

Henry and Cato is the story of two prodigal sons. Henry returns from a self-imposed exile in America to an unforeseen inheritance of wealth and land in England. He is also returning to his mother. His friend Cato is struggling with two ambiguous intermingled passions, one for a God who may or may not exist, the other for a petty criminal who may or may not be capable of salvation. Cato's father and his sister Colette wait anxiously to welcome Cato back to sanity after his dubious escapades. Henry meanwhile confronts his mother, the unappeased furies of childish resentment, and various possibilities of revenge. Henry's cool mother watches, Cato's impetuous sister intervenes. Can love here become a saving force, or is it condemned to be possessive and demonic? Blackmail and violence take a hand, and both Henry and Cato return home at last.

Carel is widowed rector presiding over a London church destroyed during the war. The rectory is home to an array of residents: his daughter, Muriel; his beautiful invalid ward, Elizabeth; their West Indian servant, Pattie; Eugene, a Russian emigre, and his delinquent son, Leo. Carel's brother, Marcus, is co-guardian of Elizabeth, but his attempts to get closer to the rector are constantly rebuffed. These seven characters maintain a constant dance of attraction and repulsion, misunderstanding and revelation, the centre of which is the enigmatic Carel himself - a priest who believes that, God being dead, His angels have been released.

Saved from a delinquent childhood by education, cheated out of Oxford by a tragic love tangle, Hilary Burde cherishes his obsessive guilt and ekes out a living in a dull civil service job. When the man whom he has harmed and betrayed reappears as head of his department, Hilary hopes for forgiveness, even for redemption and a new life, but finds himself haunted by a ghostly repetition.

As the Easter Rebellion looms, tension mounts in the rain-soaked streets of Dublin. Tension is also ratcheting up at home. Pat Dumay is a Catholic and an Irish patriot. His relentlessly pious mother pursues her own private war with his stepfather, a man sunk in religious speculation and drink. Meanwhile Pat's Protestant soldier cousin, Andrew Chase-White, puzzles out his complex emotions about Ireland and the girl he loves. Weaving between them moves Millie Kinnard: fast, feminist, and only just respectable.

The decline of religion and ever increasing influence of science pose acute ethical issues for us all. Can we reject the literal truth of the Gospels yet still retain a Christian morality? Can we defend any 'moral values' against the constant encroachments of technology? Indeed, are we in danger of losing most of the qualities which make us truly human? Here, drawing on a novelists insight into art, literature and psychology, Iris Murdoch conducts an ongoing debate with major writers, thinkers and theologians - from Augustine to Wittgenstein, Shakespeare to Sartre, Plato to Derrida - to provide fresh and compelling answers to these crucial questions.

This is the story of the comic, relentless struggle for survival of Austin Gibson Grey, the accidental man. Austin is one of those people who thrives through the destruction of others. The others, in Austin's case, include his successful elder brother, Matthew, and the women who, one after the other, are convinced that they can 'save' him. In this role we meet Dorina, Austin's estranged wife, Mitzi, his alcoholic landlady, and a selection of other women who involve themselves in Austin's fate, with hilarious and appalling results.

Montague Small, an obsessive writer of detective thrillers, mourns his lately dead wife, who may or may not have been unfaithful to him. His attempts at meditation are a failure. He detests his fictional detective. His interest in his neighbour's difficulties and his neighbour's wife appear to be his only consolations after all. The neighbour, Blaise Gavender, is an amateur psychotherapist who has seen through himself. Has Blaise the courage to change his life and become an honest man? What is honesty in any case? Blaise's wife Harriet lives for love, love of her husband, love of her son. She if fond of Monty too. Emily McHugh is quite another matter. She too lives for love: for love and justice and revenge, aided and incited by her ambiguous friend Constance Pinn. Emily's son Luca, a very disturbed child, becomes the subject of a tug of war between two possessive women. Edgar Demornay, a distinguished scholar, also blunders into the fray; he adores Monty and falls in love with Monty's women. A deed of violence finally solves many problems. This is a story of different loves; and of how a man may need two women in such a way that he can be happy with neither. Sacred and profane love are related opposites; the one enjoyed renders the other necessary, so that the ever unsatisfied heart swings constantly to and fro.

