Isabelle Alfandary – författare

Literature and Error comprises a series of essays by French scholars who seek to lay down the foundations of a theory that would argue for the productivity of errors and mistakes in literary works. While the "necessity of errors" has repeatedly been tackled from a philosophical angle, rarely has the demonstration been attempted from the standpoint of literature. Beyond the thematic importance of errors (evidenced in the age-old motifs of learning from one’s errors, mistaken identities, malapropism, comic or tragic misunderstandings, hamartia, the fallibility of man, etc.), the proposition is made here that errare is not just humanum but also literarium—that "Erring Becomes Literature" with or, preferably, without corrections. Indeed, approached from various angles, it is the literariness of errors and mistakes that this joint study sets out to explore. Modern and contemporary Anglo-American literature structurally accommodates and even welcomes errors. Ranging from Edgar Allan Poe, James Joyce, and Jonathan Franzen to Robert Browning and Elizabeth Bishop, the authors and works discussed assess the seaworthiness of errors when launched into deep (literary) water. Viewed in that light, errors not only cease to be errors of something (of taste, conception, judgment, calculation), they become errors per se, valued for their own sake. Deliberately comprehensive and broad-ranging, this volume should appeal not just to scholars and students but also to readers who share an interest in theory and close reading alike.

El psicoanálisis tiene por objetivo la cura. Para su inventor es, sin embargo, una práctica inseparable de una hipótesis científica: el inconsciente. El psicoanálisis no puede prescindir de la comprensión y la comprobación de los procesos psíquicos inconscientes. Si pierde su estatus de ciencia, se convierte en una creencia o una religión. Lo cierto es que el inconsciente no es un objeto de experiencia directa: solo se manifiesta oblicuamente en sueños, lapsus, actos fallidos... ¿Cómo salir, entonces, del atolladero de una ciencia cuya causa es tan necesaria como inaprehensible? Para lograrlo, Freud elabora sucesivos modelos epistemológicos, desde la ciencia detectivesca de los Estudios sobre la histeria hasta el mito científico de Moisés y la religión monoteísta. Contra toda expectativa, propone un modelo epistemológico que se basa en la ficción.