J. Wolfreys – författare

This book stages a series of interventions and inventions of urban space between 1880 and 1930 in key literary texts of the period. Making sharp distinctions between modernity and modernism, the volume reassesses the city as a series of singular sites irreducible to stable identities, concluding with an extended reading of The Waste Land .

While most analyses of the French National Front (NF) see it as a threat to democracy, the exact nature of this threat has never been clearly defined. Drawing on interviews with leading far-right figures and access to internal party documents, this book identifies the NF as a modern fascist party. The authors produce an uncompromising assessment of attempts to confront the NF and explain how it emerged as the leading challenger to a discredited mainstream in the 2002 presidential election.

Peter Ackroyd: The Ludic and Labyrinthine Text offers the reader the first major critical study in English of one of Britain''s most inventive, playful and significant writers of the twentieth century. This study playfully, yet rigorously engages with these aspects of literary stylistics and personal and national identity so important in Ackroyd''s work. Rejecting the postmodern label previously attached to the author, Gibson and Wolfreys provide a consideration of all Ackroyd''s writing to date, from his poetry and critical thought, to his novels and biographies, offering an indispensable account to anyone interested in Ackroyd and the condition of the novel at the end of the twentieth century.

Writing London asks the reader to consider how writers sought to respond to the nature of London. Drawing on literary and architectural theory and psychoanalysis, Julian Wolfreys looks at a variety of nineteenth-century writings to consider various literary modes of productions as responses to the city. Beginning with an introductory survey of the variety of literary representations and responses to the city, Writing London follows the shaping of the urban consciousness from Blake to Dickens, through Shelley, Barbauld, Byron, De Quincey, Engels and Wordsworth. It concludes with an Afterword which, in developing insights into the relationship between writing and the city, questions the heritage industry''s reinvention of London, while arguing for a new understanding of the urban spirit.

This book traces the rise of the French National Front and presents an analysis of the organisation''s origins, structure and doctrine which concludes that the Le Pen phenomenon represents a modern and sophisticated form of fascism. The authors offer a critical assessment of how political parties and anti-racist organisations have responded to the National Front''s exploitation of the immigration issue and examine the political arguments accompanying the reception of foreign workers and their families by French society during the twentieth century.

Following on from Julian Wolfrey''s successful Writing London (1998), this second volume extends Wolfrey''s original argument that a new urban sensibility in the nineteenth century had been developed which established new ways of writing about and responding to the city. Writing London - Volume 2 explores through a range of readings of twentieth-century films and texts the complex relationship between the experience of the city, the pleasures of the urban text and the solitary nature of these pleasures. The book has a broad focus, in part dictated not only by the transformation of literary production in the twentieth-century, but also by the need to respond to the changes in both urban representation and London itself. Writers discussed include Virginia Woolf, Elizabeth Bowen, Maureen Duffy, Peter Ackroyd, Iain Sinclair and Michael Moorcock. The volume covers texts from the late nineteenth-century to the end of the twentieth, in a critical reading that incorporates the theoretical insights of Walter Benjamin, Guy Debord and Jacques Derrida.

This book stages a series of interventions and inventions of urban space between 1880 and 1930 in key literary texts of the period. Making sharp distinctions between modernity and modernism, the volume reassesses the city as a series of singular sites irreducible to stable identities, concluding with an extended reading of The Waste Land .

To what extent did the Gothic haunt the nineteenth century? Victorian Gothic seeks to answer this as it introduces the reader to a timely revision of notions of the Gothic in all its manifestations. The Gothic is found to haunt all aspects of Victorian literature and culture. Moreover, Victorian Gothic connects its disparate areas of research in returning repeatedly to the question of the constitution of the subject, in a study of the Victorians from the 1830s to the 1890s.

Writing London asks the reader to consider how writers sought to respond to the nature of London. Drawing on literary and architectural theory and psychoanalysis, Julian Wolfreys looks at a variety of nineteenth-century writings to consider various literary modes of productions as responses to the city. Beginning with an introductory survey of the variety of literary representations and responses to the city, Writing London follows the shaping of the urban consciousness from Blake to Dickens, through Shelley, Barbauld, Byron, De Quincey, Engels and Wordsworth. It concludes with an Afterword which, in developing insights into the relationship between writing and the city, questions the heritage industry's reinvention of London, while arguing for a new understanding of the urban spirit.

This book traces the rise of the French National Front and presents an analysis of the organisation's origins, structure and doctrine which concludes that the Le Pen phenomenon represents a modern and sophisticated form of fascism.

