J. Vansina – författare

To understand the genocide and other dramatic events of Rwanda's recent past, one must understand the history of the earlier realm. Jan Vansina provides a critique of the history recorded by early missionaries and court historians and provides a bottom-up view, drawing on hundreds of grassroots narratives. He describes the genesis of the Hutu and Tutsi identities, their growing social and political differences, their bitter feuds, revolts, and massacres, and the relevance of this dramatic history to the post-genocide Rwanda of today.

To understand the genocide and other dramatic events of Rwanda's recent past, one must understand the history of the earlier realm. Jan Vansina provides a critique of the history recorded by early missionaries and court historians and provides a bottom-up view, drawing on hundreds of grassroots narratives. He describes the genesis of the Hutu and Tutsi identities, their growing social and political differences, their bitter feuds, revolts, and massacres, and the relevance of this dramatic history to the post-genocide Rwanda of today.

This is a pioneering introduction to a subject that is still at an early srage of academic development. It aims to provide the reader with a systematic method for the historical understanding of African art. Professor Vansina considers the medium, technique, style and meaning of art objects and examines the creative process through which they come into being. Numerous photographs and drawings illustrate his arguments, and help to explain the changes that have taken place.

Like stars, societies are born, and this story deals with such births. Hitherto neglected by historians, the rise of societies and cultures in West Central Africa is a captivating story. It asks a fundamental and compelling question: How did societies first coalesce from the small foraging communities that had roamed in West Central Africa for many thousands of years? In ""How Societies Are Born"", Vansina continues a career-long effort to reconstruct the history of African societies before European contact, employing a provocative combination of archaeology and historical linguistics to turn his scholarly focus to governance. Whether cattle, initiations, or social position, Vansina uncovers what drove each society's developmental path, revealing the fascinating motivations behind how societies are born.

This is a pioneering introduction to a subject that is still at an early srage of academic development. It aims to provide the reader with a systematic method for the historical understanding of African art. Professor Vansina considers the medium, technique, style and meaning of art objects and examines the creative process through which they come into being. Numerous photographs and drawings illustrate his arguments, and help to explain the changes that have taken place.

Originally published in 1964 these papers discuss the recovery and critical interpretation of oral traditions and written documents, problems of dating and analysis of material from archaeological sites, the use of linguistic evidence, and methods of historical reconstruction concerning techniques, art styles and changes in social organization. Consideration is also given to wider problems concerning the pre-colonial history of certain parts of Africa. Attitudes towards the study and understanding of various aspects of historical develoment both among scholars and the public are also reviewed.

Originally published in 1964 these papers discuss the recovery and critical interpretation of oral traditions and written documents, problems of dating and analysis of material from archaeological sites, the use of linguistic evidence, and methods of historical reconstruction concerning techniques, art styles and changes in social organization. Consideration is also given to wider problems concerning the pre-colonial history of certain parts of Africa. Attitudes towards the study and understanding of various aspects of historical develoment both among scholars and the public are also reviewed.

This is a pioneering introduction to a subject that is still at an early srage of academic development. It aims to provide the reader with a systematic method for the historical understanding of African art. Professor Vansina considers the medium, technique, style and meaning of art objects and examines the creative process through which they come into being. Numerous photographs and drawings illustrate his arguments, and help to explain the changes that have taken place.