Inbunden, Engelska, 2023
388 kr
Skickas inom 5-8 vardagar
J Archer – författare
Visar alla böcker från författaren J Archer. Handla med fri frakt och snabb leverans.
11 produkter
11 produkter
- Häftad, Engelska, 2023
202 kr
Skickas inom 5-8 vardagar
- Inbunden, Engelska, 2012
639 kr
Skickas inom 10-15 vardagar
Drawing on the later writings of Martin Heidegger, the book traces the correspondence between the philosopher's concept of technology and Shakespeare's poetics of human and natural productivity in the Sonnets. - E-bokPDF, Engelska, 2012
877 kr
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Drawing on the later writings of Martin Heidegger, the book traces the correspondence between the philosopher''s concept of technology and Shakespeare''s poetics of human and natural productivity in the Sonnets. - Inbunden, Engelska, 2014
639 kr
Skickas inom 10-15 vardagar
Food and the Literary Imagination explores ways in which the food chain and anxieties about its corruption and disruption are represented in poetry, theatre and the novel. The book relates its findings to contemporary concerns about food security. - E-bokPDF, Engelska, 2014
868 kr
Läs direkt efter köp
Food and the Literary Imagination explores ways in which the food chain and anxieties about its corruption and disruption are represented in poetry, theatre and the novel. The book relates its findings to contemporary concerns about food security. - Häftad, Engelska, 2012
639 kr
Skickas inom 10-15 vardagar
Drawing on the later writings of Martin Heidegger, the book traces the correspondence between the philosopher's concept of technology and Shakespeare's poetics of human and natural productivity in the Sonnets. - Häftad, Engelska, 2014
639 kr
Skickas inom 10-15 vardagar
Food and the Literary Imagination explores ways in which the food chain and anxieties about its corruption and disruption are represented in poetry, theatre and the novel. The book relates its findings to contemporary concerns about food security. - Häftad, Engelska, 2005
639 kr
Skickas inom 10-15 vardagar
Shakespeare was not a citizen of London. But the language of his plays is shot through with the concerns of London 'freemen' and their wives, the diverse commercial class that nevertheless excluded adult immigrants from country towns and northern Europe alike. This book combines London historiography, close reading, and recent theories of citizen subjectivity to demonstrate for the first time that Shakespeare's plays embody citizen and alien identities despite their aristocratic settings. Through three chapters, the book points out where the city shadows the country scenes of the major comedies, shows how London's trades animate the 'civil butchery' of the history plays, ans explains why England's metropolis becomes the fractured Rome of tragedy, - Inbunden, Engelska, 2005
639 kr
Skickas inom 10-15 vardagar
Shakespeare was not a citizen of London. But the language of his plays is shot through with the concerns of London 'freemen' and their wives, the diverse commercial class that nevertheless excluded adult immigrants from country towns and northern Europe alike. This book combines London historiography, close reading, and recent theories of citizen subjectivity to demonstrate for the first time that Shakespeare's plays embody citizen and alien identities despite their aristocratic settings. Through three chapters, the book points out where the city shadows the country scenes of the major comedies, shows how London's trades animate the 'civil butchery' of the history plays, ans explains why England's metropolis becomes the fractured Rome of tragedy, - E-bokPDF, Engelska, 2005
868 kr
Läs direkt efter köp
Shakespeare was not a citizen of London. But the language of his plays is shot through with the concerns of London ''freemen'' and their wives, the diverse commercial class that nevertheless excluded adult immigrants from country towns and northern Europe alike. This book combines London historiography, close reading, and recent theories of citizen subjectivity to demonstrate for the first time that Shakespeare''s plays embody citizen and alien identities despite their aristocratic settings. Through three chapters, the book points out where the city shadows the country scenes of the major comedies, shows how London''s trades animate the ''civil butchery'' of the history plays, ans explains why England''s metropolis becomes the fractured Rome of tragedy,
