Iris Origo – författare

This extraordinary re-creation of the life of a medieval Italian merchant, Francesco di Marco Datini, is one of the greatest historical portraits written in the twentieth century.Drawing on an astonishing cache of letters unearthed centuries after Datini's death, it reveals to us a shrewd, enterprising, anxious man, as he makes deals, furnishes his sumptuous house, buys silks for his outspoken young wife and broods on his legacy. It is an unequalled source of knowledge about the texture of daily life in the small, earthy, violent, striving world of fourteenth-century Tuscany.'Datini has now probably become most intimately accessible figure of the later Middle Ages ... brilliant and intricate' The Times'As a picture of Tuscany before the dawn of the Renaissance it is a complement to The Decameron' Sunday Times

Iris Origo, one of the twentieth century's great diarists, was born in England in 1902. As a child, she moved between England, Ireland, Italy and America, never quite belonging anywhere. It was only when she married an Italian man that she came to rest in one country. Fifteen years later, that country would be at war with her own.With piercing insight, Origo documents the grim absurdities that her adopted Italy underwent as war became more and more unavoidable. Connected to everyone, from the peasants on her estate to the US ambassador, she writes of the turmoil, the danger, and the dreadful bleakness of Italy in 1939-1940.Published for the first time in paperback, A Chill in the Air is the account of the awful inevitability of Italy's stumble into a conflict for which its people were ill prepared. With an introduction by Lucy Hughes-Hallett, the award-winning author of The Pike, and an afterword by Katia Lysy, granddaughter of Iris Origo, this is the gripping precursor to Origo's bestselling classic diary War in Val d'Orcia.

"Ein ruhiger herrlicher Sommerabend; die Trauben reifen, die Ochsen pflügen. Nur der Mensch ist völlig verrückt geworden."In der Rückschau ist es leicht, Anzeichen für drohendes Unheil auszumachen. Aber wer mittendrin in der Geschichte steckt, kann nur versuchen, sich aus Gehörtem, Gesehenem und Gelesenem ein Bild zusammenzusetzen. Im ­Sommer 1940 tritt Italien in den Zweiten Weltkrieg ein, ein gutes Jahr zuvor beginnt Iris Origo ihr Tagebuch. Die Britin lebt in der Toskana, ist aber auch in Rom bestens vernetzt. Und während die Nazis über halb Europa hinwegziehen, spricht sie mit Bauern und Politikern, hört Radio und liest Zeitungen – und hält alles fest. So bekommen wir nicht nur Einblick ins faschistische Italien, sondern auch ein Gefühl dafür, wie es ist, wenn die Welt am Wendepunkt steht.