J. C. Wells – författare

Accents of English is about the way English is pronounced by different people in different places. Volume 1 provides a synthesizing introduction, which shows how accents vary not only geographically, but also with social class, formality, sex and age; and in volumes 2 and 3 the author examines in greater depth the various accents used by people who speak English as their mother tongue: the accents of the regions of England, Wales, Scotland and Ireland (volume 2), and of the USA, Canada, the West Indies, Australia, New Zealand, South Africa, India, Black Africa and the Far East ( volume 3). Each volume can be read independently, and together they form a major scholarly survey, of considerable originality, which not only includes descriptions of hitherto neglected accents, but also examines the implications for phonological theory. Readers will find the answers to many questions: Who makes 'good' rhyme with 'mood'? Which accents have no voiced sibilants? How is a Canadian accent different from an American one, a New Zealand one from an Australian one, a Jamaican one from a Barbadian one? What are the historical reasons for British-American pronunciation differences? What sound changes are currently in progress in New York, in London, in Edinburgh? Dr Wells his written principally for students of linguistics, phonetics and English language, but the motivated general reader will also find the study both fascinating and rewarding.

How do you pronounce omega, tortoise and sloth, and why? Do charted and chartered sound the same? How do people pronounce the names Charon, Punjab and Sexwale? In this engaging book, John Wells, a world-renowned phonetician and phonologist, explores these questions and others. Each chapter consists of carefully selected entries from Wells' acclaimed phonetics blog, on which he regularly posted on a range of current and widely researched topics such as pronunciation, teaching, intonation, spelling, and accents. Based on sound scholarship and full of fascinating facts about the pronunciation of Welsh, Swedish, Czech, Zulu, Icelandic and other languages, this book will appeal to scholars and students in phonetics and phonology, as well as general readers wanting to know more about language. Anyone interested in why a poster in Antigua invited cruise ship visitors to enjoy a game of porker, or what hymns can tell us about pronunciation, should read this book.

How do you pronounce biopic, synod, and Breughel? - and why? Do our cake and archaic sound the same? Where does the stress go in stalagmite? What's odd about the word epergne? Pontcysyllte is obviously Welsh, but Penge is Welsh too! How cool is Caol in the Highlands of Scotland? What can Wesley's hymns tell us about sound change in English? How do people pronounce Wrocław in Poland? How can anyone manage to say Gdynia as just two syllables? Why is the village of Frith in the island of Montserrat usually pronounced as if spelt Frits? What embarrassing faux pas in English did a Russian conglomerate make? Should I bild a cubbard instead of building a cupboard? How should we capitalize an exclamation mark, and why might we need to? What's a depressor consonant? As a finale, the author writes a letter to his 16-year-old self.

How do you pronounce omega, tortoise and sloth, and why? Do charted and chartered sound the same? How do people pronounce the names Charon, Punjab and Sexwale? In this engaging book, John Wells, a world-renowned phonetician and phonologist, explores these questions and others. Each chapter consists of carefully selected entries from Wells' acclaimed phonetics blog, on which he regularly posted on a range of current and widely researched topics such as pronunciation, teaching, intonation, spelling, and accents. Based on sound scholarship and full of fascinating facts about the pronunciation of Welsh, Swedish, Czech, Zulu, Icelandic and other languages, this book will appeal to scholars and students in phonetics and phonology, as well as general readers wanting to know more about language. Anyone interested in why a poster in Antigua invited cruise ship visitors to enjoy a game of porker, or what hymns can tell us about pronunciation, should read this book.

Accents of English is about the way English is pronounced by different people in different places. Volume 1 provides a synthesizing introduction, which shows how accents vary not only geographically, but also with social class, formality, sex and age; and in volumes 2 and 3 the author examines in greater depth the various accents used by people who speak English as their mother tongue: the accents of the regions of England, Wales, Scotland and Ireland (volume 2), and of the USA, Canada, the West Indies, Australia, New Zealand, South Africa, India, Black Africa and the Far East ( volume 3). Each volume can be read independently, and together they form a major scholarly survey, of considerable originality, which not only includes descriptions of hitherto neglected accents, but also examines the implications for phonological theory. Readers will find the answers to many questions: Who makes ''good'' rhyme with ''mood''? Which accents have no voiced sibilants? How is a Canadian accent different from an American one, a New Zealand one from an Australian one, a Jamaican one from a Barbadian one? What are the historical reasons for British-American pronunciation differences? What sound changes are currently in progress in New York, in London, in Edinburgh? Dr Wells his written principally for students of linguistics, phonetics and English language, but the motivated general reader will also find the study both fascinating and rewarding.

