Isobel Grundy – författare

Despite being an aristocrat and a woman, Lady Mary Wortley Montagu (1689 - 1762) made herself a writer. Lady Mary has long been well-known as a `character' a letter writer, and a traveller, this revised paperback edition of her non-epistolary writings appears at a time when interest in her literary work is now widespread and serious. Lady Mary saw herself as `haunted by the Daemon of Poesie'. She wrote literary criticism of Addison and the only essay by a woman published in the Spectator, together with spirited verse replies to Pope and Swift and passionate love-poems which dispute the period's label `Age of Reason'. Her essays (some published anonymously in newspapers) and poems (many of which appeared with her secret connivance) deal with issues still alive and accessible today: love, marriage, prejudice against women writers, the medical breakthrough of smallpox innoculation. Her comedy, Simplicity, has been recently revived in productions around the U.K. Hard-hitting, eloquent and often funny, the work of Lady Mary Wortley Montagu will be essential reading for the growing number of scholars, students and general readers of women's writing.

A scholarly edition of works by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Lady Mary Wortley Montagu (1689-1762) is one of the most important women writers between Aphra Behn and Jane Austen, and one of her period's most provocative and entertaining writers of either sex. The narratives in this volume, with the exception of one juvenile piece, have never been printed before. They show the author experimenting with the genres of fiction and autobiography, more influenced by French models than by English, but always working experimentally against the grain of her various traditions. Besides page-turning narrative, these works offer the rare opportunity of a completely fresh take on literary movements, cross-cultural relations, gender ideologies, and other literary debates of the early eighteenth century. Our existing picture of what was once possible in literature and what was possible for women at this time cannot remain unchanged once these writings appear.

This book is the first to look at Lady Mary Wortley Montagu's achievement as a vital figure in the women's literary tradition. Robert Halsband's book on her life, the sixth this century and published in 1956, was the first to apply scholarly techniques to establishing the facts. The inaccurate accounts given before Halsband testify to Lady Mary's compelling interest as a woman who wrote, travelled, campaigned publicly for medical advance, gossiped, and was involved in high-profile literary quarrels. Knowledge of her life has made considerable gains since Halsband, as understanding of the issues involved in trying to move between the roles of proper lady and woman writer has increased enormously. This life fruitfully exploits the tension between literary history and feminist reading. Isobel Grundy highlights Montagu's adolescent longing for literary fame, her growing understanding of the implications of this for gender and class imperatives, the frustrations and concessions involved in her collaborations with male writers, the punitive responses of society, the gaps at every stage of her life between her ascertainable circumstances and her construction of herself in letters and other writings. The book situates those writings in relation to her own theorizing and her very wide reading in women's texts as well as men's. Finally, it looks at a range of contemporary and near-contemporary responses.