J. Beer - Böcker

This volume on Blake follows the writer's life and combines biography and critical analysis. Covering Blake's early career, his major works and his work as a visual artist, this new study will be a must for all Blake scholars and enthusiasts. Recent discoveries concerning Blake's forebears and their religion make this new study additionally timely.

'...a significant, wide-ranging study...Above all, the book restores a salutary sense of the value of, and the difficult poise involved in, creative acts.' - Michael O'Neill, Durham University;Taken together, these interlinked studies on topics such as the literary influences at work in the 1790s, Newman's resistance to Romantic ideas, the exact nature of Virginia Woolf's debt to Walter Pater and the counter-Romanticism of Lawrence and Eliot constitute a large reading of Romanticism from 1789 to our own day. They also throw light on the complex workings of influence itself, not least by showing how writers used images of fluency to describe their own creative processes.

Of all the wide-ranging interests Coleridge showed in his career, religion was the deepest and most long lasting, and Beer demonstrates in this book how none of this work can be fully understood without taking this into account.

Revolutionary thinking at the end of the Eighteenth century prompted major English writers to probe the riddle of human consciousness and the ways in which it might differ from 'Being' in a divine or universal sense.

In this sequel to his Romantic Consciousness, John Beer discusses further questionings of human consciousness; both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by nineteenth-century psychical researchers.

A full account of Lawrence, ranging from his talent as a young writer to the continuing genius of his later work, and concentrating on his exceptionally acute powers of observation, both human and natural.

'... a significant, wide-ranging study ... Above all, the book restores a salutary sense of the value of, and the difficult poise involved in, creative acts.' - Michael O'Neill, Durham University Taken together, these interlinked studies on topics such as the literary influences at work in the 1790s, Newman's resistance to Romantic ideas, the exact nature of Virginia Woolf's debt to Walter Pater and the counter-Romanticism of Lawrence and Eliot constitute a large reading of Romanticism from 1789 to our own day. They also throw light on the complex workings of influence itself, not least by showing how writers used images of fluency to describe their own creative processes.

Of all the wide-ranging interests Coleridge showed in his career, religion was the deepest and most long lasting, and Beer demonstrates in this book how none of this work can be fully understood without taking this into account.

A full account of Lawrence, ranging from his talent as a young writer to the continuing genius of his later work, and concentrating on his exceptionally acute powers of observation, both human and natural.

Revolutionary thinking at the end of the Eighteenth century prompted major English writers to probe the riddle of human consciousness and the ways in which it might differ from 'Being' in a divine or universal sense. In the first of two studies, John Beer traces this question in writings by Blake, Coleridge and Wordsworth, and the impact of their ideas on successors such as Keats, De Quincey, Byron and the Shelleys. Relevance to later figures such as the Cambridge Apostles and Tennyson is also discussed.

In this sequel to his Romantic Consciousness, John Beer discusses further questionings of human consciousness; both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by nineteenth-century psychical researchers.

Revolutionary thinking at the end of the 18th century prompted major English writers to probe the riddle of human consciousness and the ways in which it might differ from "being" in a divine or universal sense. In the first of two studies, John Beer traces this question in writings by Blake, Coleridge and Wordsworth, and the impact of their ideas on successors such as Keats, De Quincey, Byron and the Shelleys. Relevance to later figures such as the Cambridge Apostles and Tennyson is also discussed

In this sequel to "Romantic Consciousness", John Beer discusses further questionings of human consciousness: both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by 19th century psychical researchers. Discussions of questions of "Being" by thinkers such as Heidegger, Sartre and Havel are accompanied by the assertion that creative writers such as Woolf and Lawrence, followed by Hughes and Plath, showed a deeper debt than philosophical contemporaries to their Romantic predecessors.