Jaafar Aksikas – författare

The relationship between culture and the law has become an emergent concern within contemporary Cultural Studies as a field, but the recent focus has been largely limited to the role played by cultural representations and identity politics in the legitimation of legal discourse and policies. While continuing this emphasis, this collection also looks at the law itself as a cultural production, tracing some of the specific contours of its function in the last three decades. It argues that, with the onset of neoliberal or late capitalism, the law has taken on a new specificity and power, leading to what we are calling the ‘juridical turn’, where the presumed legitimacy of the law makes other forms of hegemonic struggle secondary. The collection not only charts the law and cultural policy as they exert their powerful—if often overlooked—influence on every aspect of society and culture, but it also seeks to define this important field of study and demonstrate the substantial role law plays in the production of our social and cultural worlds. In this trailblazing collection of contributions by leading and emerging figures in the field of cultural legal studies, chapters examine various ways in which this process is manifested, such as U.S. legislation and Supreme Court Decisions on gay marriage, immigration, consumer finance, welfare, copyright, and so-called victim’s rights, along with international comparisons from Europe and Latin America. It promises to be a pathbreaking analysis of our juridically-determined conjuncture. This book was originally published as a special issue of Cultural Studies.

The relationship between culture and the law has become an emergent concern within contemporary Cultural Studies as a field, but the recent focus has been largely limited to the role played by cultural representations and identity politics in the legitimation of legal discourse and policies. While continuing this emphasis, this collection also looks at the law itself as a cultural production, tracing some of the specific contours of its function in the last three decades. It argues that, with the onset of neoliberal or late capitalism, the law has taken on a new specificity and power, leading to what we are calling the ‘juridical turn’, where the presumed legitimacy of the law makes other forms of hegemonic struggle secondary. The collection not only charts the law and cultural policy as they exert their powerful—if often overlooked—influence on every aspect of society and culture, but it also seeks to define this important field of study and demonstrate the substantial role law plays in the production of our social and cultural worlds. In this trailblazing collection of contributions by leading and emerging figures in the field of cultural legal studies, chapters examine various ways in which this process is manifested, such as U.S. legislation and Supreme Court Decisions on gay marriage, immigration, consumer finance, welfare, copyright, and so-called victim’s rights, along with international comparisons from Europe and Latin America. It promises to be a pathbreaking analysis of our juridically-determined conjuncture. This book was originally published as a special issue of Cultural Studies.

Arab Modernities is a critical interrogation of some of the ideologies of so-called modernity and modernization in the post-colonial Arab world, with a specific focus on three political ideologies: liberalism, nationalism, and Islamism. By providing a critical analysis of the work of major Arab intellectuals/activists (namely, Abdallah Laroui, Mohamed Abed al-Jabri, and Abdessalam Yassine), Arab Modernities brings together three political ideologies that have hitherto been considered competing and even incompatible in the Arab world. This much-needed intervention is also best understood as an inquiry into one of the central paradoxes of post-colonial Arab societies (and Middle Eastern societies more generally): the rise of Islamism and Islamist fundamentalism at a time when global neo-liberalism has declared «the end of history». Arab Modernities is a sophisticated attempt to «name» contemporary Islamism and Arab nationalism and liberalism – to delineate the social, cultural, economic, and political conditions under which they first emerged, evolved, and ultimately failed, and thereby to shed light on Arab-Islamic societies at the current historical conjuncture. Arab Modernities argues against facile analyses that attribute the rise and subsequent decline of liberalism and nationalism, as well as the current rise of Islamism, to purely cultural, religious, or ideological factors and provides a rigorous, complex materialist critique, where Arab ideologies of modernity are placed in the context of the particular historical formation within which they have developed and to which they have responded.

A complete guidebook to the central methods and methodologies in the field of contemporary Cultural Studies.

A complete guidebook to the central methods and methodologies in the field of contemporary Cultural Studies.

This edited volume seeks to combine and highlight the theoretical and practical aspects of teaching by exploring and reflecting on the ways in which Cultural Studies is taught and practiced at both the undergraduate and graduate levels, in the US and internationally.