How have issues of place and identity, of belonging and exclusion, been represented in visual culture? Irit Rogoff uses the work of contemporary artists to explore how art in the twentieth century has confronted issues of identity and belonging.

In an age of 'ethnic cleansing' and forced migration, of contested borders and nations in turmoil, how have issues of place and identity, and of belonging and exclusion, been represented in visual culture? In Terra Infirma, Irit Rogoff examines geography's truth claims and signifying practices, arguing that geography is a language in crisis, unable to represent the immense changes that have taken place in a post-colonial, post-communist, post-migratory world. She uses the work of international contemporary artists to explore how art in the twentieth century has confronted and challenged issues of identity and belonging.Rogoff's dazzling and richly-illustrated study takes in painting, installation art, film and video by a wide range of artists including Charlotte Salomon, Ana Mendieta, Joshua Neustein, Yehoshua Glotman, Mona Hatoum, Hans Haacke, Ashley Bickerton, Alfredo Jaar and Guillermo Gomez-Pena. Structuring her argument through themes of luggage, mapping, borders and bodies, Rogoff explores how artists have confronted twentieth century phenomena such as the horror of the Holocaust, the experience of diaspora at New York's Ellis Island, and, in the present day, disputed and fraught boundaries in the Middle East, the two Germanies, the Balkan states and the US-Mexican border.

Nobody doubts that the contemporary art of Turkey has ‘arrived’ on the international stage: Hale Tenger’s work has been bought by the Pompidou Centre; Fikret Atay features in Tate Modern’s collection; Kutlug Ataman has been nominated for the Turner Prize; and collectors flock from around the world to pick up pieces by exceptionally talented Turkish artists. 'Unleashed' is the most comprehensive account yet of the recent storm of activity in Turkey’s art scene. A sumptuously illustrated A–Z of over ninety of the most exciting Turkish contemporary artists, it contains many exclusive interviews with some of the biggest names in Turkish art, as well as such up-and-coming artists as Leyla Gediz, Emre Huner and Ali Kazmal and the Turkish diaspora. It also features interviews with and profiles of leading curators, gallerists, collectors, artist-run spaces and museums. The work of the featured artists is put into further context by three important essays written by leading curators and critics, which tackle the issues of identity, and the relationship of Turkish art to international artistic trends.

How have issues of place and identity, of belonging and exclusion, been represented in visual culture? Irit Rogoff uses the work of contemporary artists to explore how art in the twentieth century has confronted issues of identity and belonging.

How have issues of place and identity, of belonging and exclusion, been represented in visual culture? Irit Rogoff uses the work of contemporary artists to explore how art in the twentieth century has confronted issues of identity and belonging.

In an age of 'ethnic cleansing' and forced migration, of contested borders and nations in turmoil, how have issues of place and identity, and of belonging and exclusion, been represented in visual culture? In Terra Infirma, Irit Rogoff examines geography's truth claims and signifying practices, arguing that geography is a language in crisis, unable to represent the immense changes that have taken place in a post-colonial, post-communist, post-migratory world. She uses the work of international contemporary artists to explore how art in the twentieth century has confronted and challenged issues of identity and belonging.Rogoff's dazzling and richly-illustrated study takes in painting, installation art, film and video by a wide range of artists including Charlotte Salomon, Ana Mendieta, Joshua Neustein, Yehoshua Glotman, Mona Hatoum, Hans Haacke, Ashley Bickerton, Alfredo Jaar and Guillermo Gomez-Pena. Structuring her argument through themes of luggage, mapping, borders and bodies, Rogoff explores how artists have confronted twentieth century phenomena such as the horror of the Holocaust, the experience of diaspora at New York's Ellis Island, and, in the present day, disputed and fraught boundaries in the Middle East, the two Germanies, the Balkan states and the US-Mexican border.

Nobody doubts that the contemporary art of Turkey has ‘arrived’ on the international stage: Hale Tenger’s work has been bought by the Pompidou Centre; Fikret Atay features in Tate Modern’s collection; Kutlug Ataman has been nominated for the Turner Prize; and collectors flock from around the world to pick up pieces by exceptionally talented Turkish artists. 'Unleashed' is the most comprehensive account yet of the recent storm of activity in Turkey’s art scene. A sumptuously illustrated A–Z of over ninety of the most exciting Turkish contemporary artists, it contains many exclusive interviews with some of the biggest names in Turkish art, as well as such up-and-coming artists as Leyla Gediz, Emre Huner and Ali Kazmal and the Turkish diaspora. It also features interviews with and profiles of leading curators, gallerists, collectors, artist-run spaces and museums. The work of the featured artists is put into further context by three important essays written by leading curators and critics, which tackle the issues of identity, and the relationship of Turkish art to international artistic trends.

How have issues of place and identity, of belonging and exclusion, been represented in visual culture? Irit Rogoff uses the work of contemporary artists to explore how art in the twentieth century has confronted issues of identity and belonging.