J. Michelle Coghlan – författare

New York – the city that never sleeps – is brought to life in this vivid and lively anthology. From Staten Island to the Statue of Liberty, for centuries, authors and poets have been inspired to write about the heady highs and formidable lows of New York: its people, places and unique history.One sweltering summer’s day, Charles Dickens passes through Wall Street. James Weldon Johnson’s anonymous narrator stumbles into a hidden bar full of poker players. Mark Twain recalls a dinner held in seven different languages. And Anaïs Nin declares that she is in love . . . with the city itself.New York has lived through immense challenges yet remains irrepressible, filled with constant energy, movement and excitement. All these different perspectives are captured by the prose and poetry of a wonderful range of writers, including Audre Lorde, Walt Whitman, Edna St Vincent Millay, Henry James, Langston Hughes and many more.Part of the Macmillan Collector's Library series of gorgeous pocket-sized travel paperbacks, featuring Treasures of Cornwall, Yorkshire: A Literary Landscape, London: An Illustrated Literary Companion and Paris: A Literary Anthology. These beautiful books make perfect gifts or a treat for any book lover. Edited and introduced by J. Michelle Coghlan.

This Companion provides an engaging and expansive overview of gustation, gastronomy, agriculture and alimentary activism in literature from the medieval period to the present day, as well as an illuminating introduction to cookbooks as literature. Bringing together sixteen original essays by leading scholars, the collection rethinks literary food from a variety of critical angles, including gender and sexuality, critical race studies, postcolonial studies, eco-criticism and children's literature. Topics covered include mealtime decorum in Chaucer, Milton's culinary metaphors, early American taste, Romantic gastronomy, Victorian eating, African-American women's culinary writing, modernist food experiments, Julia Child and cold war cooking, industrialized food in children's literature, agricultural horror and farmworker activism, queer cookbooks, hunger as protest and postcolonial legacy, and 'dude food' in contemporary food blogs. Featuring a chronology of key publication and historical dates and a comprehensive bibliography of further reading, this Companion is an indispensible guide to an exciting field for students and instructors.

This Companion provides an engaging and expansive overview of gustation, gastronomy, agriculture and alimentary activism in literature from the medieval period to the present day, as well as an illuminating introduction to cookbooks as literature. Bringing together sixteen original essays by leading scholars, the collection rethinks literary food from a variety of critical angles, including gender and sexuality, critical race studies, postcolonial studies, eco-criticism and children's literature. Topics covered include mealtime decorum in Chaucer, Milton's culinary metaphors, early American taste, Romantic gastronomy, Victorian eating, African-American women's culinary writing, modernist food experiments, Julia Child and cold war cooking, industrialized food in children's literature, agricultural horror and farmworker activism, queer cookbooks, hunger as protest and postcolonial legacy, and 'dude food' in contemporary food blogs. Featuring a chronology of key publication and historical dates and a comprehensive bibliography of further reading, this Companion is an indispensible guide to an exciting field for students and instructors.

Remaps the borders of transatlantic feeling and resituates the role of international memory in U.S. culture in the long nineteenth century and beyondIn refocusing attention on the Paris Commune as a key event in American political and cultural memory, Sensational Internationalism radically changes our understanding of the relationship between France and the United States in the long nineteenth century. It offers fascinating, remarkably accessible readings of a range of literary works, from periodical poetry and boys’ adventure fiction to radical pulp and the writings of Henry James, as well as a rich analysis of visual, print, and performance culture, from post-bellum illustrated weeklies and panoramas to agit-prop pamphlets and Coney Island pyrotechnic shows. This book will speak to readers looking to understand the affective, cultural, and aesthetic afterlives of revolt and revolution pre-and-post Occupy Wall Street, as well as those interested in space, gender, performance, and transatlantic print culture.Key FeaturesMulti-disciplinary study of the cultural legacy of the Paris Commune in both mainstream and leftist U.S. memoryContributes to recent work on the global dimensions of pre-Popular front radical culture in the USAddresses a critical ongoing blind spot in American Studies by extending the borders of transatlantic affiliation beyond the confines of Anglo-American attachmentsOffers innovative readings of well-known and altogether neglected cultural texts