J. D. Schmidt – författare

Stone Lake is a translation and study of the poetry of Fan Chengda (1126-1193), one of the most famous Chinese poets of the twelfth century. For the non-specialist reader the main attraction of this 1992 book will be the translations from an extensive body of Fan Chengda's poetry, which make up almost half of the text, and includes poems on such familiar themes as the Chinese countryside, peasant life, Buddhism and growing old. The more technical part of the book contains a biography of the poet, a discussion of his affiliation with poets of the generation before him such as Lu You and Yang Wanli, a detailed analysis of his style, and discussion of the major themes of his work.

This book is a study of the poetry of Huang Zunxian, one of the most famous authors of late nineteenth-century China. The first part consists of a detailed biography outlining Huang's literary and political career. This is followed by a critical discussion of Huang's poetry, including such topics as his theory of literature, his traditional verse, his highly original poetry on foreign lands, his political satire and his scientific verse. The book concludes with a generous sampling of his poetry in translation.

Stone Lake is a translation and study of the poetry of Fan Chengda (1126-1193), one of the most famous Chinese poets of the twelfth century. For the non-specialist reader the main attraction of this 1992 book will be the translations from an extensive body of Fan Chengda's poetry, which make up almost half of the text, and includes poems on such familiar themes as the Chinese countryside, peasant life, Buddhism and growing old. The more technical part of the book contains a biography of the poet, a discussion of his affiliation with poets of the generation before him such as Lu You and Yang Wanli, a detailed analysis of his style, and discussion of the major themes of his work.

This book is a study of the poetry of Huang Zunxian, one of the most famous authors of late nineteenth-century China. The first part consists of a detailed biography outlining Huang's literary and political career. This is followed by a critical discussion of Huang's poetry, including such topics as his theory of literature, his traditional verse, his highly original poetry on foreign lands, his political satire and his scientific verse. The book concludes with a generous sampling of his poetry in translation.

This is the first complete study of China's most popular eighteenth-century poet in any Western language. The work consists of a detailed biography, a study of Yuan's revolutionary reinterpretation of Chinese literary theory, and an analysis of his many contributions to the more original genres of Qing-dynasty (1644-1911) poetry such as narrative, historical, didactic, eccentric, and nature verse. The study is concluded by a generous and representative sampling of Yuan's poetry in translation, the first to do justice to the wide variety and richness of his oeuvre. Although many shorter poems are selected, this is the first translation to include his outstanding longer poetry. Harmony Garden will completely revise current attitudes in the west concerning classical Chines literature during the eighteenth century, a period that was long viewed as one of decline, but now appears to equal the golden ages of antiquity.