How do you pronounce omega, tortoise and sloth, and why? Do charted and chartered sound the same? How do people pronounce the names Charon, Punjab and Sexwale? In this engaging book, John Wells, a world-renowned phonetician and phonologist, explores these questions and others. Each chapter consists of carefully selected entries from Wells'' acclaimed phonetics blog, on which he regularly posted on a range of current and widely researched topics such as pronunciation, teaching, intonation, spelling, and accents. Based on sound scholarship and full of fascinating facts about the pronunciation of Welsh, Swedish, Czech, Zulu, Icelandic and other languages, this book will appeal to scholars and students in phonetics and phonology, as well as general readers wanting to know more about language. Anyone interested in why a poster in Antigua invited cruise ship visitors to enjoy a game of porker, or what hymns can tell us about pronunciation, should read this book.

How do you pronounce omega, tortoise and sloth, and why? Do charted and chartered sound the same? How do people pronounce the names Charon, Punjab and Sexwale? In this engaging book, John Wells, a world-renowned phonetician and phonologist, explores these questions and others. Each chapter consists of carefully selected entries from Wells'' acclaimed phonetics blog, on which he regularly posted on a range of current and widely researched topics such as pronunciation, teaching, intonation, spelling, and accents. Based on sound scholarship and full of fascinating facts about the pronunciation of Welsh, Swedish, Czech, Zulu, Icelandic and other languages, this book will appeal to scholars and students in phonetics and phonology, as well as general readers wanting to know more about language. Anyone interested in why a poster in Antigua invited cruise ship visitors to enjoy a game of porker, or what hymns can tell us about pronunciation, should read this book.

How do you pronounce biopic, synod, and Breughel? - and why? Do our cake and archaic sound the same? Where does the stress go in stalagmite? What's odd about the word epergne? Pontcysyllte is obviously Welsh, but Penge is Welsh too! How cool is Caol in the Highlands of Scotland? What can Wesley's hymns tell us about sound change in English? How do people pronounce Wrocław in Poland? How can anyone manage to say Gdynia as just two syllables? Why is the village of Frith in the island of Montserrat usually pronounced as if spelt Frits? What embarrassing faux pas in English did a Russian conglomerate make? Should I bild a cubbard instead of building a cupboard? How should we capitalize an exclamation mark, and why might we need to? What's a depressor consonant? As a finale, the author writes a letter to his 16-year-old self.

How do you pronounce biopic, synod, and Breughel? - and why? Do our cake and archaic sound the same? Where does the stress go in stalagmite? What''s odd about the word epergne? Pontcysyllte is obviously Welsh, but Penge is Welsh too! How cool is Caol in the Highlands of Scotland? What can Wesley''s hymns tell us about sound change in English? How do people pronounce Wrocław in Poland? How can anyone manage to say Gdynia as just two syllables? Why is the village of Frith in the island of Montserrat usually pronounced as if spelt Frits? What embarrassing faux pas in English did a Russian conglomerate make? Should I bild a cubbard instead of building a cupboard? How should we capitalize an exclamation mark, and why might we need to? What''s a depressor consonant? As a finale, the author writes a letter to his 16-year-old self.

How do you pronounce biopic, synod, and Breughel? - and why? Do our cake and archaic sound the same? Where does the stress go in stalagmite? What''s odd about the word epergne? Pontcysyllte is obviously Welsh, but Penge is Welsh too! How cool is Caol in the Highlands of Scotland? What can Wesley''s hymns tell us about sound change in English? How do people pronounce Wrocław in Poland? How can anyone manage to say Gdynia as just two syllables? Why is the village of Frith in the island of Montserrat usually pronounced as if spelt Frits? What embarrassing faux pas in English did a Russian conglomerate make? Should I bild a cubbard instead of building a cupboard? How should we capitalize an exclamation mark, and why might we need to? What''s a depressor consonant? As a finale, the author writes a letter to his 16-year-old self.