J. Suh – författare

This book looks at U.S.-Korea relations and argues that military alliances depend upon a combination of power distribution, material assets, and identities. The author asserts that beyond being mere tools of power balancing, alliances are also impacted by material and institutional practices that constitute the identity of allies and adversaries.

This book investigates the impact of fascism on twentieth-century British fiction. With a solid archival underpinning, Suh locates anti-fascist counter-strategies in middlebrow genres associated with women writers (domestic fiction, melodrama, country house novels, and family sagas) and makes the powerful argument that these rhetorical and narrative strategies emerge as the most durable. Presenting works by Phyllis Bottome, Nancy Mitford, Elizabeth Bowen, Virginia Woolf, and Muriel Spark, the book shifts the focus from high modernism and its heirs, widely considered the most important sites of literary conceptions of the political, to the under explored feminist anti-fascist strategies inherent to middlebrow fiction.

Hwang Sun-won, perhaps the most beloved and respected Korean writer of the 20th century, based this extraordinary novel on his own experiences in his North Korean home village between the end of World War II and the eve of the Korean War when Korea had been divided into North and South by its two "liberators" - the United States and the Soviet Union. In this story the Soviet-backed communist party, using the promise of land reform, sets people at each other's throat. Portrayed here is an entire community caught in the political and social firestorm that brings out the selfishness, cruelty and ignorance of simple people, but also shows their loyalty and nobility. Compelling here, too, is a heroine who represents the "eternally feminine" for all Korean men, and the setting, the harsh political, psychic and physical landscape of rural postwar North Korea rarely glimpsed by the outside world. Hwang Sun-won is an artist of consummate delicacy and subtlety, and his writing is marked by keen psychological insight and steely asceticism. While three collections of his short stories have appeared in Hong Kong and the West, "The Descendants of Cain" is the first English translation of a Hwang Sun-won novel.

Hwang Sun-won, perhaps the most beloved and respected Korean writer of the 20th century, based this extraordinary novel on his own experiences in his North Korean home village between the end of World War II and the eve of the Korean War when Korea had been divided into North and South by its two "liberators" - the United States and the Soviet Union. In this story the Soviet-backed communist party, using the promise of land reform, sets people at each other's throat. Portrayed here is an entire community caught in the political and social firestorm that brings out the selfishness, cruelty and ignorance of simple people, but also shows their loyalty and nobility. Compelling here, too, is a heroine who represents the "eternally feminine" for all Korean men, and the setting, the harsh political, psychic and physical landscape of rural postwar North Korea rarely glimpsed by the outside world. Hwang Sun-won is an artist of consummate delicacy and subtlety, and his writing is marked by keen psychological insight and steely asceticism. While three collections of his short stories have appeared in Hong Kong and the West, "The Descendants of Cain" is the first English translation of a Hwang Sun-won novel.

Hwang Sun-won, perhaps the most beloved and respected Korean writer of the 20th century, based this extraordinary novel on his own experiences in his North Korean home village between the end of World War II and the eve of the Korean War when Korea had been divided into North and South by its two "liberators" - the United States and the Soviet Union. In this story the Soviet-backed communist party, using the promise of land reform, sets people at each other''s throat. Portrayed here is an entire community caught in the political and social firestorm that brings out the selfishness, cruelty and ignorance of simple people, but also shows their loyalty and nobility. Compelling here, too, is a heroine who represents the "eternally feminine" for all Korean men, and the setting, the harsh political, psychic and physical landscape of rural postwar North Korea rarely glimpsed by the outside world. Hwang Sun-won is an artist of consummate delicacy and subtlety, and his writing is marked by keen psychological insight and steely asceticism. While three collections of his short stories have appeared in Hong Kong and the West, "The Descendants of Cain" is the first English translation of a Hwang Sun-won novel.

Hwang Sun-won, perhaps the most beloved and respected Korean writer of the 20th century, based this extraordinary novel on his own experiences in his North Korean home village between the end of World War II and the eve of the Korean War when Korea had been divided into North and South by its two "liberators" - the United States and the Soviet Union. In this story the Soviet-backed communist party, using the promise of land reform, sets people at each other''s throat. Portrayed here is an entire community caught in the political and social firestorm that brings out the selfishness, cruelty and ignorance of simple people, but also shows their loyalty and nobility. Compelling here, too, is a heroine who represents the "eternally feminine" for all Korean men, and the setting, the harsh political, psychic and physical landscape of rural postwar North Korea rarely glimpsed by the outside world. Hwang Sun-won is an artist of consummate delicacy and subtlety, and his writing is marked by keen psychological insight and steely asceticism. While three collections of his short stories have appeared in Hong Kong and the West, "The Descendants of Cain" is the first English translation of a Hwang Sun-won novel.

This book looks at U.S.-Korea relations and argues that military alliances depend upon a combination of power distribution, material assets, and identities. The author asserts that beyond being mere tools of power balancing, alliances are also impacted by material and institutional practices that constitute the identity of allies and adversaries.