Acknowledgements Notes on the Contributors List of Illustrations Preface: 'I Could a Tale Unfold' or, the Promise of Gothic; R.Robbins & J.Wolfreys 'Designing Gourmet Children or, KIDS FOR DINNER!'; J.R.Kinkaid Resurrecting the Regency: Horror and Eighteenth-Century Comedy in Le Fanu's Fiction; V.Sage 'I Wants to Make your Flesh Creep': Notes toward a Reading of the Comic-Gothic in Dickens; J.Wolfreys Hopkins and the Gothic Body; R.J.C.Watt From King Arthur to Sidonia the Sorceress: The Dual Nature of Pre-Raphaelite Medievalism; J.-A.George Mary Elizabeth Coleridge, Literary Influence, and Technologies of the Uncanny; A.Chapman The 'Anxious Dream': Julia Margaret Cameron's Gothic Perspective; M.Wynne-Davies Trance Gothic, 1882-1897; R.Luckhurst 'Withered, Wrinkled, and Loathsome of Visage': Reading the Ethics of the Souls and the Late-Victorian Gothic in The Picture of Dorian Gray; K.Womack Apparitions Can Be Deceptive: Vernon Lee's Androgynous Spectres; R.Robbins Gothic and Supernatural: Allegories at Work and Play in Kipling's Indian Fiction; P. Morey Archaeology and Gothic Desire: Vitality Beyond the Grave in H.Rider Haggard's Ancient Egypt; R.Pearson Bibliography Index

This book traces the rise of the French National Front and presents an analysis of the organisation's origins, structure and doctrine which concludes that the Le Pen phenomenon represents a modern and sophisticated form of fascism. The authors offer a critical assessment of how political parties and anti-racist organisations have responded to the National Front's exploitation of the immigration issue and examine the political arguments accompanying the reception of foreign workers and their families by French society during the twentieth century.

Peter Ackroyd: The Ludic and Labyrinthine Text offers the reader the first major critical study in English of one of Britain's most inventive, playful and significant writers of the twentieth century. This study playfully, yet rigorously engages with these aspects of literary stylistics and personal and national identity so important in Ackroyd's work. Rejecting the postmodern label previously attached to the author, Gibson and Wolfreys provide a consideration of all Ackroyd's writing to date, from his poetry and critical thought, to his novels and biographies, offering an indispensable account to anyone interested in Ackroyd and the condition of the novel at the end of the twentieth century.

Writing London asks the reader to consider how writers sought to respond to the nature of London. Drawing on literary and architectural theory and psychoanalysis, Julian Wolfreys looks at a variety of nineteenth-century writings to consider various literary modes of productions as responses to the city. Beginning with an introductory survey of the variety of literary representations and responses to the city, Writing London follows the shaping of the urban consciousness from Blake to Dickens, through Shelley, Barbauld, Byron, De Quincey, Engels and Wordsworth. It concludes with an Afterword which, in developing insights into the relationship between writing and the city, questions the heritage industry's reinvention of London, while arguing for a new understanding of the urban spirit.

To what extent did the Gothic haunt the nineteenth century? Victorian Gothic seeks to answer this as it introduces the reader to a timely revision of notions of the Gothic in all its manifestations. The Gothic is found to haunt all aspects of Victorian literature and culture. Moreover, Victorian Gothic connects its disparate areas of research in returning repeatedly to the question of the constitution of the subject, in a study of the Victorians from the 1830s to the 1890s.

This book stages a series of interventions and inventions of urban space between 1880 and 1930 in key literary texts of the period. Making sharp distinctions between modernity and modernism, the volume reassesses the city as a series of singular sites irreducible to stable identities, concluding with an extended reading of The Waste Land .

This book traces the rise of the French National Front and presents an analysis of the organisation's origins, structure and doctrine which concludes that the Le Pen phenomenon represents a modern and sophisticated form of fascism. The authors offer a critical assessment of how political parties and anti-racist organisations have responded to the National Front's exploitation of the immigration issue and examine the political arguments accompanying the reception of foreign workers and their families by French society during the twentieth century.

To what extent did the Gothic haunt the nineteenth century? Victorian Gothic seeks to answer this as it introduces the reader to a timely revision of notions of the Gothic in all its manifestations. The Gothic is found to haunt all aspects of Victorian literature and culture. Moreover, Victorian Gothic connects its disparate areas of research in returning repeatedly to the question of the constitution of the subject, in a study of the Victorians from the 1830s to the 1890s.