Isabel Rivers – författare

In John Bunyan''s The Pilgrim''s Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain,Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people''s hands?Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing anddistribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, RomanCatholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years'' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.

In John Bunyan''s The Pilgrim''s Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain,Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people''s hands?Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing anddistribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, RomanCatholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years'' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.

In John Bunyan's The Pilgrim's Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain, Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people's hands? Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing and distribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, Roman Catholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.

Joseph Priestley was one of the most remarkable thinkers of the eighteenth century. Best known today as the scientist who discovered oxygen, he also made major contributions in the fields of education, politics, philosophy, and theology. This collection of essays by a team of experts covers the full range of Priestley's work and provides a new and up to date account of all his activities, together with a summary of his life and an account of his last years in America. The book will re-establish him as a major intellectual figure in Britain and America in the second half of the eighteenth century.

The introduction of hymns and hymn-singing into public worship in the seventeenth century by dissenters from the Church of England has been described as one of the greatest contributions ever made to Christian worship. Hymns, that is metrical compositions which depart too far from the text of Scripture to be called paraphrases, have proved to be one of the most effective mediums of religious thought and feeling, second only to the Bible in terms of their influence. This comprehensive collection of essays by specialist authors provides the first full account of dissenting hymns and their impact in England and Wales, from the mid seventeenth century, when the hymn emerged out of metrical psalms as a distinct literary form, to the early twentieth century, after which the traditional hymn began to decline in importance. It covers the development of hymns in the mid seventeenth and early eighteenth centuries, the change in attitudes to hymns and their growing popularity in the course of the eighteenth century, and the relation of hymnody to the broader Congregational, Baptist, Methodist, and Unitarian cultures of the nineteenth and earlier twentieth centuries. The chapters cover a wide range of topics, including the style, language, and theology of hymns; their use both in private by families and in public by congregations; their editing, publication and reception, including the changing of words for doctrinal and stylistic reasons; their role in promoting evangelical Christianity; their shaping of denominational identities; and the practice of hymn-singing and the development of hymn-tunes.

Since publication in 1979 Isabel Rivers' sourcebook has established itself as the essential guide to English Renaissance poetry. It:provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance;illustrates the ways in which Renaissance poetry drew on classical and Christian ideas;contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them;includes suggestions for further reading, and an invaluable bibliographical appendix.

The period 1660-1780 saw major changes in the relationship between religion and ethics in English thought. In this first part of an important two-volume study, Isabel Rivers examines the rise of Anglican moral religion and the reactions against it expressed in nonconformity, dissent and Methodism. Her study investigates the writings which grew out of these movements, combining a history of the ideas of individual thinkers (including both prominent figures such as Bunyan and Wesley and a range of lesser writers) with analysis of their characteristic terminology, techniques of persuasion, literary forms and styles. The intellectual and social milieu of each movement is explored, together with the assumed audiences for whom the texts were written. The book provides an accessible, wide-ranging and authoritative new interpretation of a crucial period in the development of early modern religious and moral thought.

This volume completes Isabel Rivers' widely acclaimed exploration of the relationship between religion and ethics from the mid-seventeenth to the later eighteenth centuries. She investigates the effect of attempts to separate ethics from religion, and to locate the foundation of morals in the constitution of human nature. Focusing on moral philosophy and the educational institutions in which (or in spite of which) these ideas were developed, the book pays close attention to the movement of ideas through the British Isles, in particular the spread of Shaftesbury's thought from England to Ireland and Scotland, and the varied reception of Hume's scepticism north and south of the border. It also demonstrates the enormous influence of Shaftesbury's moral thought and the ultimate triumph of the English interpretation of Shaftesbury with the rise of Butler. Meticulously researched and accessibly written, this volume makes a vital contribution to our understanding of eighteenth-century thought.

The period 1660-1780 saw major changes in the relationship between religion and ethics in English thought. In this first part of an important two-volume study, Isabel Rivers examines the rise of Anglican moral religion and the reactions against it expressed in nonconformity, dissent and Methodism. Her study investigates the writings which grew out of these movements, combining a history of the ideas of individual thinkers (including both prominent figures such as Bunyan and Wesley and a range of lesser writers) with analysis of their characteristic terminology, techniques of persuasion, literary forms and styles. The intellectual and social milieu of each movement is explored, together with the assumed audiences for whom the texts were written. The book provides an accessible, wide-ranging and authoritative new interpretation of a crucial period in the development of early modern religious and moral thought.

This volume completes Isabel Rivers' widely acclaimed exploration of the relationship between religion and ethics from the mid-seventeenth to the later eighteenth centuries. She investigates the effect of attempts to separate ethics from religion, and to locate the foundation of morals in the constitution of human nature. Focusing on moral philosophy and the educational institutions in which (or in spite of which) these ideas were developed, the book pays close attention to the movement of ideas through the British Isles, in particular the spread of Shaftesbury's thought from England to Ireland and Scotland, and the varied reception of Hume's scepticism north and south of the border. It also demonstrates the enormous influence of Shaftesbury's moral thought and the ultimate triumph of the English interpretation of Shaftesbury with the rise of Butler. Meticulously researched and accessibly written, this volume makes a vital contribution to our understanding of eighteenth-century thought.

This collection of eight new essays investigates ways in which significant kinds of 18th-century writings were designed and received by different audiences. Rivers explores the answers to certain crucial questions about the contemporary use of books. This new edition contains the results of important new research by well known specialists in the field of book and publishing history over the last two decades.

Since publication in 1979 Isabel Rivers'' sourcebook has established itself as the essential guide to English Renaissance poetry. It:

provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; includes suggestions for further reading, and an invaluable bibliographical appendix.

Since publication in 1979 Isabel Rivers'' sourcebook has established itself as the essential guide to English Renaissance poetry. It:

provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; includes suggestions for further reading, and an invaluable bibliographical appendix.

This collection of eight new essays investigates ways in which significant kinds of 18th-century writings were designed and received by different audiences. Rivers explores the answers to certain crucial questions about the contemporary use of books. This new edition contains the results of important new research by well known specialists in the field of book and publishing history over the last two decades.