J. David Slocum – författare

Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films.Topics covered include:the early formation of war cinemathe apotheosis of the Hollywood war filmthe ascendancy of ambivalenceHollywood and the war since Vietnamwar as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.

Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films.Topics covered include:the early formation of war cinemathe apotheosis of the Hollywood war filmthe ascendancy of ambivalenceHollywood and the war since Vietnamwar as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.

American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.

American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.

Assesses the layered meanings and persistent global legacy of an American film classic.Five decades after the production and initial release of Rebel Without a Cause, this book examines both the complicated historical moment in which the film was made as well as its continuing and pervasive influence on film today. The contributors track how the film continues to speak to diverse audiences as a touchstone for imagined anxieties over adolescence and coming-of-age, traditional values of family and community, threats from abroad, and the provocations of mass or consumer society. Although the specific sources and motivations for rebellion have shifted, what has persisted is the film's singular power to represent rebellion in what could otherwise be seen as the everyday, and to move viewers to ponder its causes.

Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films.

Topics covered include:

the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing.

For any student of film studies or American cultural studies, this is a valuable companion.

Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films.

Topics covered include:

the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing.

For any student of film studies or American cultural studies, this is a valuable companion.

American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick''s comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.

American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick''s comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.