Isabelle Kirkham–lewitt – författare
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2 produkter
2 produkter
170 kr
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As Angela Y. Davis has proposed, the “path to prison,” which so disproportionately affects communities of color, is most acutely guided by the conditions of daily life. Architecture, then, as fundamental to shaping these conditions of civil existence, must be interrogated for its involvement along this diffuse and mobile path. Paths to Prison: On the Architectures of Carcerality aims to expand the ways the built environment’s relationship to and participation in the carceral state is understood in architecture. The collected essays in this book implicate architecture in the more longstanding and pervasive legacies of racialized coercion in the United States—and follow the premise that to understand how the prison enacts its violence in the present one must shift the epistemological frame elsewhere: to places, discourses, and narratives assumed to be outside of the sphere of incarceration.Paths to Prison: On the Architectures of Carcerality offers not a fixed or inexorable account of how things are but rather a set of starting points and methodologies for reevaluating the architecture of carceral society and for undoing it altogether.With contributions by Adrienne Brown, Stephen Dillon, Jarrett M. Drake, Sable Elyse Smith, James Graham, Leslie Lodwick, Dylan Rodríguez, Anne Spice, Brett Story, Jasmine Syedullah, Mabel O. Wilson, and Wendy L. Wright.
252 kr
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How can we live without plastics? But, also, how can we live without plastics? These two questions, which index a different set of urgent concerns, haunt Everlasting Plastics. Exploring the infinite ways in which plastics permeate our bodies and our world, the book offers intimate and political accounts of our fraught yet enmeshed kinship with these materials. Rather than making a case for or against the material, the writings and artworks collected in this volume attempt to register our ongoing toxic dependencies on plastic, its impact on other material cultures and behaviors, and the harm and possibilities it entangles for our collective futures.Everlasting Plastics records and expands upon the exhibition of the US Pavilion at the 2023 Venice Biennale, which excavated the ways synthetics both shape and erode contemporary ecologies, economies, and the built environment. Refusing to see the exhibition as a static event and instead imagining it as an invitation to evolve the stakes of a shared conversation, the book gathers the work of the exhibition alongside research, reflections, sketches, and newly commissioned critical essays. More than a catalog, Everlasting Plastics is itself an exercise in plasticity—staging interactions between institutions and disciplines, between editorial and curatorial practice, between book and exhibition. Through its range of formats, the book unfolds, broadens, revises, and expands the histories, relations, preoccupations, and discourses on and around our relationship to plastic matter and thought.With artwork by Xavi L. Aguirre, Simon Anton, Ang Li, Norman Teague, and Lauren Yeager; essays from madison moore, Laura Raicovich, Shannon Rae Stratton, Marisa Solomon, Jessica Varner, and Michele Washington; sketches by Kristen Bos, K. Jake Chakasim, Sky Cubacub, Heather Davis, Jennifer Gabrys, Rania Ghosn, Stephanie Ginese, Aurelia Guo, Adam Hanieh, Ilana Harris-Babou, Theodossis Issaias, Zakiyyah Iman Jackson, Carolyn L. Kane, Laleh Khalili, Anjuli Fatima Raza Kolb, Naa Oyo A. Kwate, Esther Leslie, Ani Liu, Adie Mitchell, Timothy Mitchell, Gabrielle Printz, Kyla Schuller, Terry Schwarz, Pallavi Sen, Ayesha A. Siddiqi, Ala Tannir, and RA Washington.