For years, Alfred Ludens has pursued mathematician and philosopher Marcus Vallar in the belief that he possesses a profound metaphysical formula, a missing link of great significance to mankind. Luden's friends are more sceptical. Jack Sheerwater, painter, thinks Marcus is crazy. Gildas herne, ex-preist, thinks he is evil. Patrick Fenman, poet, is dying because he thinks Marcus has cursed him. Marcus has disappeared and must be found. But is he a genius, a hero struggling at the bounds of human knowledge? Is he seeking God, or is he just another victim of the Holocaust, which casts its shadow upon him and upon Ludens, both of them Jewish? Can human thinking discover the foundations of human consciousness? Iris Murdoch's endlessly inventive imagination has touched a fundamental question of our time.

Iris Murdoch's debut—a comic novel about work and love, wealth and fameJake Donaghue, garrulous artist, meets Hugo Bellfounder, silent philosopher.Jake, hack writer and sponger, now penniless flat-hunter, seeks out an old girlfriend, Anna Quentin, and her glamorous actress sister, Sadie. He resumes acquaintance with the formidable Hugo, whose ‘philosophy’ he once presumptuously dared to interpret. These meetings involve Jake and his eccentric servant-companion, Finn, in a series of adventures that include the kidnapping of a film-star dog and a political riot on a film set of ancient Rome. Jake, fascinated, longs to learn Hugo’s secret. Perhaps Hugo’s secret is Hugo himself? Admonished, enlightened, Jake hopes at last to become a real writer.

A sparklingly profound novel about the conflict between love and loyaltyThe quiet life of schoolmaster Bill Mor and his wife Nan is disturbed when a young woman, Rain Carter, arrives at the school to paint the portrait of the headmaster. Mor, hoping to enter politics, becomes aware of new desires. A complex battle develops, involving love, guilt, magic, art, and political ambition. Mor’s teenage children and their mother fight discreetly and ruthlessly against the invader. The Head, himself disenchanted, advises Mor to seize the girl and run. The final decision rests with Rain. Can a “great love” be purchased at too high a price?

A novel about the frightfulness and ruthlessness of being in love, from the author of the Booker Prize-winning novel The Sea, The SeaMartin Lynch-Gibson believes he can possess both a beautiful wife and a delightful lover. But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional reeducation. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendor at first repels him and later arouses a consuming and monstrous passion. As his Medusa informs him, “this is nothing to do with happiness.”A Severed Head was adapted for a successful stage production in 1963 and was later made into a film starring Claire Bloom, Lee Remick, Richard Attenborough, and Ian Holm.

A brilliant mythical drama about well-meaning people trapped in a war of spiritual forcesMarian Taylor, who has come as a “companion” to a lovely woman in a remote castle, becomes aware that her employer is a prisoner, not only of her obsessions, but of an unforgiving husband.Hannah, the Unicorn, seemingly an image of persecuted virtue, fascinates those who surround her, some of whom plan to rescue her from her dream of redemptive suffering. But is she an innocent victim, a guilty woman, a mad woman, or a witch? Is her spiritual life really some evil enchantment? If she is forcibly liberated will she die? The ordinary, sensible people survive, and are never sure whether they have understood.

From the Booker Prize-winning author of The Sea, The Sea comes a story about revenge and reconciliation, and the difference between being nice and being good.  John Ducane, a respected Whitehall civil servant, is asked to investigate the suicide of a colleague. As he pursues his inquiry, he uncovers a shabby, evil world of murder, blackmail, and black magic. He begins to feel more trapped than trapping.  In contrast to a stagnant summer in London, Octavian and Kate Gray’s adoring community on the Dorset coast seems to offer Ducane refuge, but even here the after-effects of violence poison an atmosphere already electric with adolescent quarrels and intrigue. After a swim into the underworld, Ducane begins to realize that niceness is not enough.  "A feast."--The Guardian

Swinging between his wife and his mistress in the sacred and profane love machine and between the charms of morality and the excitements of sin, the psychotherapist, Blaise Gavender, sometimes wishes he could divide himself in two. Instead, he lets loose misery and confusion and—for the spectators at any rate—a morality play, rich in reflections upon the paradoxes of human life and the nature of the battle between sacred and profane love.